Dramatization of an actual homicide investigation. In 1947 Los Angeles, a police detective tries to solve the shocking and grisly murder of 22-year-old aspiring actress Elizabeth Short, ... See full summary »

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Cast

Cast overview, first billed only:
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Sgt. Harry Hansen
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Sgt. Finis Brown
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Capt. Jack Donahoe
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Bevo Means
Linden Chiles ...
Dr. Wallace Coppin
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Police Matron (as Gloria De Haven)
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PX Manager
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Miles Harmonder
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Lee Jones
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Mrs. Fowler
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Grandmother
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Susan Winters
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Diane Fowler
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Traveling Salesman
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Storyline

Dramatization of an actual homicide investigation. In 1947 Los Angeles, a police detective tries to solve the shocking and grisly murder of 22-year-old aspiring actress Elizabeth Short, whose nude body was dumped in a lot after being bisected with surgical precision. The detective interviews people who knew Short, who was called "The Black Dahlia" because of the black outfits she wore. Written by <genekim@concentric.net>

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Genres:

Biography | Mystery

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Details

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Release Date:

1 March 1975 (USA)  »

Also Known As:

Le daliah noir  »

Company Credits

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Runtime:

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Lucie Arnaz accepted the role of Elizabeth Short over the strong objections of her mother Lucille Ball. See more »

Goofs

Arc lights reflected in door as Beth leaves bus station. See more »

Quotes

Sgt. Harry Hansen: [standing over the mutilated corpse] Lady - what the hell could you do to make ANYBODY that mad?
See more »

Connections

Version of True Confessions (1981) See more »

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User Reviews

 
Eerie, atmospheric.
23 August 2002 | by (USA) – See all my reviews

I too was frightened the first time I saw this TV movie. It tells the story of the short life, and gruesome, unsolved 1947 murder of Elizabeth Short, whose nickname was the Black Dahlia, a type of flower. There is a certain creepiness that pervades this low-key period story, told in flashbacks of Short's brief Los Angeles existence before her slaughter. Efram Zimbalist, Jr., portrays the detective who becomes obsessed with the young, attractive woman's story. The period details feel right, for I am too young to have any first-hand experience of the time, and Lucie Arnaz's performance as the doomed title character adds emotional weight to what could have been an exploitive picture. This is another example of how superior, in general, '70's made-for-television movies were to future endeavors.


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