John Steed and his new accomplices Purdey and Gambit find themselves facing new and deadly dangers in the bizarre world of espionage. Mixing fantasy with a darker edge, the trio face ...
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John Drake is a special operative for NATO, specializing in security assignments against any subversive element which threatened world peace. The series featured exotic locales from all ... See full summary »
Jeff Randall and Marty Hopkirk are private detectives who specialize in divorce cases. Their long-running partnership seems to come to an abrupt end when Marty is killed by a hit-and-run, ... See full summary »
Two years after the original "Danger Man" series concluded, it was revamped and retconned. The series returned in a longer format. (1 hour/episode instead of 30 minutes). John Drake was now... See full summary »
Complex, involved science-fiction series about a special force of interdimensional operatives whose task is to protect the universe from evil forces trying to gain a foothold by disrupting ... See full summary »
Craig Stirling, Sharron Macready and Richard Barrett were agents for Nemesis, an international intelligence organization based in Geneva. Their first mission as a team was to investigate ... See full summary »
The Protectors were Harry Rule, the Contessa di Contini and Paul Buchet, three freelance troubleshooters who ran an international crime fighting agency. Based in London, Harry was the ... See full summary »
Nyree Dawn Porter,
In the year 1980 the Earth is threatened by an alien race who kidnap and kill humans and use them for body parts. A highly secret military organization is set up in the hope of defending ... See full summary »
An elite department within Interpol, Department S inherited those cases which the other member groups had failed to solve. The brains of the group was Jason King, a hedonistic maverick who ... See full summary »
John Steed and his new accomplices Purdey and Gambit find themselves facing new and deadly dangers in the bizarre world of espionage. Mixing fantasy with a darker edge, the trio face mutated giant rats, flocks of killer birds and fanatical mysterious monks. Later episodes find Steed's loyalty under question and an increasing number of assignments overseas. Written by
Gareth Humphreys <email@example.com>
The opening credits for the first 7 episodes of series one were edited out the first five episodes of the series, mainly "The Eagle's Nest" and "The Midas Touch". However, one shot featuring Joanna Lumley with long hair and Gareth Hunt in jeans was actually from their combined screen-test instead of an episode. From episode 8 onward, animated opening titles were used. See more »
The final half-dozen episodes begin with a brief title sequence bearing the title "The New Avengers in Canada", prior to the teaser. The episodes otherwise retain their regular opening credits. See more »
Knock me over with a feather! At first I was not sure what I was watching on late night Detroit or Windsor television -- then it dawned. I made it my business every Friday night after the news to catch THE NEW AVENGERS, but probably saw little more than half.
No, it was not the old time religion, because the old chemistry would be impossible to create. This programme stood on its own, suffering in comparison only if one wanted the more of same. THE NEW AVENGERS was "bigger" (which does not make it better), less wacky, and to employ the amorphous, less artistic. The budgets of the 1960s were no doubt modest, forcing more creativity.
None the less, it was well cast with Steed as more of an elder statesman -- not "old" at 54 as another commentator was unkind enough to allege. Purdy was not Rigg or Blackman, but then she created her own viable character as a woman, much distinguished from the "youth market" Tara of 1968-9.
I make no comment upon individual episodes, because it would not be fair given the time elapsed, for me 1980 at latest. Having no cable television, nor being a videophile, I have not seen THE NEW AVENGERS since.
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