Widower Steve Douglas raises three sons with the help of his father-in-law, and is later aided by the boys' great-uncle. An adopted son, a stepdaughter, wives, and another generation of sons join the loving family in later seasons.
Laverne DeFazio and Shirley Feeney were best friends and roommates coping with dates, neighbors, and each other During the late '50s and early '60s they worked as bottlecappers for Shotz Brewery in Milwaukee. They moved to Burbank, California in 1965 to start a new life when they got replaced at the brewery by an automated bottlecapper. Written by
The cast, crew and creative forces all realized the change hadn't helped, but had rather hurt, the show when the girls moved west to Burbank in season 6. But short of resolving everything with a it-was-all-a-dream episode (which hadn't been done on television yet), they didn't know how to fix it, so they just soldiered on. See more »
In the opening credits for the show, I spotted an Interstate Highway sign. The Interstate began construction in the mid-1950's, and Milwaukee wasn't added to the system until quite a bit later. See more »
Reading through the comments for "Laverne & Shirley," I have seen several remarking that they felt the show was "lacking," "annoying," "dull" and several other negative adjectives. It is obvious to me that these people have yet to indulge themselves in the fantastic world of the 1970's sitcom that jumped on the nostalgia boat. I was all of 12 years old when I first discovered "Laverne & Shirley" on Nick @ Nite (this was circa the summer of 1998). I would be lying if I said that it hadn't shaped my life-- and I know that sounds totally insane, but it broadened my horizons to a world of classic television, classic movies, and the theatre. But enough about me-- the show is a gem. The show was never meant to be a groundbreaker like "All in the Family" or "Maude" (although it did have it's tender moments and morals in episodes such as "Look Before You Leap" and "What Do You Do With a Drunken Sailor", taking a gentle look towards single parenting and alcoholism). It was only meant to do one thing: be funny. And it did so in a way that had only been done by the likes of "The Honeymooners"-- it involved the antics of the blue collar working class. It was meant to entertain, and it does a darned good job of it! The chemistry between Cindy Williams & Penny Marshall is awesome-- comparable, in their own way, to that of Lucy Ricardo & Ethel Mertz, Ralph Kramden & Ed Norton, and those that came before them. Cindy's cute-as-a-button, innocent but never naive portrayal of Shirley Feeney and Penny's tough-as-nails exterior with a heart of gold combined with the desire to be "loose" but the morals to be a "prude" make for one uniquely and incredibly comical friendship. Also, Michael McKean's Lenny & David L. Lander's Squiggy are outlandish but hilarious characters. Who could have played the "guy who's really smart and thinks he's dumb" and "the guy who's really dumb and thinks he's smart" better than these two?! Also in the cast you have outstanding veteran actors like Phil Foster as the gruff but huggable Frank 'Pop' DeFazio and sweet MGM musical star Betty Garrett as the girls' wise landlady (and later, Laverne's stepmother). Eddie Mekka is charming and funny as Carmine Ragusa, Shirley's boxing/dancing/singing boyfriend (is there anything this fella CAN'T do?). The cast is electric. This show's motto should have been "We aim to please." If you're having a bad day, this show is sure to put a smile on your face, your laughter in the air, and a quote in your head! It's one of the greatest examples of classic TV of all time!
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