An ambitious reporter gets in way-over-his-head trouble while investigating a senator's assassination which leads to a vast conspiracy involving a multinational corporation behind every event in the worlds headlines.
Alan J. Pakula
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians, and proves to be a match for their warriors in one-on-one combat on the early frontier.
Sonny Steele used to be a rodeo star, but his next appearance is to be on a Las Vegas stage, wearing a suit covered in lights, advertising a breakfast cereal. When he finds out they are ... See full summary »
A mild mannered CIA researcher, paid to read books, returns from lunch to find all of his co-workers assassinated. "Condor" must find out who did this and get in from the cold before the hitmen get him. Written by
Mike CO <email@example.com>
First of two espionage films in six years with the word "Condor" in the title. The second was the spy spoof Condorman (1981) made and released in 1981. In that movie, when Woody (Michael Crawford) is glamorizing Harry's job at the CIA, Harry responds, "Not everyone in the CIA is Robert Redford." This is a subtle joke regarding Three Days of the Condor (1975) in which Redford plays a CIA agent whose codename is Condor. See more »
When Turner is given the report from Langley saying they found nothing to be concerned about in the book he read and reported on. Turner folds it and puts it in his right rear pocket. When he tries to remember the section chiefs name the morning after at Kathy's apartment, the morning the mailman comes, he retrieves it out of his left rear jeans pocket. See more »
I need your car.
It's called grand theft. You don't want to get in trouble with the police.
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A classic spy thriller that still does the trick after so many years
Sidney Pollack is a great admirer of Alfred Hitchcock, which he also proved with "The Interpreter". Apparently he loves suspenseful thrillers and I sure hope for him that his movies will age as well as those that Hitchcock made. And I guess they do. Even though it was made thirty years ago, "Three Days of the Condor" still hasn't lost any of its power. Sure, you could call it a typical product of the seventies, but even today this movie feels up-to-date and believable.
Turner works for the American Literary Historical Society, or at least so it seems. In reality he is a CIA researcher, with the code name Condor, who gets paid to read books, in which he has to find possible scenarios that could be used in intelligence work. When he returns to his office after he went out to get lunch, he finds all his colleagues dead and he doesn't know who shot them. He immediately calls a superior who sends his section chief to get him out of there. But when the man arrives, he immediately opens fire on Turner. In an act of pure desperation - he no longer knows who he can trust - Turner kidnaps a woman he has never seen before and forces her to hide him. He will stay in her house until he can find out what exactly is going on. But even there he isn't save. He is discovered and attacked in the woman's house, but is able to kill the man. Now he knows one thing for sure: the man too had a connection to the CIA, which means that someone in the CIA must be behind all this...
I guess the best thing about this movie is the fact that it doesn't give away all its information at once. At first Turner appears to be an ordinary guy who arrives late for work. Nothing special there. But because he gradually builds up tension by slightly releasing more information, the writer knows how to keep you focused and interested. I guess the best way to describe this movie is calling it a classic spy thriller without James Bond-like locations or bad guys and and no super hero who can beat all the bad guys with a blink of an eye. No, this is a normal man who was at the wrong place at the wrong time and who now has to face an unusual and life threatening situation. I guess that's where this movie gets its strength: you can easily identify with him, even though he is a spy.
And yes, the whole concept of the movie is very seventies: the paranoia towards the government, the insecurity of not knowing who your enemies or your friends are... all give it that typical feeling. but even today this movie hasn't lost any of its power or relevance. All in all this is a very good and stylish thriller that offers plenty of tension and some very nice acting. Especially Robert Redford and Faye Dunaway were very nice to watch, but the other actors did a fine job too. Thanks to the combination of the acting, a good story and some nice camera-work, Pollack has created a movie Hitchcock might have been proud of if he had done it. That's why I give this movie a 7.5/10.
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