In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
Scottish archaeologist Angus Flint discovers an odd skull amid the ruins of a convent that he is excavating. Shortly thereafter, Lady Sylvia Marsh returns to Temple House, a nearby mansion,... See full summary »
The prostitute Liz works on the streets of Los Angeles. She recalls her life in flashback, when she marries an alcoholic man. She leaves him with their son. Then she works as waitress in a ... See full summary »
Nora Walker is told that her British fighter pilot husband is missing in action and presumed killed in World War II. On V.E. Day, Nora gives birth to their son, who she names Tommy. While Tommy is an adolescent, Nora marries Frank, a shifty camp counselor. Shortly thereafter, Tommy suffers an emotionally traumatic experience associated with his father and step-father, which, based on things told to him at that time, results in him becoming deaf, dumb and blind, a situation which several people exploit for their own pleasure. As Nora tries several things to bring Tommy out of his psychosomatic disabilities, Tommy, now a young man, happens upon pinball as a stimulus. Playing by intuition, Tommy becomes a pinball master, which in turn makes him, and by association Nora and Frank, rich and famous. Nora literally shatters Tommy to his awakening, which ultimately leads to both the family's rise and downfall as people initially try to emulate Tommy's path then rebel against it. Written by
Rod Stewart was originally intended to play the pinball wizard, but Elton John talked him out of it. John then took the part himself. Stewart had played the part in a London stage production, and his version of the song is on his "Greatest Hits" collection. See more »
When we first see Keith Moon as himself playing the drums,
there are no cymbals. See more »
I first saw this movie a few years back whilst going through my Uncle's collection of records, tapes and videos etc. To be fair I was fairly sceptical about the prospect of spending at Saturday night drinking and watching a musical film involving "The Who" (a band I had obviously heard of, but not actually really listened too) with my Uncle. However my Uncle has great taste in music and has introduced me to many great bands and albums over the years, especially 60's rock music.
I think my initial reaction to the film was it had some great scenes, mixing fantastic music with iconic imagery, some very interesting cast members, and a very strange dark humour throughout most of it.
The scenes which I were first really drawn to were 1951/what about the boy? (whether Oliver Reed can sing or not without severe editing, he fits his part perfectly and both he and Ann-Margaret shine during this scene), Acid Queen (an amazing performance by Tina Turner) and Amazing Journey.
Due to enjoying these songs/scenes so much I revisited the film a few times and then really found the true depth of the movie. The songs are top notch, with the above mentioned and others such as Christmas, Pinball Wizard, I'm Free, Sally Simpson and Listening To You amongst the best. Every scene is almost mesmerising in it's own way (apart from Eyesight to the blind, although I love Eric Clapton, I just do not enjoy this part at all).
I had been looking for this on DVD for sometime, and in the meantime had purchased the original CD (interesting how some songs are better on the CD whilst others translate better in the movie) as a substitute. I was of course extremely pleased at the recent 2 Disc Collectors Edition release and did not hesitate to make my purchase.
OK, the story is not your run of the mill, easy to understand type and I think it is open to all kinds of interpretations, the main thing is the movie is a visual and musical feast almost like an extended ultra good pop video.
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