All the President's Men (1976)

Reporters Woodward and Bernstein uncover the details of the Watergate scandal that leads to President Nixon's resignation.

Director:

Alan J. Pakula

Writers:

Carl Bernstein (book), Bob Woodward (book),

Stars:

Dustin Hoffman, Robert Redford, Jack Warden

Won 4 Oscars. Another 13 wins & 20 nominations.

Cast

Cast overview, first billed only:
Dustin Hoffman	...	Carl Bernstein
Robert Redford	...	Bob Woodward
Jack Warden	...	Harry Rosenfeld
Martin Balsam	...	Howard Simons
Hal Holbrook	...	Deep Throat
Jason Robards	...	Ben Bradlee
Jane Alexander	...	Bookkeeper
Meredith Baxter	...	Debbie Sloan
Ned Beatty	...	Dardis
Stephen Collins	...	Hugh Sloan
Penny Fuller	...	Sally Aiken
John McMartin	...	Foreign Editor
Robert Walden	...	Donald Segretti
Frank Wills	...	Frank Wills
F. Murray Abraham	...	Arresting Officer #1

Storyline

In the run-up to the 1972 elections, Washington Post reporter Bob Woodward covers what seems to be a minor break-in at the Democratic Party National headquarters. He is surprised to find top lawyers already on the defense case, and the discovery of names and addresses of Republican fund organizers on the accused further arouses his suspicions. The editor of the Post is prepared to run with the story and assigns Woodward and Carl Bernstein to it. They find the trail leading higher and higher in the Republican Party, and eventually into the White House itself.

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Plot Keywords:

watergate | nixon | reporter | newspaper | washington post | 

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Taglines:

At times it looked like it might cost them their jobs, their reputations, and maybe even their lives.

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Genres:

Drama | History | Mystery | Thriller

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Certificate:

R

Details

Country:

USA

Language:

English Spanish

Release Date:

9 April 1976 (USA)

Also Known As:

Todos los hombres del presidente

Filming Locations:

2600 Virginia Avenue NW, Washington, District of Columbia, USA

Box Office

Budget:

$8,500,000 (estimated)

Gross:

SEK 2,279,442 (Sweden)

Company Credits

Production Co:

Warner Bros, Wildwood

Technical Specs

Runtime:

138 min 125 min (TV)

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

At the time of filming in Washington D.C., Robert Redford stayed in the Watergate hotel.

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Goofs

When Bernstein is handed a photo, the woman who hands him the folder looks toward the camera as she walks off, as if to make sure she's no longer in the shot.

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Quotes

Carl Bernstein: Boy, that woman was paranoid! At one point I - I suddenly wondered how high up this thing goes, and her paranoia finally got to me, and I thought what we had was so hot that any minute CBS or NBC were going to come in through the windows and take the story away.
Bob Woodward: You're both paranoid. She's afraid of John Mitchell, and you're afraid of Walter Cronkite.

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Crazy Credits

The opening Warner Bros. Zooming \\' logo is in black and white.

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Connections

Referenced in Trading Places (1983)

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Soundtracks

"Concerto in C for two trumpets"
(RV 537)
Written by Antonio Vivaldi

User Reviews

The Watergate scandal from the reporters' perspective

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)

This dramatization of how it was discovered that the burglary of the Democratic Party headquarters at the Watergate Hotel in Washington, D. C. was funded and directed by the Nixon White House is a lot better than it has any right to be. Given the tedious, non-glamorous and frankly boring leg- and phone-work that is often the lot of the investigative reporter, it is surprising that this is a very interesting movie even if you don't care two beans about the Watergate scandal. In fact, this is really more about how the story was put together than it is about the scandal itself. It is also a lot less political than might be expected.

It stars Robert Redford and Dustin Hoffman as Washington Post reporters, Bob Woodward and Carl Bernstein, and they are good, with excellent support from Jason Robards (Oscar as Best Supporting Actor) playing Post Executive Editor Ben Bradlee, and Jane Alexander as an innocent caught up in the machinations. But what makes the movie work is the Oscar-winning script adapted from the Woodward and Bernstein best seller by that old Hollywood pro, William Goldman (Butch Cassidy and the Sundance Kid 1969, Misery 1990, etc.). What he does so very well, even though we know the outcome, is to establish and maintain the tension as Woodward and Bernstein run all over town chasing leads and misdirections. He accomplishes this by putting just enough varied obstacles in the path of our intrepid reporters, notably the Washington bureaucracy and the understandably cautious senior editors at the Post.

The direction by Alan J. Pakula (Comes a Horseman 1978, Sophie's Choice 1982, etc.) focuses the scenes nicely, keeps the camera where it belongs, and highlights the story with a shadowy Deep Throat (Hal Holbrook), skitterish sources, and a vivid recreation of a top American newspaper at work. I was especially enthralled to see the interactions among the reporters, the editors and the sources. I thought they all looked and sounded authentic, Redford's good looks having nothing to do with the story, which was right, and Hoffman's flair for the intense reigned in, which was necessary. The diffidence of Alexander's character and the soft pushiness of Woodward and Bernstein were tempered just right. Bradlee's stewardship of the story and his ability to take a calculated risk seemed true to life.

Some details that stood out: Redford's hunt and peck typing contrasted with Hoffman's all fingers flying; the talking heads on the strategically placed TVs, reacting (via actual video footage) to the developing story--deny, deny, deny! of course. The thin reporter's spiral notebooks being pulled out and then later flipped through to find a quote. The bright lights of the newsroom looking expansive with all those desks as though there were mirrors on the walls extending an illusion. The seemingly silly tricks to get a source to confirm: just nod your head; I'll count to ten and if you're still on the line... And you know what I liked best? No annoying subplot!

The rather abrupt resolution with the teletype banging out the leads to a sequence of stories that led to President Nixon's resignation had just the right feel to it, especially for those of us who have actually experienced the goosepimply sensation that comes with watching a breaking story come in over the teletype. The quick wrap-up surprised me, but delighted me at the same time.

Bottom line: an excellent movie that wears well, a fine example of some of Hollywood's top professionals at work some thirty years ago. #30