A husband and wife think they have made the move of a lifetime when they buy a house in a quiet leafy town. At first it appears to be perfect because there is no noise, no crime and no ... See full summary »
It's 1963 in rural Massachusetts, and Nora James has the usual worries of an eleven year-old girl:lipstick, first crushes, staying out of trouble at school...not easy when your teacher is ... See full summary »
The title refers to the creatures a very poor addled old lady (Dame Edith Evans) imagines in her paranoid fantasies. They lurk behind every drip, drip, drip of a leaky faucet. They listen ... See full summary »
A TV reporter arrives in Stepford to do a story on the American town with the lowest crime and divorce rates and the tightest real-estate market (no one ever leaves). She needs an assistant... See full summary »
In this tail, a modern family from Manhattan moves to the small town of stepford. All of the wives are the perfect, sex kitten model type. All of the women seems to be to perky. 3 of the ... See full summary »
David Marshall Grant
In this sequel to The Stepford Wives, Steven and Laura Harding (along with their kids David and Mary) have moved to the quiet community of Stepford, CT. Steven joins the men's club, which ... See full summary »
Stepford Wives is about a small suburb where the women happily go about their housework - cleaning, doing laundry, and cooking gourmet meals - to please their husbands. Unfortunately, Bobbie and Joanna discover that the village's wives have been replaced with robots, and Joanna's husband wants in on the action. Written by
Bryan Forbes claimed that he found screenwriter William Goldman very high-handed and rude, and reluctant to change anything in his script, which several previous directors had turned down. Goldman, in turn, insisted that Forbes rewrote his script extensively, mostly during shooting. See more »
As the Eberharts enter Stepford for the first time riding in their station wagon, Joanna's head scarf disappears and reappears several times as the scenes change. See more »
The image of beautiful, not necessarily sexy, women parading through the aisles of a grocery story in picturesque, almost Victorian summer dresses and wide white broad brimmed hats is one of the most lasting of this effective thriller based on the work by Ira Levin. Katherine Ross engagingly plays a women being moved with family in tow from the hustle and bustle of New York City to the serene suburbs of old Connetticut. Ross soon discovers that life for the gentle sex is anything but normal. All the women of Stepford seem to be concerned with is housecleaning and pleasing their husbands. This is a good, high energy film that shocks more from looks and what you do not see rather than what you do see. Helping greatly is a solid acting cast working with a pliable script. Though shot with an almost static effect at times, The Stepford Wives packs a few good punches. The scene in the grocery store and the scene with the empty eyes are just two of the highlights for me. Patrick O' Neal, lovely Tina Louise, and the ever loquacious Paula Prentiss costar. At the heart of the film is human identity and the worth it has/should have. There are aspects of social commentary abounding: the relationship of men and women in marriage, the effects of Suburban living, and the dangers of technology.
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