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Swept Away (1974)

Travolti da un insolito destino nell'azzurro mare d'agosto (original title)
A trip into the Mediterranean sea becomes a trip into the discovery of how society's frameworks of the rich and poor are delicate and temporary.

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4 wins & 3 nominations. See more awards »

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Cast

Cast overview:
...
...
Riccardo Salvino ...
Signor Pavone Lanzetti
Isa Danieli ...
Anna
Aldo Puglisi ...
Pippo
Anna Melita
Giuseppe Durini
Lucrezia De Domizio
Luis Suarez
Luis Suárez
Vittorio Fanfoni
Lorenzo Piani
Eros Pagni ...
Ospite comunista
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Storyline

A rich woman, Raffaella, and some friends rent a yacht to sail the Mediterranean Sea during summer. The sailor, Gennarino, who is a communist, does not like this woman but has to bear with her bad mood. One day she wakes up late in the afternoon and asks to be taken to land where everyone had gone earlier. Gennarino sets up a boat but during the trip, the boat breaks down. They spend the night in the middle of the sea. Written by Michel Rudoy <mdrc@hp9000a1.uam.mx>

Plot Summary | Plot Synopsis


Certificate:

R | See all certifications »

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Release Date:

17 September 1975 (USA)  »

Also Known As:

Insólito destino  »

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(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Was chosen by Premiere magazine as one of the "100 Movies That Shook the World" in the October 1998 issue. The list ranked the most "daring movies ever made." See more »

Quotes

Raffaella Pavone Lanzetti: Spartacus!
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Connections

Referenced in The Player (1992) See more »

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User Reviews

Power, Politics and Human Nature
18 October 2000 | by See all my reviews

I feel that many of the comments for 'Swept Away...' slightly miss the point. Certainly, it is about politics. But Wertmuller is not taking sides between her communist & capitalist heros. She is examining what happens when they are removed from the society that defines their roles and their relationship.

Once the balance of power is reversed, they essentially change places. He becomes dominant (and often abusive). She becomes weak and submissive. The rough sex, etc. is all symbolic of how the poor are treated by the rich. And Wertmuller shows us that the 'working class hero' has no inherent nobility. Put in the position of power, he is every bit as cruel as his former oppressors. Once they return to society, the balance of power is once again reversed.

The message here is that there are no political heros and villains. Power is relative and arbitrary. And sadly, it is our nature to abuse it. The lesson is, perhaps, that we must rise above that base instinct and treat our fellow men with empathy and generosity. "We have met the enemy, and he is us."


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