A husband and wife think they have made the move of a lifetime when they buy a house in a quiet leafy town. At first it appears to be perfect because there is no noise, no crime and no ... See full summary »
The title refers to the creatures a very poor addled old lady (Dame Edith Evans) imagines in her paranoid fantasies. They lurk behind every drip, drip, drip of a leaky faucet. They listen ... See full summary »
A TV reporter arrives in Stepford to do a story on the American town with the lowest crime and divorce rates and the tightest real-estate market (no one ever leaves). She needs an assistant... See full summary »
In this sequel to The Stepford Wives, Steven and Laura Harding (along with their kids David and Mary) have moved to the quiet community of Stepford, CT. Steven joins the men's club, which ... See full summary »
Stepford Wives is about a small suburb where the women happily go about their housework - cleaning, doing laundry, and cooking gourmet meals - to please their husbands. Unfortunately, Bobbie and Joanna discover that the village's wives have been replaced with robots, and Joanna's husband wants in on the action. Written by
Early on during pre-production, Edgar J. Scherick suggested that Mary Tyler Moore and Valerie Harper could play "Joanna Eberhart" and "Bobbie Markowe" respectively. This was vetoed immediately by William Goldman who deemed it as a "very gimmicky publicity stunt", as both actresses were very popular at the time starring in top-rated sitcoms. The idea was dismissed before casting ever began. See more »
In the end, when Joanna returns to her home to get the children to escape Stepford, it is dark out. When confronted by her husband, she runs upstairs to her room, the hall is lit by daylight. See more »
Carol Van Sant:
I'll just die if I don't get this recipe. I'll just die if I don't get this recipe. I'll just die if I don't get this recipe.
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"The Stepford Wives" certainly isn't the greatest thriller ever made, it isn't one of my all-time favorite movies, yet I've probably seen it 25 times and I'm always willing to return for more of its creepy, seductive ambiance. Director Bryan Forbes has created a funny/sinister atmosphere surrounding a secretive society of men in suburbia who exchange chilling glances and lines when they are alone ("She cooks as good as she looks, Ted."). It does however feature a very moody and unhappy Katharine Ross at the center, and it's easy to see why somebody might want to bump her off: she gripes, she complains, she stalks out of rooms flicking her long, thick hair out of her face. When Patrick O'Neal tells Ross at a social gathering that he used to work at Disneyland, she balks, "You don't look like someone who enjoys making other people happy." This just after meeting the man! Thank goodness then for happily crass and vulgar Paula Prentiss as Katharine's gal-pal Bobbie. Prentiss overdoes it a bit, but she comes into the picture at the right time and gives it an extra lift. The scenario (a squeaky clean Connecticut community) is gleefully turned inside out to reveal sinister underpinnings, and I loved Ross' sequence with the psychiatrist (who seems convinced by Katharine's outlandish story, which is a nice change of pace). No, it isn't art (or even the black comedy screenwriter William Goldman says he intended it to be), but "The Stepford Wives" is smooth, absorbing, and enjoyable. It cooks as good as it looks. ***1/2 from ****
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