Set in fictional Fernwood, Ohio, this deliriously demented serial focused on the beleaguered heroine Mary Hartman, an average American housewife. In the first year, Mary suffered the ... See full summary »
This "All In The Family" spin-off centers around Edith's cousin, Maude Findlay. She's a liberal, independent woman living in Tuckahoe, NY with her fourth husband Walter, owner of Findlay's ... See full summary »
After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ... See full summary »
Barth Gimble and Jerry Hubbard are the host of a talk show produced in the fictitious town of Fernwood, Ohio (also the setting of "Mary Hartman, Mary Hartman"). The show featured parodies ... See full summary »
The second season version of "Fernwood 2Nite". The small time talk show from Fernwood, Ohio has moved to Alta Coma, California, where it has taken on a more national flavor. This satire of ... See full summary »
Set in fictional Fernwood, Ohio, this deliriously demented serial focused on the beleaguered heroine Mary Hartman, an average American housewife. In the first year, Mary suffered the travails of mass murder, adultery, venereal disease, homosexuality, religious cults, and UFO sightings, before she finally succumbed to a nervous breakdown on a syndicated talk show. Written by
Mark Faulkner <firstname.lastname@example.org>
Actor Martin Mull, in an interview on comedian Norm MacDonald's web-based show, NormLive, stated he came in and was interviewed for an hour by Norman Lear to be a writer on the show and at the end Lear thanked him and said they didn't need any writers. Six months later he was telephoned and asked to come in and read for a part, stating he was not an actor. See more »
Now you listen here - there is nothing so bad that it can't be worse.
That's a comforting thought, Martha.
That's why I'm here, Charlie. To comfort you.
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This was one of those seminal moments in television history, because the 70s seemed to be more open to experimentation and strangeness than certainly the 80s and definitely the 90s.
Mary Hartman, Mary Hartman was a show that was unclassifiable by any standard of TV today. Now, I haven't seen the show in about 15 years (I watched the whole series on tape at a friend of mine's back in the mid or late 80s), but I am sure that it would be just as bizarre and wonderful today as ever.
Martin Mull was brilliant as the psychopathic wife beater, Barth Gimble. I hope that TV Land or some other such channel will pick this show up, because I would really love to see it again.
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