James Onedin marries Anne Webster in order to get his hands on a ship. However the marriage turns out to be one of true love. James is ruthless in his attempt to get a shipping line started...
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In Liverpool Jessop sets about organizing a strike though many seamen feel they cannot afford it. When the strike finally occurs Anne, shocked by her husband's callous attitude, helps the strikers' ...
Caroline and James are returning from Baltimore, where she has been sorting out her husband's affairs. There is a new crew, hastily gathered by the shifty Bartholomew and a passenger called Draygon, ...
The extended Forsyte family live a more than pleasant upper middle class life in Victorian and later Edwardian England. The two central characters are Soames Forsyte and his cousin Jolyon ... See full summary »
Nyree Dawn Porter
This is the sequel to the mini-series, RICH MAN, POOR MAN. It begins with Rudy Jordache apprehending the man who killed his brother, Falconetti. He then also takes in his nephew, Wesley. He... See full summary »
James Carroll Jordan
The Cannon family runs the High Chaparral Ranch in the Arizona Territory in 1870s. Big John wants to establish his cattle empire despite Indian hostility. He's aided by brother Buck and son... See full summary »
Louisa is an ordinary girl living in Victorian London. She is looking for a job and ends up talking her way into the kitchen of a Lords townhouse. The Lord has a rather snooty French Chef, ... See full summary »
James Onedin marries Anne Webster in order to get his hands on a ship. However the marriage turns out to be one of true love. James is ruthless in his attempt to get a shipping line started in Liverpool of the 1860s. Written by
Jim Burke <firstname.lastname@example.org>
The show was praised for its locations and use of genuine historical vessels. Along with day-to-day drama, romance, and business dealings, the series also tackled social and economic issues of the time, such as slavery. See more »
Pitch perfect script & acting make this ageing serial a true joy
I watched the series in the 70s,...Sunday evenings around the TV with my Mum an Dad and my sister. I enjoyed it then. Now I am watching the whole thing all over again in the afternoons. Its not just a bit of nostalgia, its absolutely marvellous. Production values may seem low at first compared to today's blockbuster serials, but the sharply drawn characters are brought to riveting life by a first class cast (special mentions to Peter Gilmore, Jessica Benton and Anne Stallybrass as James, Elizabeth and Anne Onedin respectively). Proof (as if it were needed) that script and cast can overcome any weaknesses or paucity of cash elsewhere in a production. One noticeable aspect is how fully rounded the women characters are, how equal in every way to the male characters. That this is immediately apparent is a sad reflection on the way women's roles have retreated in the last decade or so. Maybe 70s feminism had something to do with it. But these women are not all about shoe shopping and chocolate! As an adult I really see the nuances of the story telling, and the richness of characterisation, historical context etc, Fantastic.
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