Motley Hall was built in 1577 and was home to the Uproar family. Empty of living inhabitants, it is home to Five Ghosts from different periods of the Halls history who are compelled to get ... See full summary »
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3   2   1  
1978   1977   1976  
1 nomination. See more awards »

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Cast

Series cast summary:
Arthur English ...
 Bodkin / ... (20 episodes, 1976-1978)
...
 Sir George Uproar / ... (20 episodes, 1976-1978)
...
 Sir Francis 'Fanny' Uproar / ... (20 episodes, 1976-1978)
Sean Flanagan ...
 Matt (20 episodes, 1976-1978)
...
 The White Lady (20 episodes, 1976-1978)
...
 Mr. Gudgin / ... (15 episodes, 1976-1978)

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Motley Hall was built in 1577 and was home to the Uproar family. Empty of living inhabitants, it is home to Five Ghosts from different periods of the Halls history who are compelled to get along with each other as best as they might and try some how to keep the 20th century away from their doorstep that they might remain undisturbed as the sole occupants of their ancestral Hall home. Written by sus3337

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25 April 1976 (UK)  »

Also Known As:

Les Fantômes du château  »

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(20 episodes)

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1.33 : 1
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User Reviews

Ghostly uproar at Motley Hall
1 March 2001 | by (Tasmania) – See all my reviews

This comedy from the creator of the immortal Catweazle is set among the ghostly inhabitants of dilapidated Motley Hall who are determined to keep their home from being sold or otherwise intruded upon by the rude living.

Matt the eighteenth century stable-lad, Bodkin the Elizabethan Fool, Fanny the eighteenth century fop, Sir George the Victorian fogey and the enigmatic White Lady are the ghosts; their foil is the ghost-shy real estate agent Mr. Gudgin.

The special effects of ghosts appearing and disappearing etc. are indeed special, in the same way as Doctor Who's "I can see the string" monsters, but as with Doctor Who and other great shows of that era, this only adds to the charm. The characters each bring points of view to bear on their predicaments based on their respective historical origins and conflicts occasionally arise from these culture clashes. The regular cast and guest actors are good to excellent as one would expect from the likes of Freddie Jones, Nicholas le Prevost etc.

This is the sort of story, like Catweazle, which stimulates the imagination irresistibly to create new scenarios for the characters, and the desire to join in with their adventures is considerable. As a child "The Ghosts of Motley Hall" seemed to offer me a very attractive idea of a possible after-life; it would be nice to think we could all spend our after-lives so amusingly.


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