| Karen Black | ... | Julie / Millicent Larimore / Therese Larimore / Amelia | |
| Robert Burton | ... | Chad Foster | |
| John Karlen | ... | Thomas Amman | |
| George Gaynes | ... | Dr. Chester Ramsey | |
| Jim Storm | ... | Eddie Nells | |
| Gregory Harrison | ... | Arthur Moore | |
| Kathryn Reynolds | ... | Anne Richards | |
| Tracy Curtis | ... | Tracy | |
| Orin Cannon | ... | Motel Clerk | |
| rest of cast listed alphabetically: | |||
| Walker Edmiston | ... | Zuni Fetish Doll (voice) (uncredited) | |
Directed by | |||
| Dan Curtis | |||
Writing credits | ||
| William F. Nolan | (teleplay) (segment "Julie") | |
| Richard Matheson | (story) (segment "Julie") | |
| William F. Nolan | (teleplay) (segment "Millicent and Therese") | |
| Richard Matheson | (story) (segment "Millicent and Therese") | |
| Richard Matheson | (written by) (segment "Amelia") | |
| Richard Matheson | (short story) (segment "Amelia") | |
Produced by | |||
| Dan Curtis | .... | producer | |
| Robert Singer | .... | associate producer | |
Original Music by | |||
| Bob Cobert | (as Robert Cobert) | ||
Cinematography by | |||
| Paul Lohmann | |||
Film Editing by | |||
| Les Green | |||
Casting by | |||
| Gail Melnick | |||
Art Direction by | |||
| Jan Scott | |||
Set Decoration by | |||
| Leonard A. Mazzola | (as Leonard Mazzola) | ||
Makeup Department | |||
| Kathryn Blondell | .... | hair stylist (as Kathryn L. Blondell) | |
| Michael Westmore | .... | makeup artist (as Mike Westmore) | |
Production Management | |||
| Robert J. Koster | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Art Levinson | .... | first assistant director | |
| George Wagner | .... | second assistant director | |
Sound Department | |||
| James Pilcher | .... | production sound mixer | |
Special Effects by | |||
| Richard Albain | .... | special effects (as Richard Albaine) | |
| Erik von Buelow | .... | special effects | |
Camera and Electrical Department | |||
| Michael Simpson | .... | assistant camera | |
| Bob Rose | .... | key grip (uncredited) | |
Costume and Wardrobe Department | |||
| John S. Perry | .... | costume supervisor | |
| Barbara Siebert | .... | costumer | |
Music Department | |||
| Frank Kulaga | .... | music recordist | |
Other crew | |||
| Lois Kerst | .... | production assistant | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
I long for the days when an odd, slightly exotic/slightly zonked actress like Karen Black can make it in Hollywood. There was a time in the mid-'70s when--every time you turned around--Karen Black was in a new movie. I'm still discovering early movies she starred or co-starred in that I never knew about ("Cisco Pike", "Portnoy's Complaint", "The Pyx"). She and director Dan Curtis were quite a pair, here masterfully zipping through three short creep-outs in which Karen plays four fascinating women. The last segment, "Amelia", has incredible point-of-view camera-work, seamlessly swooping around corners, which rivals even "The Shining". Karen is very much attuned to the eccentricities of character (in fact, when she played a 'normal' woman, like the lead in "Day Of The Locust", she came off almost colorless), but Dan Curtis winds this toy up and Karen runs with it. The first two segments are psychological suspense studies of ruined-women-turned-triumphant, the third story turns the tables and makes woman the victim. It's a terrific feat, worth talking about even after 26 years.