Mini-series on the life of Charles Dickens, the great English author. Charles grew up in a family where his father was larger than life. The elder Dickens is a teller of tales and always ...
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Drawing on her love of theatre and art, New Zealand novelist Ngaio Marsh created elegant crime-puzzlers full of quirky characters with hidden agendas, all brought meticulously to life in this BBC series.
Set in 1935 when the Englishwoman Louisa Durrell, whose life had fallen apart, decided to move from Bournemouth to the Greek island of Corfu. Her husband had died some years earlier and she... See full summary »
Gandhi's character is fully explained as a man of nonviolence. Through his patience, he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.
Mini-series on the life of Charles Dickens, the great English author. Charles grew up in a family where his father was larger than life. The elder Dickens is a teller of tales and always seem to have ambitions that are well beyond his means or his capabilities. He is also constantly in debt and at more than one point in his life, finds himself in debtor's prison forcing Charles to leave school at the age of 12 and work. Charles finds success in his writing and marries, his wife Kate bearing them many children despite her delicate mental state. He has a touch of his father in him however, particularly when it comes to money. He is of course remembered as one of the great writers of the 19th century. Written by
I worked as an extra on Dickens of London (Yorkshire Television) for a number of episodes, mostly on location in the Yorkshire Dales. It was an enormously pleasurable experience and every member of the cast and crew, no matter how senior or junior, was delightful. The two Dotrices were fantastic to watch and I picked up a number of hints just by observing and ear-wigging their off-camera and rehearsal times; their discussions with the director; concerns about camera angles, timing, delivery, checking the scripts for awkward construction, etc. As a result of studying these professionals (Ben Kingsley, John Slater and others also), plus the way they communicated and worked with each other I moved up the pecking order over the following year to walk-on; speaking walk-on; small parts; and then on to full parts on other YTV programmes. It was a remarkable experience, and at a mere $35 for a very long day's work, a fine investment for my future. I would like to thank Karen Dotrice and her father, Roy, for their - unbeknownst to them - tuition and guidance during 1976.
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