A send-up of the bawdy life of Romantic composer/piano virtuoso Franz Liszt, with ubiquitous phallic imagery and a good portion of the film devoted to Liszt's "friendship" with fellow ... See full summary »
Both trifles and structure are tossed out the door by director Ken Russell in this film. Here, historical content matters not so much as metaphors, feelings, emotions, and interpretations, ... See full summary »
The concurrent sexual lives of best friends Jonathan and Sandy are presented, those lives which are affected by the sexual mores of the time and their own temperament, especially in ... See full summary »
In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
In a small, US costal town with many Spanish speakers, a motorcycle gang arrives on holiday. Also in town to try to reconnect with his pregnant girlfriend, Karen, is businessman Paul ... See full summary »
'It's Monopoly out there'. Jason Staebler, The King of Marvin Gardens, has gone directly to jail, lives on the Boardwalk and fronts for the local mob in Atlantic City. He is also a dreamer ... See full summary »
Henry Moon is captured for a capital offense by a posse when his horse quits while trying to escape to Mexico. He finds that there is a post-Civil War law in the small town that any single ... See full summary »
Scottish archaeologist Angus Flint discovers an odd skull amid the ruins of a convent that he is excavating. Shortly thereafter, Lady Sylvia Marsh returns to Temple House, a nearby mansion,... See full summary »
Nora Walker is told that her British fighter pilot husband is missing in action and presumed killed in World War II. On V.E. Day, Nora gives birth to their son, who she names Tommy. While Tommy is an adolescent, Nora marries Frank, a shifty camp counselor. Shortly thereafter, Tommy suffers an emotionally traumatic experience associated with his father and step-father, which, based on things told to him at that time, results in him becoming deaf, dumb and blind, a situation which several people exploit for their own pleasure. As Nora tries several things to bring Tommy out of his psychosomatic disabilities, Tommy, now a young man, happens upon pinball as a stimulus. Playing by intuition, Tommy becomes a pinball master, which in turn makes him, and by association Nora and Frank, rich and famous. Nora literally shatters Tommy to his awakening, which ultimately leads to both the family's rise and downfall as people initially try to emulate Tommy's path then rebel against it. Written by
Ann-Margret largely improvised the infamous bean scene. Ken Russell simply told her that her character was having a nervous breakdown, and that she could do whatever she wanted. Unfortunately at one point during filming her hand accidentally struck the broken glass of the TV screen and Russell had to rush her to hospital for stitches. See more »
Crew reflections are visible in pinball machines' glass during end scene in pinball park. See more »
He seems to be completely unreceptive. The tests I gave him showed no sense at all!
His eyes react to light; the dials detect it. He hears but cannot answer to your call!
See me! Feel me! Touch me! Heal me!
See me! Feel me! Touch me! Heal me!
[singing to Tommy's mother]
There is no chance, no untried operation. All hope lies with him and none with me. Imagine though the shock from isolation, when he suddenly can hear and speak and see!
SEE ME! ...
[...] See more »
Tommy (1975) was the film adaptation of the Who's classic concept album Tommy. The film and the album are slightly different (the re-recorded songs pale to the real deal). But it was interesting to see avant-garde film maker Ken Russell re-imagine Tommy for the big screen. The movie has an all-star cast of eccentric and top stars (Oliver Reed, Ann-Margaret, Jack Nicholson) and pop stars (Tina Turner, Roger Daltry, Keith Moon, Eric Clapton, Elton John and The Who themselves, as a group on stage).
The music was changed and performed for the movie. Most of the dialog was sung (by all of the actors) and Ken Russell changed some of the story to fit the movie. If you're a fan of the album you might be disappointed by the movie. But it's worth a watch just to see Oliver Reed, Ann-Margaret (in total HOT mode) and the others as they make cameo appearances and guest spots. I was slight disappointed but I was pleased with the results. I just wished they used the original music whenever they could.
Recommended for Who and Ken Russell fans.
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