George and Mildred Roper are forced to leave their home in South Kensington (as the landlords in Man About the House (1973)) when they receive a compulsory purchase order from the council. ... See full summary »
Following a family funeral Mildred notices that the pay-out on George's endowment policy is very small and persuades him to take a medical to get a better pay-out. The medical is a success but George...
When their house is subject to a compulsory purchase order the Ropers must move. Mildred sees her dream house in suburbia, next door to yuppie couple Ann and Jeffrey Fourmile and their seven-year-old...
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George and Mildred Roper are forced to leave their home in South Kensington (as the landlords in Man About the House (1973)) when they receive a compulsory purchase order from the council. Mildred talks George into buying a nice middle-class house in suburbia, and they move next door to Jeffrey and Ann Fourmile. Unfortunately, Mildred's dream of upward mobility seems doomed to failure, as George relentlessly embarrasses her in every way possible. Poor Mildred not only has to cope with George's gormless behavior, she has to try and deal with the the snobbish Jeffrey as well as her rich-bitch sister Ethel and mad old mum. Written by
Roseanne Hodge <email@example.com>
'George & Mildred' was the first - and best - of the spin-offs from Johnnie Mortimer and Brian Cooke's 'Man About The House'. Using the proceedings from the sale of their home in Myddleton Terrace, the Ropers' move into a posh residential area ( 'all B.B.C.-2 and musical toilet rolls', according to George ), and find themselves living next door to snobbish estate agent Jeffrey Fourmile, his wife Ann and their son Tristram. George is like the proverbial fish out of water. Somewhat unbelievably, he gets a job as a traffic warden.
The relationship between him and Mildred was much the same; she craves physical affection, and poor George isn't able to provide it. Much of the humour came from George constantly embarrassing his wife in public, such as the time he took a bath in the lounge just as Mildred brought home friends for tea. Like 'Terry & June', it was cosy, predictable stuff, but highly amusing. Mortimer and Cooke wrote every episode, meaning that there was no dip in quality ( as was the case with 'Robin's Nest' ) when new writers came aboard. The first season had a cracking theme by John Hawksworth but when it returned, Roger Webb supplied a bland tune which didn't suit the show at all. In much the same way that Yootha Joyce stole the show in 'House', little Nicholas Bond-Owen upstaged the adult performers as 'Tristram'. Enormously popular, the show racked up huge ratings even on its repeats. Sadly, Yootha Joyce died before a final series could be recorded.
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