Arthur Harris is a happily married man who returns from his job to discover that his wife, Fiona, is leaving him. Devastated he gets really drunk and tries to commit suicide. After a few ... See full summary »
Despite knocking the price down to a mere six quid, Del Boy can't shift his telescopic Christmas trees (lights, bangles, beads and baubles inclusive). He only has 149 more to sell to make a... See full summary »
As Rodney and Grandad watch a war movie, Del Boy who had earlier returned from the cafe with a magazine about oil and is now reading it while lying on the couch, begins educating his ... See full summary »
While taking a walk, Peter Chapman and his wife, Sarah, are followed by two bungling spies, Dexter and Lewis, who find it difficult to take photos of their quarry. Peter, an Electronics ... See full summary »
London, 2000:- Terminally ill Albert summons old war buddies Frank and Harry to his hospital bed with a bizarre request. When he dies, he wants them to snatch his corpse from the hospital ... See full summary »
Lucky Feller is the second sitcom that David Jason had the starring role in that didn't get picked up for a second season, the first being The Top Secret Life of Edgar Briggs. It should be noted that both sitcoms got generally good reviews from the press at the time. Jason's next sitcom did rather well, Only Fools and Horses! See more »
This was a shamefully underrated ITV comedy of 1976, written by Terence "There's a girl in my soup" Frisby and produced by Humphrey Barclay. Also set in south-east London, the basic set-up can be seen as a dry run for Only Fools and Horses, except with David Jason playing the "Rodders" part. There are two brothers: a sex god (Randolph Mepstead, played by Peter Armitage) and a shy nerd (Shorty Mepstead, played by Jason). The nerd is in love with a girl (Cheryl Hall); the girl is sexually infatuated with the sex god. Put like that it sounds a fairly standard romcom, but the quality of the writing was high and the comedy of social misunderstandings was highly inventive.
It was attacked by critics and only lasted one series, axed by the production company London Weekend Television. Years later it was reported in the press that LWT, presumably hoping to make some money out of the popularity of Del Boy Trotter, had approached David Jason to ask if it could be reshown. Alas, Jason turned them down. He apparently still felt aggrieved that LWT had not got behind such a superior project. But this is the kind of show that is ripe for revaluation.
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