| Giancarlo Giannini | ... | Gennarino Carunchio | |
| Mariangela Melato | ... | Raffaella Pavone Lanzetti | |
| Riccardo Salvino | ... | Signor Pavone Lanzetti | |
| Isa Danieli | ... | Anna | |
| Aldo Puglisi | |||
| Anna Melita | |||
| Giuseppe Durini | |||
| Lucrezia De Domizio | |||
| Luis Suarez | |||
| Vittorio Fanfoni | |||
| Lorenzo Piani | |||
| Eros Pagni | ... | Pippe |
Directed by | |||
| Lina Wertmüller | |||
Writing credits(in alphabetical order) | ||
| Lina Wertmüller | ||
Produced by | |||
| Romano Cardarelli | .... | producer | |
Original Music by | |||
| Piero Piccioni | |||
Cinematography by | |||
| Giulio Battiferri | |||
| Giuseppe Fornari | |||
| Ennio Guarnieri | |||
| Stefano Ricciotti | |||
Film Editing by | |||
| Franco Fraticelli | |||
Costume Design by | |||
| Enrico Job | |||
Makeup Department | |||
| Gino Zamprioli | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Gianni Arduini | .... | first assistant director | |
Sound Department | |||
| Mario Bramonti | .... | sound mixer | |
| Giuseppe Muratori | .... | boom operator | |
|
|
|
|
|
| My Brother Is an Only Child | Respiro | The Barbarian Invasions | Malèna | It's Easier for a Camel... |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb Italy section |
Back in the 1970's Lina Wertmuller was an art-house superstar. But more importantly, she was a first class original, bursting with a fresh, exciting vision.
Now, here's a lively storyline: a rich, racist, reactionary female- a right wing, fascist mind in a knuckle-biting, voluptuous body -is stranded on a mid-sea desert isle with a poverty-stricken, chauvinistic, Communist male- a left-leaning propagandist in a scrawny masculine body. "Make nice" they don't. Well, not right off the bat. Not before much nasty invective and grievous bodily assault take place. But then afterward....ahh, afterward.
SWEPT AWAY, though a foreign film, is in the manic, irreverent, well-timed tradition of Hollywood screwball comedies like THE AWFUL TRUTH(1937), MIDNIGHT(1939), THE LADY EVE(1941), and most emphatically, HIS GIRL FRIDAY(1940)- only with a shipload more profane repartee, orgiastic lust, and bone-crunching physicality than was ever permissible or desirable in those older classics. Throwing all vestiges of caution to the four winds, Wertmuller really surprises the viewer with her take on the battle of the genders strained through a volcanic political dialectic.
Upon its initial release many in the audience demurred strongly (and still do) as the male's dominance slipped into outright brutality. Certainly, Wertmuller can be accused of going too far, but never of boring us. Giancarlo Giannini and Mariangelo Melato are absolutely letter perfect: sulking, teasing, attacking, retreating, seducing, rampaging, abandoning. Their director spurs them through an emotional and physical gauntlet and they meet each dramatic challenge with winning artistry. You may feel wrung out by film's end. Or enraged. Or both. But you'll have quite a time.