| Photos (See all 16 | slideshow) |
| Robert De Niro | ... | Alfredo Berlinghieri | |
| Gérard Depardieu | ... | Olmo Dalcò (as Gerard Depardieu) | |
| Dominique Sanda | ... | Ada Fiastri Paulhan | |
| Francesca Bertini | ... | Sister Desolata | |
| Laura Betti | ... | Regina | |
| Werner Bruhns | ... | Ottavio Berlinghieri | |
| Stefania Casini | ... | Neve - Epileptic Woman | |
| Sterling Hayden | ... | Leo Dalcò | |
| Anna Henkel-Grönemeyer | ... | Anita the Younger (as Anna Henkel) | |
| Ellen Schwiers | ... | Amelia | |
| Alida Valli | ... | Signora Pioppi | |
| Romolo Valli | ... | Giovanni Berlinghieri | |
| Bianca Magliacca | ... | Peasant Woman | |
| Giacomo Rizzo | ... | Rigoletto | |
| Pippo Campanini | ... | Don Tarcisio | |
| Paolo Pavesi | ... | Alfredo as a Child | |
| Roberto Maccanti | ... | Olmo as a Child | |
| Antonio Piovanelli | ... | Turo Dalcò | |
| Paulo Branco | ... | Orso Dalcò (as Paolo Branco) | |
| Liù Bosisio | ... | Nella Dalcò (as Liú Bosisio) | |
| Maria Monti | ... | Rosina Dalcò | |
| Anna Maria Gherardi | ... | Eleonora | |
| Demesio Lusardi | ... | Montanaro - Big Eared Peasant | |
| Pietro Longari Ponzoni | ... | Pioppi | |
| Angelo Pellegrino | ... | Tailor | |
| José Quaglio | ... | Aranzini | |
| Clara Colosimo | ... | Woman who accuses Olmo | |
| Mario Meniconi | |||
| Carlotta Barilli | ... | Peasant | |
| Odoardo Dall'aglio | ... | Oreste Dalcò | |
| Piero Vida | |||
| Vittorio Fanfoni | ... | Fanfoni - a fascist | |
| Alessandro Bosio | ... | Fascist | |
| Sergio Serafini | ... | Young Fascist | |
| Patrizia De Clara | ... | Stella | |
| Edda Ferronao | ... | Stella's Daughter | |
| Winni Riva | ... | Parisian Peasant | |
| Fabio Garriba | ... | Peasant at Attila's execution | |
| Nazzareno Natale | ... | Peasant at Attila's execution | |
| Katerina Kosak | ... | Parisian Peasant | |
| Stefania Sandrelli | ... | Anita Foschi | |
| Donald Sutherland | ... | Attila Mellanchini | |
| Burt Lancaster | ... | Alfredo Berlinghieri the Elder | |
| rest of cast listed alphabetically: | |||
| Francesco D'Adda | ... | Soldier on Train (uncredited) | |
| Allen Midgette | ... | Vagabond (uncredited) | |
| Salvator Mureddu | ... | Chief of the King's Guards (uncredited) | |
| Mimmo Poli | ... | Fascist (uncredited) | |
| Tiziana Senatore | ... | Regina as a Child (uncredited) | |
Directed by | |||
| Bernardo Bertolucci | |||
Writing credits | ||
| Franco Arcalli | (written by) and | |
| Giuseppe Bertolucci | (written by) and | |
| Bernardo Bertolucci | (written by) | |
Produced by | |||
| Alberto Grimaldi | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Vittorio Storaro | |||
Film Editing by | |||
| Franco Arcalli | |||
Production Design by | |||
| Maria Paola Maino | |||
| Gianni Quaranta | |||
Art Direction by | |||
| Ezio Frigerio | |||
Set Decoration by | |||
| Maria Paola Maino | |||
Costume Design by | |||
| Gitt Magrini | |||
Makeup Department | |||
| Paolo Borselli | .... | hair stylist | |
| Iole Cecchini | .... | hair stylist (as Jole Cecchini) | |
| Giannetto De Rossi | .... | key makeup artist | |
| Fabrizio Sforza | .... | makeup artist | |
| Maurizio Trani | .... | makeup artist | |
Art Department | |||
| Carlo Agate | .... | construction chief | |
| Mauro Pagano | .... | assistant production designer | |
| Gianni Silvestri | .... | set dresser | |
Sound Department | |||
| Fausto Ancillai | .... | sound mixer | |
| Roberto Arcangeli | .... | foley artist | |
| Michael Billingsley | .... | sound editor (as Mike Billingsley) | |
| Claudio Maielli | .... | sound | |
| Giuliano Maielli | .... | sound recordist | |
| Alessandro Peticca | .... | sound editor (as Sandro Peticca) | |
| Decio Trani | .... | boom operator | |
Visual Effects by | |||
| Andrea Baracca | .... | digital color timing: restored version HD to 35mm (uncredited) | |
| Ludovico Bettarello | .... | digital online film restoration: Technicolor Rome (uncredited) | |
Camera and Electrical Department | |||
| Giuseppe Alberti | .... | assistant camera | |
| Luciano Galli | .... | chief electrician | |
| Alfredo Marchetti | .... | key grip | |
| Mauro Marchetti | .... | assistant camera | |
| Angelo Novi | .... | still photographer | |
| Enzo Tosi | .... | camera operator | |
| Enrico Umetelli | .... | camera operator | |
Costume and Wardrobe Department | |||
| Vittoria Guaita | .... | assistant costume designer | |
Editorial Department | |||
| Gabriella Cristiani | .... | assistant editor | |
| Ugo De Rossi | .... | assistant editor | |
