A husband and wife think they have made the move of a lifetime when they buy a house in a quiet leafy town. At first it appears to be perfect because there is no noise, no crime and no ... See full summary »
In this sequel to The Stepford Wives, Steven and Laura Harding (along with their kids David and Mary) have moved to the quiet community of Stepford, CT. Steven joins the men's club, which ... See full summary »
A TV reporter arrives in Stepford to do a story on the American town with the lowest crime and divorce rates and the tightest real-estate market (no one ever leaves). She needs an assistant... See full summary »
The Stepford Wives is about a small suburb where the women happily go about their housework - cleaning, doing laundry, and cooking gourmet meals - to please their husbands. Unfortunately, Bobbie and Joanna discover that the village's wives have been replaced with robots, and Joanna's husband wants in on the action. Written by
Director Bryan Forbes claims Diane Keaton turned the role of Joanna down the night before signing her contract, because her analyst got "bad vibes" from the script. See more »
When Joanna takes Fred out for a walk, Walter calls the members of the men's association to check out the layout of the master bedroom. Among those who come to the house are Ed Wimpiris and the Reverend. We cut to Joanna on her walk outside the men's association building where a local police officer warns her about walking around at night, and Joanna heads home. Moments after she departs the frame, a car pulls out of the driveway driven by Ed Wimpiris with the Reverend as a passenger. Ed is shown to be a stunned, sweaty mess and the Reverend suggests letting him drive the car instead as Ed is "In no fit shape", the implication being Ed had taken his wife Charmaine to be "changed" that evening. Unless Ed and the Reverend had Stepford doubles of their own running around or Joanna was in the habit of walking Fred for hours on end, this would indicate they were in two places at once that evening. See more »
[after being stabbed]
Joanna! How could you do a thing like that? How could you do a thing like that? How could you do a thing like that? When I was just going to give you coffee. When I was just going to give you coffee! When I was just going to give you coffee! I thought we were friends! I thought we were friends! I was just going to give you coffee! I was just going to give you coffee! I thought we were friends... I thought we were friends... I thought we were friends. How could you *do* a ...
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I watched this film without knowing too much about it beforehand, which is the best way to get hit by its surprise revelations - so, as another reviewer suggested, don't read any reviews before seeing it, they'll probably spoil it one way or the other. It is fueled by the same fear that pervaded the "Invasion of the Body Snatchers" films - the loss of one's individuality. The director's careful, methodical pacing and his attention to detail may make the film seem slow to impatient viewers, but they pay off in some really chilling moments. Katharine Ross is extremely engaging in the lead....and (not to give anything away but) I'll never forget the image of the woman with no eyes. (***)
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