| Jim Brown | ... | Pike | |
| Lee Van Cleef | ... | Kiefer | |
| Fred Williamson | ... | Tyree | |
| Catherine Spaak | ... | Catherine | |
| Jim Kelly | ... | Kashtok | |
| Barry Sullivan | ... | Kane | |
| Dana Andrews | ... | Morgan | |
| Harry Carey Jr. | ... | Dumper | |
| Robert Donner | ... | Skave | |
| Charles McGregor | ... | Cloyd | |
| Leonard Smith | ... | Cangey | |
| Ronald Howard | ... | Halsey | |
| Ricardo Palacios | ... | Calvera | |
| Robin Levitt | ... | Chico | |
| Buddy Joe Hooker | ... | Angel | |
| rest of cast listed alphabetically: | |||
| Paul Costello | ... | Card Player (uncredited) | |
| Hal Needham | ... | Garmes (uncredited) | |
Directed by | |||
| Antonio Margheriti | (as Anthony M. Dawson) | ||
Writing credits | ||
| Eric Bercovici | (screenplay) & | |
| Jerrold L. Ludwig | (screenplay) (as Jerry Ludwig) | |
Produced by | |||
| Maria Luisa Alcaraz | .... | associate producer | |
| Harry Bernsen | .... | producer | |
| Leon Chooluck | .... | co-producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Riccardo Pallottini | |||
Film Editing by | |||
| Stanford C. Allen | |||
Art Direction by | |||
| Julio Molina | |||
Costume Design by | |||
| Agustín Jiménez | |||
Makeup Department | |||
| Carmen Martín | .... | makeup artist | |
Production Management | |||
| Francisco Ardura | .... | production manager | |
| Miguel Ángel Bermejo | .... | unit manager | |
| José María Ochoa | .... | production supervisor | |
| José María Ochoa | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| José López Rodero | .... | assistant director (as Pepe Lopez Rodero) | |
| Scott Maitland | .... | assistant director | |
| Hal Needham | .... | second unit director | |
Sound Department | |||
| Theodore Soderberg | .... | sound re-recording mixer | |
| Jim Willis | .... | sound recordist | |
Special Effects by | |||
| Luciano D'Achille | .... | special effects | |
| Antonio Molina | .... | special effects | |
Stunts | |||
| Javier Maiza | .... | stunt performer | |
| Juan Maján | .... | stunts | |
| Hal Needham | .... | stunts | |
| Jim Burk | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Raúl Pérez Cubero | .... | photography: second unit | |
| Phil Stern | .... | still photographer | |
| Carlo Tafani | .... | camera operator | |
Editorial Department | |||
| Dennis Mosher | .... | assistant editor | |
Music Department | |||
| Kenneth Hall | .... | music editor | |
Other crew | |||
| Alan Arnold | .... | unit publicist | |
| Stanley Bielecki | .... | press coordinator | |
| Lucie Lichtig | .... | script supervisor | |
| Mary Pepa Willis | .... | production secretary | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb Spain section |
One of the last spaghetti westerns (though really, there was a good amount of American talent in front of and behind the camera), it does definitely have some novelty value - the cast, some good Canary Island scenery, a quick pace, and some good action sequences (best being the gunfight in the canyon). Still, there was clearly a bunch of potential wasted.
Brown is good, Williamson does okay, but the rest of the cast isn't actually given that much to do. Kelly's character could easily be written out, and Van Cleef's bad guy character isn't fully developed (for one thing, the movie doesn't seem to know what to do with him at the end.) And the script really isn't that much - it more or less consists of either the protagonists riding through the desert, or engaged in action.
Die-hard western fans (especially those who like spaghetti westerns) will probably find enough to enjoy about it, but this certainly won't convert anyone who normally avoids this genre.