Mike Church is a Los Angeles private detective who specializes in finding missing persons. He takes on the case of a mystery woman who he calls Grace. She is suffering from amnesia and has ... See full summary »
A mild mannered CIA researcher, paid to read books, returns from lunch to find all of his co-workers assassinated. "Condor" must find out who did this and get in from the cold before the hitmen get him. Written by
Mike CO <email@example.com>
In her biography "Looking for Gatsby", Faye Dunaway says of this film: "Now I'm sorry but the idea of being kidnapped and ravaged by Robert Redford was anything but frightening. [At one point, after Redford temporarily left the set and director Pollack took over his role for the scene where Dunaway's character might be attacked] the cameras were rolling, I was in position, and suddenly Sydney lunged at me, growling 'I AM GOING TO GET YOU!'. I'm tied up at this point, unable to get away or move much at all, but Sydney kept moving toward me, his eyes glaring at me as he went on detailing all the horrible things he was going to do to me, and let me tell you, Sydney has an inventive mind. He is also a great actor, and he scared the hell out of me. Sydney kept the camera rolling and he was relentless". See more »
When Turner unties Cathy while the phone is ringing, the tone of the bell changes pitch between shots. See more »
You're not entitled to personal questions! That gun gives you the right to rough me up; it doesn't give you the right to ask me...
Wh- wh- Rough you up? Have I roughed you up?
Yes! What are you doing in my house?
Have I? Have I?
Going through all my stuff? Force...
Have I raped you?
The night is young.
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Three Days of the Condor is a classic spy thriller with a bit of a twist, it takes place inside the U.S.A. There are no flashy locales, no super-hero types, and no ultra-menacing bad guys who spew cheesy dialogue; instead, we have a common man (Robert Redford) battling for his life in an uncommon situation. This is similar to Alfred Hitchcock's North By Northwest in its theme and intensity and Sydney Pollack pulls it off to perfection.
Robert Redford stars as Joseph Turner a "reader" for the CIA who finds himself on the run after everyone in his office is assassinated. Pollack wisely allows us to share in Turner's horror and confusion upon finding his dead co-workers. We witness his scramble for protection and his shaky call to the CIA Headquarters, as he demands to be brought in. The wheels start turning and it seems that all will be resolved, safely and quickly, but things don't go as planned. After a shoot out in an alley, Turner is seen as a possible rogue agent sending him into greater peril. Now everyone is out to get him. Only through quick, imaginative thinking and survival instincts can Turner stay ahead of those who are out to kill him.
In a moment of desperate improvisation, Turner kidnaps Faye Dunaway to elude his pursuers. This turn allows us to have someone else view Redford's character for us and provide a different intensity, a sexual intensity, to the film. Again, this is somewhat reminiscent of Cary Grant meeting Eva Marie Saint on the train in North by Northwest. But this story has more of an edge to it and Dunaway's character has greater depth and purpose than we imagine possible. She acquiesces to her captor's demands as she tries to understand him and learns quickly to appreciate him and the situation he's in.
Through Dunaway's help, Redford is allowed to meet up with the man (Cliff Robertson) who he believes is pulling the strings inside the CIA. The story turns more cerebral as we learn why Turner's office was hit and who was behind it. Furthermore, we understand how truly alone Redford's character really is. The audience is kept guessing through to the very end as to whether or not Redford's character will survive.
This is one movie that provides action and excitement coupled with a strong plot and solid characters. Max Von Sydow is excellent as a Joubert, a sophisticated, calculating, even-keeled assassin who is only doing what he is paid to do. Redford shines as a man whose entire world is thrown into violent disarray forcing him to fight for his survival. His ability to project his thoughts and concerns through his actions and facial expressions holds the audience to him.
While this movie does not have the overwhelming paranoid feel to it that a movie like The Parallax View had, it is stylish, convincing, and an intriguing movie. Sydney Pollack doesn't fill the scenes with deep shadows and hard camera angles, as some would do. Instead, most of this story takes place in broad daylight, which actually increases the tension. There's no easy place to hide, no dark doorways to duck into, no characters stepping out of the fog when we least expect it. Like Hitchcock, Pollack knows that exposing his hero to the light of day is to abandon him to his pursuers. The audience is pulled in right along with the Redford's character and we can't let go until we know we're safe.
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