| Fernanda Indoni | .... | second assistant editor | |
| Ernesto Novelli | .... | color technician | |
| Rosemarie Ruddies | .... | assistant editor | |
| Elvio Sordoni | .... | assistant editor | |
| Chris Balton | .... | assistant editor (uncredited) | |
Music Department | |||
| Angelo Giovagnoli | .... | musician: french horn | |
| Nando Monica | .... | musician: accordion | |
| Ennio Morricone | .... | conductor | |
| Rota | .... | musician: ocarina (uncredited) | |
Other crew | |||
| Ferruccio Amendola | .... | voice dubbing: Robert De Niro | |
| Claudio Camaso | .... | voice dubbing: Gérard Depardieu (as Claudio Volonté) | |
| Riccardo Caneva | .... | administrative director | |
| Riccardo Cucciolla | .... | dubbing director | |
| Leonardo Curreri | .... | administrator | |
| Mario Di Biase | .... | general manager | |
| Rossella Ferrero | .... | production secretary (as Rosella Ferrero) | |
| Maurizio Forti | .... | administrator | |
| Clemente Giovannini | .... | press office | |
| Alberto Grimaldi | .... | presenter | |
| Antonio Guidi | .... | voice dubbing: Donald Sutherland | |
| Renato Mori | .... | voice dubbing: Sterling Hayden | |
| Nico Naldini | .... | press office | |
| Enzo Ocone | .... | continuity | |
| Antonio Pala | .... | administrator | |
| Giuseppe Rinaldi | .... | voice dubbing: Burt Lancaster | |
| Angelo Sarago | .... | administrator | |
| Rita Savagnone | .... | voice dubbing: Dominique Sanda | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
Novecento is the Gone With The Wind of Italian cinema with enough American stars and one French one to make sure of its international market. It has the epic feel of Gone With The Wind, you can also compare it to any number of films based on Edna Ferber novels. It begins at the beginning of the 20th century in Northern Italy with the birth of two boys on the same day. One is the grandson of the local Padrone, Burt Lancaster who grows up to be Robert DeNiro. The second is the illegitimate grandson of the head man among the workers on Lancaster's estate, Sterling Hayden and the boy grows up to be Gerard Depardieu. This had to be Northern Italy or no one would have believed Gerard's baby blues in Sicily or Calabria.
Despite the difference in class which Americans have trouble comprehending, but as Marlon Brando said in The Young Lions mean a great deal in Europe, the boys grow up to be friends. But it's not only politics that pushes them apart, it's the love of Dominique Sanda. She marries DeNiro, but he can't believe she's not get a yen for Depardieu.
Like Gone With The Wind with the Civil War and Reconstruction, Novecento is set in the period from 1900 to 1945 which were tumultuous years for Italy. Until 1870 Italy was a geographical expression not a country, until the Pope surrendered sovereignty of the Papal States. Like Germany which also united at the same time it now wanted to be recognized as a leading power, Italy even got into the colonial game in Africa. Unlike every other European power it met defeat at Adowa when trying to takeover Ethiopia. That too had a major impact on the Italian psyche, something Bernard Bertolucci curiously enough did not mention.
He concentrated on the age old grievances of peasants against the landlords and the internal problems it was bringing Italy. Abusive landlords and the peasants they controlled, a feudal system that was badly out of date in the industrial age which came to Italy, a bit late, but there in time to throw a lot of peasants off the land and make socialists and communists of them. The gentry, the growing middle class, the church responded in kind with its own counterrevolution, Fascism.
In fact the film's villain is Donald Sutherland as a Fascist overseer that DeNiro hires and who basically takes over running the estate and politics of the locality. This is one of Sutherland's best screen performances, he will chill you to the bone with his cruelty and arrogance. He's essentially a thug who's been given political power.
Running a close second is Laura Betti as DeNiro's sister who marries Sutherland and becomes a true believer in the Fascist cause. At least she sees the peasant discontent and believes Fascism will protect her privileged position.
The original running time of this epic is over five hours and really should have been a mini-series. Maybe in that format we'll see the director's cut some day. It's still a powerful piece of film telling the epic story of a country for almost half a century.