IMDb > "I, Claudius" (1976)
"I, Claudius"
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"I, Claudius" (1976) More at IMDbPro »TV series 1976-

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Overview

User Rating:
9.1/10   8,425 votes »
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Seasons:
1
Release Date:
6 November 1977 (USA) See more »
Genre:
Tagline:
Let all the poisons that lurk in the mud hatch out.
Plot:
The history of the Roman Empire as experienced by one of its rulers. Full summary »
Awards:
Won Primetime Emmy. Another 5 wins & 3 nominations See more »
NewsDesk:
User Reviews:
And you thought ancient history was dull. See more (97 total) »

Cast

 (Series Cast Summary - 6 of 47)

Derek Jacobi ... Claudius (13 episodes, 1976)

George Baker ... Tiberius (10 episodes, 1976)

Margaret Tyzack ... Antonia (9 episodes, 1976)

Siân Phillips ... Livia (8 episodes, 1976)

Brian Blessed ... Augustus (6 episodes, 1976)

James Faulkner ... Herod Agrippa / ... (6 episodes, 1976)
(more)

Series Directed by
Herbert Wise (12 episodes, 1976)
 
Series Writing credits
Robert Graves (12 episodes, 1976)
Jack Pulman (12 episodes, 1976)

Series Produced by
Martin Lisemore .... producer (12 episodes, 1976)
 
Series Film Editing by
Dave Hillier (2 episodes, 1976)
 
Series Production Design by
Tim Harvey (12 episodes, 1976)
 
Series Costume Design by
Barbara Kronig (12 episodes, 1976)
 
Series Makeup Department
Sue Bide .... makeup artist (12 episodes, 1976)
Norma Hill-Patton .... makeup artist (12 episodes, 1976)
Pam Meager .... makeup artist (12 episodes, 1976)
 
Series Production Management
Denis Curran .... production unit manager (12 episodes, 1976)
 
Series Art Department
Dick Bailey .... graphic designer (1 episode, 1976)
 
Series Sound Department
Chick Anthony .... sound (11 episodes, 1976)
 
Series Visual Effects by
John Friedlander .... visual effects designer (1 episode, 1976)
 
Series Camera and Electrical Department
Peter Hider .... camera operator (12 episodes, 1976)
John Green .... lighting (9 episodes, 1976)
 
Series Editorial Department
John Barclay .... vision mixer (12 episodes, 1976)
 
Series Music Department
Wilfred Josephs .... composer: title music / composer: incidental music (12 episodes, 1976)
David Wulstan .... conductor: choral music (9 episodes, 1976)
Clerkes of Oxenford .... choral ensemble (8 episodes, 1976)
 
Series Other crew
Robert Erskine .... programme advisor (12 episodes, 1976)
John Harris .... production assistant (12 episodes, 1976)
Betty Willingale .... script editor (12 episodes, 1976)
Carol Wiseman .... production assistant (12 episodes, 1976)
Gary Downie .... choreographer (2 episodes, 1976)
 

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Runtime:
650 min (13 parts) | Finland:669 min (DVD) (13 episodes)
Country:
Language:
Color:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Certification:

Did You Know?

Trivia:
Humourously referred to as "I, Clavdivs" because the title sequence followed the Roman convention of using a letter "v" to stand for either a "u" or a "v".See more »
Goofs:
Factual errors: Augustus remarried a few months after Julia was born. Julia mentions that Livia had been married to her father for twenty years. Historically, Julia would have only been fourteen at the time she said this in the episode.See more »
Quotes:
[Regarding Augustus and his family]
Tiberius:That family is starting to sound like a Greek tragedy.
See more »
Movie Connections:
Referenced in I Claudius: A Television Epic (2002) (V)See more »

FAQ

How historically accurate is this series?
Why does the series feel like a stage play?
See more »
89 out of 93 people found the following review useful.
And you thought ancient history was dull., 4 August 2003
Author: ZDiogenes (dfontenot@utep.edu) from El Paso, Texas

In writing his epic novels `I, Claudius' and `Claudius the God', from which this series is adapted, Robert Graves reinvented the genre of historical fiction. And he could hardly have chosen a more fascinating subject than the Julio-Claudian dynasty. Even a tame retelling, based strictly on verified historical fact, would have made an interesting tale. But by embracing the lurid, sensationalistic hyperbole heaped upon the founders of the Roman Empire by later writers (Suetonius and Tacitus in particular), Graves concocted the ultimate in dysfunctional families, weaving a tale of scandal and debauchery capable of shocking even the most jaded of modern audiences. The more eminent classicists, naturally, sneered, as eminent classicists tend to do toward anything that threatens to make the ancient world more accessible to `hoi polloi'. One is forced to admit that, as history, Graves' juicy narrative is bunk. But o ye gods, what enjoyable bunk it is!

