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All the President's Men (1976)

"The Washington Post" reporters Bob Woodward and Carl Bernstein uncover the details of the Watergate scandal that leads to President Richard Nixon's resignation.

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(book), (book) | 1 more credit »
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Won 4 Oscars. Another 12 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Bookkeeper
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Debbie Sloan (as Meredith Baxter Birney)
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Penny Fuller ...
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Foreign Editor
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Frank Wills ...
Frank Wills
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Arresting Officer #1
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Storyline

In the run-up to the 1972 elections, Washington Post reporter Bob Woodward covers what seems to be a minor break-in at the Democratic Party National headquarters. He is surprised to find top lawyers already on the defense case, and the discovery of names and addresses of Republican fund organizers on the accused further arouses his suspicions. The editor of the Post is prepared to run with the story and assigns Woodward and Carl Bernstein to it. They find the trail leading higher and higher in the Republican Party, and eventually into the White House itself. Written by Jeremy Perkins {J-26}

Plot Summary | Plot Synopsis

Taglines:

The most devastating detective story of the century! See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

9 April 1976 (USA)  »

Also Known As:

Todos los hombres del presidente  »

Box Office

Budget:

$8,500,000 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film reunites Martin Balsam and Jack Warden, who previously appeared together as jurors in 12 Angry Men (1957) (coincidentally, sitting at ends of the table directly opposite one another.) It also reunites Balsam with Jason Robards, his co-star in A Thousand Clowns (1965), the film for which Balsam won an Oscar, and Tora! Tora! Tora! (1970). See more »

Goofs

When Bernstein is talking on the phone to the librarian at the Library of Congress, he is typing. When the librarian comes back on the line after a pause and contradicts her earlier statements, Bernstein reaches for some paper and starts writing notes, but when he goes over to see Woodward after the phone call, he takes the paper out of the typewriter and gives it to Woodward, saying they are his notes. See more »

Quotes

[first lines]
[first lines including archive footage]
Walter Cronkite: Now here comes the president's helicopter, Marine Helicopter Number One, landing on the plaza on the east side of the east front of the Capitol.
See more »

Crazy Credits

The opening Warner Bros. Zooming \\' logo is in black and white. See more »

Connections

Referenced in The Toy (1982) See more »

Soundtracks

Hail to the Chief
(uncredited)
Written by James Sanderson
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

An event that changed Journalism forever.
10 May 2004 | by See all my reviews

This is a very well made film. Many people have spoke against it for being too left wing, which I really don't see. There really is no debate or discussion in the film on the Nixon administration. I think people assume that since Robert Redford and Dustin Hoffman are well known hollywood lefties, that this is a anti-Republican film.

The film realistically details the corruption that exists within politics and campaigning. I really don't believe that Woodward and Bernstien were exceptionally bright journalists (despite being aggressive) it seemed more like the people in question who were at the heart of this scandal (Liddy, Hunt, Halderman, Mitchell) just got very arrogant and sloppy and thought they were untouchable.

The film shows how aggresive these reporters have to be (almost crossing the line at being sleazy). It details the early stages of the Watergate scandel and the preliminary press releases and investigations that eventually brought down the entire Nixon administration. The film does this masterfullly...I loved the long sequence when Woodward is talking to Kenneth Dahlberg on the phone and trying to get him to reluctantly tell the truth and the verrrry slow closeup on Redford while the dialogue goes on. Jason Robards delivers a memorable performance as Post editor Ben Bradley.

It was the event of Watergate that changed all of the press from simple onlookers to dirt digging investigative reporters.


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