Set in fictional Fernwood, Ohio, this deliriously demented serial focused on the beleaguered heroine Mary Hartman, an average American housewife. In the first year, Mary suffered the ... See full summary »
Loretta considers not going to Nashville since Heather is missing. Mary finds out the truth about Tom. Loretta gets some good news. Cathy admits she's in love with Steve. Tom tries to finish things ...
This "All In The Family" spin-off centers around Edith's cousin, Maude Findlay. She's a liberal, independent woman living in Tuckahoe, NY with her fourth husband Walter, owner of Findlay's ... See full summary »
It's the end of the 70s. Hippies are assimilating, women are raising their consciousness, and men are becoming confused and ineffectual. Don't expect to be able to keep track of all the ... See full summary »
Barth Gimble and Jerry Hubbard are the host of a talk show produced in the fictitious town of Fernwood, Ohio (also the setting of "Mary Hartman, Mary Hartman"). The show featured parodies ... See full summary »
A spin-off of "Mary Hartman, Mary Hartman." After Mary ran off with her policeman boyfriend and left town, the focus shifted to her heart-broken ex-husband Tom, and the rest of the oddball ... See full summary »
The second season version of "Fernwood 2Nite". The small time talk show from Fernwood, Ohio has moved to Alta Coma, California, where it has taken on a more national flavor. This satire of ... See full summary »
Set in fictional Fernwood, Ohio, this deliriously demented serial focused on the beleaguered heroine Mary Hartman, an average American housewife. In the first year, Mary suffered the travails of mass murder, adultery, venereal disease, homosexuality, religious cults, and UFO sightings, before she finally succumbed to a nervous breakdown on a syndicated talk show. Written by
Mark Faulkner <firstname.lastname@example.org>
This was one of those seminal moments in television history, because the 70s seemed to be more open to experimentation and strangeness than certainly the 80s and definitely the 90s.
Mary Hartman, Mary Hartman was a show that was unclassifiable by any standard of TV today. Now, I haven't seen the show in about 15 years (I watched the whole series on tape at a friend of mine's back in the mid or late 80s), but I am sure that it would be just as bizarre and wonderful today as ever.
Martin Mull was brilliant as the psychopathic wife beater, Barth Gimble. I hope that TV Land or some other such channel will pick this show up, because I would really love to see it again.
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