The Yakuza (1974)

Director:

Sydney Pollack

Writers:

Paul Schrader (screenplay) and
Robert Towne (screenplay) ...

Release Date:

March 1975 (USA)

Genre:

Action | Crime | Drama | Thriller

Tagline:

A man never forgets. A man pays his debts.

Plot:

Harry Kilmer returns to Japan after several years in order to rescue his friend George's kidnapped daughter...

Plot Keywords:

Yakuza | Sword Fight | Detective | Katana Sword | Cult Favorite

Cast

Robert Mitchum	...	Harry Kilmer
Ken Takakura	...	Tanaka Ken (as Takakura Ken)
Brian Keith	...	George Tanner
Herb Edelman	...	Wheat
Richard Jordan	...	Dusty
Keiko Kishi	...	Eiko (as Kishi Keiko)
Eiji Okada	...	Tono (as Okada Eiji)
James Shigeta	...	Goro
Kyosuke Mashida	...	Kato
Christina Kokubo	...	Hanako
Eiji Go	...	Spider (as Go Eiji)
Lee Chirillo	...	Louise
M. Hisaka	...	Boyfriend
William Ross	...	Tanner's Guard
Akiyama	...	Tono's Guard

Also Known As:

Brotherhood of the Yakuza (UK) (video title)

Runtime:

Japan:123 min | UK:107 min | USA:112 min

Country:

USA | Japan

Language:

English | Japanese

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

Finland:K-16 (cut) | Singapore:PG | France:-12 | Canada:14A (video rating) | Norway:15 | Norway:16 (cut) | Sweden:15 | UK:15 | USA:R

Filming Locations:

Kyoto, Japan

Company:

Toei Company

Trivia:

Lee Marvin was scheduled to star in The Yakuza with Robert Aldrich to direct. When Mitchum replaced Marvin, Mitchum forced out Aldrich. Replacement director Pollack briefly considered Robert Redford for the lead role.

Goofs:

Boom mic visible: The boom mic is clearly visible in one scene when Oliver Wheat grabs his cat while telling the story of Eiko to Dusty, the mic appears behind the table and is retracted as Wheat advances.

Quotes:

Goro: Ken is a tormented man. It is Eiko, of course, but it is also Japan. Ken is a relic, a leftover of another age, of another country.

Movie Connections:

Referenced in Making 'Taxi Driver' (1999) (V)

Soundtrack:

Only the Wind

widely unrecognized gem

I have to agree with the preponderance of viewers here who rate this as a neglected classic of the 70's. All aspects of the film - performances, script, and direction - raise this to the level of greatness. This is certainly among Mitchum's greatest performances - his subdued, world-weary toughness undergirds the movie. The story as has been noted, is a rich and multilayered one with a sadness that aspires to and quite nearly reaches the level of tragedy. It also must be noted that this is one of the most effective portrayals of Japanese culture on celluloid. The movie does not shrink from violence; the various scenes of assassination and slaughter could have been done by Peckinpah. The movie deserves a restoration and should be brought to tv in letterbox mode. (Are you listening, American Movie Classics?)