An American soldier who escapes the execution of his comrades by Japanese soldiers in Borneo during WWII becomes the leader of a personal empire among the headhunters in this war story told... See full summary »
A gang of hijackers led by Ray Petrie (Ian McShane) seize a British plane as it is landing in Scandinavia. Ruthless military police chief Colonel Tahlvik (Sean Connery) is assigned to ... See full summary »
Life is rough in the coal mines of 1876 Pennsylvania. A secret group of Irish immigrant miners, known as the Molly Maguires, fights against the cruelty of the mining company with sabotage ... See full summary »
Influential Arab diplomat becomes the target of numerous assassination attempts, when he announces his plan to make peace with Israel by letting them join the Organization of the Petroleum Exporting Countries (OPEC).
Richard C. Sarafian
Milius's primary source for the film was Barbara W. Tuchman's essay "Perdicaris Alive or Raisuli Dead!", published in the August 1959 edition of American Heritage magazine. Much of the film's dialogue is taken verbatim from Tuchman's essay, including Elihu Root's quote about Roosevelt's popularity, "Why drag in Washington", the Bashaw's comment about the Moroccan government's precarious independence, and Philander Knox's above-mentioned "legality" quote. See more »
The chess set has European (Christian) chess pieces, instead of Islamic chess pieces which a Muslim prince would be expected to use. See more »
Don't you agree that the most important part of the meal is the wine? Everything must follow the wine. And in this case, I should favor a Red Bordeaux.
A Red Bordeaux at lunch? Your late husband would never have approved.
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Opening credits prologue: Tangier October 15, 1904 1:00 pm See more »
For the Whole Family - A Wonderful "American" Adventure Yarn
We usually think of the British as the experts at rendering great adventure from the Imperial age, with the likes of The Four Feathers (1939) and Zulu, simply because the Imperial age was, for the most part, British. Here, in The Wind and the Lion, we see a wonderful rendering of America's own Imperial age.
America's projection of power under Teddy Roosevelt is the backdrop for this conventional tale of the kidnapped damsel who, despite her gentility, is smitten by the rough, manly nobility of her captor, who in turn is disarmed by her beauty and scorn. (Politically correct prigs eager to see some slight of "native" peoples or cultures can rest assured, that the way Arabs and Muslims are depicted here is far more flattering than the way their modern counterparts depict themselves on the current world stage.) What makes this story different are the terrific production values - faultless photography, composition and editing - the terrific casting - the underappreciated Brian Keith playing a bully Teddy - and vivid history.
Though The Wind and the Lion is told largely through the eyes of the son, every member of the family can identify with one of the characters, whether it be Sean Connery's noble brigand, Candace Bergen's feisty heroine, John Huston's wily John Hay or Steve Kanaly's spiffy, radiant, ruthless can-do lieutenant, Roosevelt's "Big Stick". There is a transcendent scene at the end, when the little boy is symbolically swept away by the dashing Moor on his white steed. This is high adventure at its best.
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