The drama gives an insider's view of the Julio-Claudian Dynasty, the first emperors of Rome. Over the course of his long reign, Augustus has managed to bring peace to his nation after nearly a century of off-and-on civil wars. But he remains a man divided, hoping for the eventual return of the old Republican government, but knowing that the best hope for a lasting peace is the continued concentration of power in a single person. Augustus therefore sets himself to the task of grooming a successor, one who shares his dream and will continue laying the foundations for the restoration of the Republic. His wife, however, Livia Drusilla, is determined to thwart his plans, and embarks on a slow, murderous scheme to place her own son (whom she fancies she can control) on the throne. The tale is told through the eyes of Claudius, step-grandson to Augustus, who suffered from the crippling effects of a childhood illness and was thus despised and ignored by much of his own family. Regarded as an idiot and of no threat to anyone, he alone remains standing while the poison flows and the daggers flash. To the surprise of all (none the least himself) this drooling, stuttering, limping old fool turns out not to be such a fool after all, and in one of history's great ironies, wins the prize everyone but he is after: absolute power.

Again, the historical facts alone make this an interesting tale. But it is the tantalizing glimpse into the inner workings of the world's first `First Family' that makes `I, Claudius' so much fun. Bill Clinton's philandering and the endless public spectacle that is the British Royals just seem so incredibly dull and tame compared with the bad behavior of Augustus' clan. Matricide, patricide, fratricide, regicide, suicide, incest, rape, pedophilia.and that's on a slow day. Poisonings, stabbings, betrayals, double-crosses, triple-crosses, madness. And one gentle soul sitting in the corner watching it all. Robert Graves' story brings out the tremendous irony of a nation finally at peace with itself, but ruled by a family embroiled in its very own civil war. It's the sort of sordid tale one finds only in the most disreputable of tabloids, but then rendered in gorgeous prose and delivered by the finest actors. To the uninitiated, it might best be described as a guilty pleasure cleverly masquerading as a stuffy British period drama.

I don't think anyone could have hoped for a more faithful transition from book to film than what the BBC achieved. Working with a 12+ hour running time, screenwriter Jack Pulman was not forced to content himself with a `Cliff's Notes' version of the story. Events progress in a naturally expansive manner, and characters grow and mature (or fail to do so) believably over time. In recreating the novels for the stage (after all, let's face it - this is predominantly a televised stage play) Pulman was constrained only by a modest budget and the limitations of the television studio. Action is confined to indoor sets, and the more spectacular aspects of daily life in ancient Rome (attending the Circus Maximus, for example) are left to the viewer's imagination, hinted at by the sounds of roaring crowds but never actually seen. For those audience members not put off by such, or by the drab color and lighting usually reserved for daytime soap operas, the entire production is a treat from beginning to end.

The acting is superb at every turn. Derek Jacobi lends tremendous dignity to his portrayal of Claudius, whose physical handicaps might have come off as insulting or hammy from a lesser actor. He is utterly believable as the `wise' fool, the only person in the entire family NOT scheming for power, and therefore the only one worthy of it. As Livia, Siân Phillips is a study in controlled, cunning evil. The role is reminiscent of Eleanor of Aquitaine in `The Lion in Winter', except that even Katherine Hepburn's Oscar-wining performance in that film is utterly outdone here (ironically, Siân Phillips also played the role of Queen Eleanor, in the BBC's adaptation of `Ivanhoe'). John Hurt's gleefully decadent turn as Caligula is fascinating to watch. Hurt's eyes, throughout his portrayal, remain chillingly cold and lifeless even as he smiles and laughs - except of course, for his expression of shock upon realizing that his sister Drusilla is, in fact, mortal. The most impressive moment in the entire production, however, came from Brian Blessed (Augustus), whose slow, quiet, passing away remains the most convincing screen death I have ever witnessed.

There are simply not enough superlatives in the English language to express my opinion of the towering triumph that is `I, Claudius'. And seeing the 9.5 user rating here on the IMDB, apparently I'm not alone.

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