6.4/10
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20 user 7 critic

Shadows in an Empty Room (1976)

Una Magnum Special per Tony Saitta (original title)
An Ottawa police captain searches for the person who poisoned his sister, who was attending the university in Montreal. So desperate is he for revenge that he begin to use his own brutal ... See full summary »

Director:

(as Martin Herbert)

Writers:

(screenplay) (as Vincent Mann), (screenplay) (as Frank Clark)
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Cast

Cast overview, first billed only:
...
Capt. Tony Saitta
...
Sgt. Ned Matthews
...
Dr. George Tracer
...
Julie Foster
...
Louise Saitta
Jean LeClerc ...
Robert Tracer (as Jean Leclerc)
...
Margie Cohn
Jean Marchand
...
(as Antony Forest)
Andrée St-Laurent ...
(as Andree St. Laurent)
...
(as Peter Mac Neil)
Julie Wildman
James Tapp
Jérôme Tiberghien ...
(as Jerome Thibergien)
Terence G. Ross ...
(as Terence Ross)
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Storyline

An Ottawa police captain searches for the person who poisoned his sister, who was attending the university in Montreal. So desperate is he for revenge that he begin to use his own brutal methods to find the killer. Soon he discovers that not everything is what he thought it was. Written by Ørnås

Plot Summary | Add Synopsis

Taglines:

Walk with her if you dare...for every step will bring you closer, closer, closer to the meaning of fear! See more »


Certificate:

R | See all certifications »
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Details

Country:

| |

Language:

|

Release Date:

9 March 1976 (Italy)  »

Also Known As:

Strange Shadows in an Empty Room  »

Box Office

Budget:

CAD 1,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Tiffany Bolling and Keir Dullea were offered major roles. See more »

Goofs

The driver of a car passing by can be seen watching filming as cop walks into sex shop. See more »

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User Reviews

 
Not-bad European action marketed as horror-thriller
19 November 2000 | by (United States) – See all my reviews

When this briefly played in the U.S. in 76-7, American International marketed it more in the line of a horror thriller than the shoot-em-up it leaned toward. Six capable perfomers, most of whom were accustomed to making the most out of low-budget material, appeared to varying degrees of success. DeMartino was a workmanlike director who, like most of his Italian contemporaries of the era, made his way around all of the heavily produced genres from western and superhero to crime and horror.


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