It is New Year's Eve. 1976. On a Greek island a party of bourgeois hunters comes upon a body, buried in the snow and miraculously preserved by the cold. By his uniform, he appears to be one... See full summary »
It is 1936 in Greece, shortly before the Metaxas' dictatorship. A former drug trafficker and police informer, Sofianos, is in prison because of the assassination of a trade unionist during ... See full summary »
A woman murders her husband, upon his return home after a long absence, with the complicity of the lover who has relieved her loneliness. Costas Ghoussis, an emigrant recently returned to ... See full summary »
Based on some historical events, the film gives a romanticized biography of Theodoros Kolokotronis, a Greek historical hero serving as a metaphor for Greece herself. Based on a circular ... See full summary »
Alexandre, a TV reporter, is working for a few days in a border town, where a lot of refugees from Albania, Turkey and Kurdistan are packed in. Among them, he notices an old man and thinks ... See full summary »
A, a Greek filmmaker living in exile in the United States, returns to his native Ptolemas to attend a special screening of one of his extremely controversial films. But A's real interest ... See full summary »
Road movie about two children (Voula and Alexandre) searching for their father who is supposed to live in Germany. Their obsession for this father figure will take them to the boundaries ... See full summary »
This is the first film of Theo Angelopoulos' trilogy. The story starts in 1919 with some greek refugees from Odessa arriving somewhere near Thessaloniki. Among these people are two small ... See full summary »
Famous writer Alexander is very ill and has little time left to live. He meets a little boy on the street, who is an illegal immigrant from Albania, and goes on a journey with him to take the boy home.
A, an American film director of Greek ancestry, is making a film that tells his story and the story of his parents. It is a tale that unfolds in Italy, Germany, Russia, Kazakhstan, Canada ... See full summary »
A group of traveling players peregrinates through Greece attempting to perform the popular erotic drama Golfo The Shepherdess. In a first level the film focuses on the historical events between 1939 and 1952 as they are experienced by the traveling players and as they affect the villages which they visit: The last year of Metaxas' fascist dictatorship, the war against the Italians, the Nazi occupation, the liberation, the civil war between left and right wingers, the British and American interventionism in the Greek politics. In a second level the characters live their own drama of jealousy and betrayal, with its roots in the ancient myth of the House of Atreus. Agamemnon, a Greek refugee from Minor Asia, goes to war against the Italians in 1940, joins the resistance against the Germans, and is executed by them after being betrayed by Clytemnestra and Aegisthos. Aegisthos, Clytemnestra's lover, is an informer and collaborator working with the German occupiers. Orestes, son of ... Written by
"The Travelling Players", one of the early films of Theo Angelopoulos, shows the vast difference between the talented rising director of 1975 that had something to say, and of the bourgeois famous director of 1998 ("Eternity And A Day") that won the Cannes award but had nothing left to say.
A sprawling epic running at around 4 hours, the film follows a group of touring actors performing a theatrical play across Greece between 1939 and 1952. The focus is on the troubled modern history of Greece during the period (a fascist dictatorship, resistance against the Italians, German occupation, civil war), seen through a series of warped desolate sequences drenched in languor, and also an apotheosis of traditional folklore, music, theater, rural and urban landscapes. Most of these scenes exhibit a rare poetical sensibility, while a few are a bit clumsy, but still interesting.
Couple that with the drama that unfolds within the group of players, and you've got a true masterpiece. Basically what we see is a loose adaptation of Aeschylus' ancient tragedy "Oresteia" (the father Agamemnon, the adulterous mother Clytamnestra, her lover Aegisthus, the avenging daughter Elektra, the avenging son Orestes etc). In the end, the group of actors stands severely rearranged through a painful and dividing historical period, shadows of themselves in a shadow of a country. The film ends as a perfect circle just the way it began, a metaphor for life itself.
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