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All the President's Men (1976)

"The Washington Post" reporters Bob Woodward and Carl Bernstein uncover the details of the Watergate scandal that leads to President Richard Nixon's resignation.

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Won 4 Oscars. Another 13 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Bookkeeper
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Penny Fuller ...
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Foreign Editor
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Frank Wills ...
Frank Wills
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Arresting Officer #1
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Storyline

In the run-up to the 1972 elections, Washington Post reporter Bob Woodward covers what seems to be a minor break-in at the Democratic Party National headquarters. He is surprised to find top lawyers already on the defense case, and the discovery of names and addresses of Republican fund organizers on the accused further arouses his suspicions. The editor of the Post is prepared to run with the story and assigns Woodward and Carl Bernstein to it. They find the trail leading higher and higher in the Republican Party, and eventually into the White House itself. Written by Jeremy Perkins {J-26}

Plot Summary | Plot Synopsis

Taglines:

At times it looked like it might cost them their jobs, their reputations, and maybe even their lives. See more »


Certificate:

PG | See all certifications »

Parents Guide:

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Details

Country:

Language:

|

Release Date:

9 April 1976 (USA)  »

Also Known As:

Todos los hombres del presidente  »

Box Office

Budget:

$8,500,000 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Screenwriter William Goldman had to tone down the dialog from editor Harry Rosenfeld, played in the film by Jack Warden. Rosenfeld in real life was so hilariously funny that Goldman didn't think that people would believe someone could be so spontaneously witty. See more »

Goofs

When Woodward and Bernstein meet Sloan at his house, Robert Redford incorrectly introduces himself as "Carl Woodward". See more »

Quotes

[first lines]
[first lines including archive footage]
Walter Cronkite: Now here comes the president's helicopter, Marine Helicopter Number One, landing on the plaza on the east side of the east front of the Capitol.
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Crazy Credits

The opening Warner Bros. Zooming \\' logo is in black and white. See more »

Connections

Referenced in Saturday Night Live: Jack Burns/Santana (1977) See more »

Soundtracks

Concerto in C for two trumpets
(RV 537)
Written by Antonio Vivaldi
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Frequently Asked Questions

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User Reviews

 
Truth is stranger...
10 April 2005 | by (Saffron Walden, UK) – See all my reviews

A central problem for all thrillers is that the need to find twist after clever twist means that stories escalate quickly into realms of implausibility; an apparently boring tale of low level corruption soon brings down the President of the United States. Which gives 'All the President's Men' a huge advantage over most thrillers, because this film (based on the Watergate incident in 1972) can tell such a story and support it on the basis that all of it is true. Director Alan Pakula, something of a conspiracy thriller specialist, here does a great job in adapting the book written by the journalists who broke the story: the film is never overly melodramatic, but is always tense, and although it has pair of heroes, we're left in no doubt of their selfish motivations as they work potential witnesses any way they can in their bid to nail the truth. Unlike most clichéd detective thrillers, the true nature of the crime is unknown (and arguably, remains unknown to this day), so even though we know what happened, there's an air of unpredictability to the story; reporters Woodward (played by Robert Redford) and Bernstein (Dustin Hoffman) don't know what they are looking for, even though they are certain that (somewhere) it is there. The plot is nicely paced, and even dares to skip lightly over the eventual vindication of the journalist's hunches, preferring to concentrate on how it felt for them, chasing this huge story, over a mere historical reconstruction of President Nixon's demise. Indeed, although Nixon appears in this film, it's only on television, and played by himself. This means that what we don't get is a wider analysis: a theory as to the true motive of Nixon's actions is hinted at but nothing more; nor does the film tell us whether it regards his behaviour as a disgrace to modern politics, or an mere symptom of them. In this respect, Oliver Stone's (more fanciful) 'Nixon' makes an interesting companion piece. But as a complex, gripping and understated thriller, 'All the President's Men' has few equals. Truth is stranger than fiction indeed.


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