Set in fictional Fernwood, Ohio, this deliriously demented serial focused on the beleaguered heroine Mary Hartman, an average American housewife. In the first year, Mary suffered the ... See full summary »
Mary brings her grandfather home from the police station; Kathy falls for a blue-eyed Armenian bartender; a reporter interviews Loretta about the murders; and Mary feels ashamed when Tom rejects her ...
This "All In The Family" spin-off centers around Edith's cousin, Maude Findlay. She's a liberal, independent woman living in Tuckahoe, NY with her fourth husband Walter, owner of Findlay's ... See full summary »
An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.
Comedy, adventure and romance abound in the picture postcard paradise of Hawaii.The lush island paradise of Hawaii is the setting for this romantic/comic adventure of four free-spirited ... See full summary »
Barth Gimble and Jerry Hubbard are the host of a talk show produced in the fictitious town of Fernwood, Ohio (also the setting of "Mary Hartman, Mary Hartman"). The show featured parodies ... See full summary »
The second season version of "Fernwood 2Nite". The small time talk show from Fernwood, Ohio has moved to Alta Coma, California, where it has taken on a more national flavor. This satire of ... See full summary »
Set in fictional Fernwood, Ohio, this deliriously demented serial focused on the beleaguered heroine Mary Hartman, an average American housewife. In the first year, Mary suffered the travails of mass murder, adultery, venereal disease, homosexuality, religious cults, and UFO sightings, before she finally succumbed to a nervous breakdown on a syndicated talk show. Written by
Mark Faulkner <email@example.com>
Norman Lear's shows were being produced at Metromedia Square in Hollywood, but there was inadequate space for this show, so they rented studio space from KTLA. The KTLA studio was across Fernwood Street, so they started calling KTLA "Fernwood", which then became the name of the fictitious town where the show is set. See more »
You know, isn't it ironic - that if one of us had to get it, it's a miracle it was you.
I know, I must have been born under an unlucky star. You know I have filled out entry blanks for every single drawing in the supermarket for the last twelve years, and the only thing I ever won was a coupon for a small little jar of tomato paste. But they were out of tomato paste, and by the time they got more in, my coupon had expired. And now I have venereal disease.
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Just when you thought Norman Lear couldn't produce a more cutting-edge sitcom than All In The Family, he goes and outdoes himself, by creating Mary Hartman, Mary Hartman. Actually Mary Hartman, Mary Hartman, was not truly a sitcom at all. It could be more accurately described as a prime-time soap-opera. More specifically, a spoof of the soap-opera genre. Like the film Airplane poked-fun at those airport disaster movies, Mary Hartman, Mary Hartman was a satire of the classic soap-opera.
This show set the template for other bizarre comedy series that followed in its wake, such as Married With Children, and Strangers With Candy. Like both of those shows, Mary Hartman, Mary Hartman was funny precisely because of it's warped premise, not in spite of it. It was the first TV comedy of it's kind, and the most avant-guard comedy on TV in the 70s.
Louise Lasser was brilliant as the flummoxed housewife, Mary Hartman. She played Mary with such a droll, dead-pan style, that she was utterly hilarious. Only Mary Kaye Place as Mary Hartman's neighbor, Loretta Haggers, was as drop-dead funny as Lasser. The other characters in this show, were only mildly amusing, by comparison.
I don't believe that Mary Hartman, Mary Hartman is in syndication anymore. But it's on DVD now. I definitely recommend it. Especially if you want to see a show by Norman Lear, that topped all of his others.
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