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Adoption (1975)
"Örökbefogadás" (original title)

7.3
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Ratings: 7.3/10 from 269 users  
Reviews: 5 user | 2 critic

Single factory worker Kata, 43, wants to have a child with her long-time secret lover, a married man called Joska. He doesn't like the idea. Kata befriends teenage schoolgirl Anna, ... See full summary »

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Title: Adoption (1975)

Adoption (1975) on IMDb 7.3/10

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Cast

Cast overview, first billed only:
Katalin Berek ...
Csentesné - Kata (as Berek Kati)
Gyöngyvér Vigh ...
Bálint Anna
Péter Fried ...
Sanyi
László Szabó ...
Jóska
István Szõke
Flóra Kádár ...
Erzsi, Jóska felesége
Janos Boross ...
Anna apja
Erzsi Varga ...
Anna anyja
István Kaszás ...
Intézetigazgató
Anikó Kiss
Zsófi Mészáros
Judit Felvidéki
Irén Rácz
Erika Jozsi ...
(as Józsa Erika)
András Szigeti
Edit

Storyline

Single factory worker Kata, 43, wants to have a child with her long-time secret lover, a married man called Joska. He doesn't like the idea. Kata befriends teenage schoolgirl Anna, abandoned by her parents at the age of six. Anna runs away from the local children's home and moves in with Kata so that she can keep on seeing her boyfriend Sanyi. Kata goes to see Anna's parents and persuades them to give the young lovers their permission to marry. Through Anna, Kata becomes interested in neglected children and decides to adopt a baby from the children's home. Written by Markku Kuoppamäki

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Drama

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25 September 1975 (Hungary)  »

Also Known As:

Adoption  »

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User Reviews

Ploughing a harsh landscape
21 December 2008 | by (bangkok) – See all my reviews

A single woman turned 40 wants a baby but has nobody to give her one. Her instincts displaced, she befriends a tearaway girl from a young offender's institution. The two women, each at a watershed in their lives, draw something from each other without being able to relate to each other properly.

It has an ungainly, unstructured feel to it – more sentiment than substance - like a day imperfectly remembered, which amounts to a startling, artless realism. The smudgy black and white Hungarian landscape and sparse dialogue are forefunners of Tarr's, and there are some nicely observed characters. Women will connect with Meszaros' worldview: life as a forlorn struggle to be as benign as one might want to be, but inevitably held back by the sheer dourness of the world. So we make do with what we have and hope that things occasionally work out, as they do here. Winner of the Golden Bear.


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