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All the President's Men (1976)

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"The Washington Post" reporters Bob Woodward and Carl Bernstein uncover the details of the Watergate scandal that leads to President Richard Nixon's resignation.

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(book), (book) | 1 more credit »
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2,895 ( 52)
Won 4 Oscars. Another 12 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Bookkeeper
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Debbie Sloan (as Meredith Baxter Birney)
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Penny Fuller ...
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Foreign Editor
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Frank Wills ...
Frank Wills
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Arresting Officer #1
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Storyline

In the run-up to the 1972 elections, Washington Post reporter Bob Woodward covers what seems to be a minor break-in at the Democratic Party National headquarters. He is surprised to find top lawyers already on the defense case, and the discovery of names and addresses of Republican fund organizers on the accused further arouses his suspicions. The editor of the Post is prepared to run with the story and assigns Woodward and Carl Bernstein to it. They find the trail leading higher and higher in the Republican Party, and eventually into the White House itself. Written by Jeremy Perkins {J-26}

Plot Summary | Plot Synopsis

Taglines:

The most devastating detective story of the century! See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

9 April 1976 (USA)  »

Also Known As:

Todos los hombres del presidente  »

Box Office

Budget:

$8,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The phone number that Woodward dials and reaches a man who speaks no English is 305-374-1299, the usual 555- prefix was not used. It is a real number, used by Net Capital Mortgage in Miami, Florida. See more »

Goofs

When Woodward is working during the TV announcement of Nixon's appointment as Republican candidate, there is a jump cut. This coincides with a cut in the TV coverage. See more »

Quotes

[first lines]
[first lines including archive footage]
Walter Cronkite: Now here comes the president's helicopter, Marine Helicopter Number One, landing on the plaza on the east side of the east front of the Capitol.
See more »

Crazy Credits

The opening Warner Bros. Zooming \\' logo is in black and white. See more »

Connections

Referenced in Kikaider: The Ultimate Human Robot (2014) See more »

Soundtracks

Hail to the Chief
(uncredited)
Written by James Sanderson
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Second time's a charm
30 July 1999 | by (Fredericton, New Brunswick) – See all my reviews

The first time I saw this film, I was suitably impressed but found I couldn't enjoy it completely. In order to keep up with the relentless pace of the plot, I didn't pay as much attention to the writing and the performances as I should have. When it was over, I felt the breakneck pace of the story overshadowed the screenplay and acting, rendering the film an accomplished reprisal of fact but not much else.

What a difference a second viewing made. My familiarity with the plot allowed me to appreciate all the finer details of the film. Watching Redford and Hoffman's disciplined performances as Woodward and Bernstein, for instance, is like watching two expert tennis players work in tandem with one another. When they act together, there is a delightful give-and-take, two masters working their way into a wonderful groove. While they appear steady and reserved on the surface, the two actors radiate a noticeable undercurrent of excitement and dread, as if underneath their stern countenances they're screaming, "Holy sh*t! I can't believe we're doing this!!" Redford, not the strongest dramatic actor, finds his normal-guy niche here and gives one of his best performances. Hoffman is equally strong, making even the simplest scene seem like a masterpiece (the "count to 10" phone scene comes to mind).

Throughout the film, Pakula communicates the idea of these two reporters being completely outnumbered by the people responsible for the Watergate break-in. I loved the numerous overhead shots of Woodward and Bernstein that pull up, up, up, until they're nothing more than specks in the dirty streets of DC. (This technique is also used in the classic scene where the two guys are searching through old records and the camera pulls up to the ceiling and shows them seated along the edge of a circular series of desks.)

The film rockets right along, leaving the viewers as excited over the reporters' discoveries as they are. William Goldman's script helps in this regard, I think, sticking straight to the meat and cutting out any unnecessary roughage. The dialogue gets right down to business while working in realistic vocal habits and the like. Redford really captures this well (listen to his stammering and self-corrections when he talks on the phone to sources - great stuff!).

I can't recommend "All the President's Men" enough. It's tightly-structured, fiercely-paced, and captivating as all get-out. If necessary, watch it twice: once to find out who's who, the second time to savour the handiwork. If you want to talk more about it, leave a red flag on the potted plant on your balcony.


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