| Photos (see all 27 | slideshow) |
| Katharine Ross | ... | Joanna Eberhart | |
| Paula Prentiss | ... | Bobbie Markowe | |
| Peter Masterson | ... | Walter Eberhart | |
| Nanette Newman | ... | Carol Van Sant | |
| Tina Louise | ... | Charmaine Wimpiris | |
| Carol Eve Rossen | ... | Dr. Fancher (as Carol Rossen) | |
| William Prince | ... | Ike Mazzard | |
| Carole Mallory | ... | Kit Sunderson | |
| Toni Reid | ... | Marie Axhelm | |
| Judith Baldwin | ... | Patricia Cornell | |
| Barbara Rucker | ... | Mary Ann Stravros | |
| George Coe | ... | Claude Axhelm | |
| Franklin Cover | ... | Ed Wimpiris | |
| Robert Fields | ... | Raymond Chandler | |
| Michael Higgins | ... | Mr. Cornell | |
| Josef Sommer | ... | Ted Van Sant (as Josef Somer) | |
| Paula Trueman | ... | Welcome Wagon Lady | |
| Martha Greenhouse | ... | Mrs. Kirgassa | |
| Simon Deckard | ... | Dave Markowe | |
| Remak Ramsay | ... | Mr. Atkinson | |
| Mary Stuart Masterson | ... | Kim Eberhart | |
| Ronny Sullivan | ... | Amy Eberhart | |
| John Aprea | ... | Young Cop | |
| Matt Russo | ... | Moving Man 1 | |
| Anthony Crupi | ... | Moving Man 2 | |
| Kenneth McMillan | ... | Market Manager | |
| Dee Wallace | ... | Nettie | |
| Tom Spratley | ... | Charlie the Doorman | |
| Patrick O'Neal | ... | Dale Coba | |
| rest of cast listed alphabetically: | |||
| Emma Forbes | ... | Alison Van Sant (uncredited) | |
| Dennis Kear | ... | Young Grocery Boy (uncredited) | |
Directed by | |||
| Bryan Forbes | |||
Writing credits | ||
| Ira Levin | (novel) | |
| William Goldman | (screenplay) | |
Produced by | |||
| Gustave M. Berne | .... | executive producer | |
| Roger M. Rothstein | .... | associate producer | |
| Edgar J. Scherick | .... | producer | |
Original Music by | |||
| Michael Small | |||
Cinematography by | |||
| Enrique Bravo | |||
| Owen Roizman | |||
Film Editing by | |||
| Timothy Gee | |||
Casting by | |||
| Juliet Taylor | |||
Production Design by | |||
| Gene Callahan | |||
Set Decoration by | |||
| Robert Drumheller | |||
Costume Design by | |||
| Anna Hill Johnstone | |||
Makeup Department | |||
| Andy Ciannella | .... | makeup artist | |
| Romaine Greene | .... | hair stylist | |
| Dick Smith | .... | makeup artist (uncredited) | |
Production Management | |||
| Neil A. Machlis | .... | unit manager (as Neil Machlis) | |
Second Unit Director or Assistant Director | |||
| Michael Haley | .... | second assistant director (as Mike Haley) | |
| Peter R. Scoppa | .... | first assistant director (as Peter Scoppa) | |
Art Department | |||
| Don Bachardy | .... | draughtsman | |
| Stanley Cappiello | .... | scenic artist | |
| Joseph M. Caracciolo | .... | property master | |
Sound Department | |||
| Janet Davidson | .... | sound editor | |
| Jack Fitzstephens | .... | sound editor | |
| James Sabat | .... | sound mixer | |
| Dick Vorisek | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Enrique Bravo | .... | camera operator | |
| Muky | .... | still photographer | |
| Gary Muller | .... | second assistant camera | |
| Tom Priestley Jr. | .... | first assistant camera | |
| Dusty Wallace | .... | gaffer | |
| Robert Ward | .... | key grip (as Bob Ward) | |
Costume and Wardrobe Department | |||
| Peggy Farrell | .... | wardrobe | |
| George Newman | .... | wardrobe | |
Editorial Department | |||
| Patrick McMahon | .... | assistant editor | |
| Irving Rathner | .... | negative cutter | |
Music Department | |||
| Suzanne Ciani | .... | musician: electronic music | |
| Michael Small | .... | conductor | |
Transportation Department | |||
| Raymond Hartwick | .... | transportation | |
Other crew | |||
| B.J. Bjorkman | .... | script supervisor | |
| Martin Fribush | .... | executive: Fadsin Cinema Associates | |
| Shari Leibowitz | .... | production secretary | |
| Gaetano Lisi | .... | production assistant (as Tom Lisi) | |
| Kay Summersby | .... | fashion consultant | |
| Robert Ellis | .... | title designer (uncredited) | |
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| The Stepford Wives | Halloween | The Howling | Body Double | Rear Window |
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I'm sure 'The Stepford Wives' spoke more to the audiences of 1975 than it does to the audiences of today, but this holds its own as decent, satisfying thriller. Really little more than a variation on 'Invasion of the Body Snatchers,' 'Stepford' follows that film's structure of slowly unspooling clues and suspicions and saving its bigger 'gotcha!' moments for the end. Katherine Ross was no doubt the star of this film, but Paula Prentiss really stood out for me. Gawky and enjoyable, she oddly predicted Geena Davis by a full generation. At one point in the film, my girlfriend commented of her wardrobe, 'Wow, can you imagine a grown woman today wearing a hot pant jumper?' The '70s yikes!
I had the misfortune of both seeing the remake of 'The Stepford Wives' before seeing the original and *actually seeing* the remake of 'The Stepford Wives.' If the original serves any purpose, it is to expose the remake for the gutless, toothless, anemic waste of everyone's time that it is. God, what a terrible movie