A husband and wife think they have made the move of a lifetime when they buy a house in a quiet leafy town. At first it appears to be perfect because there is no noise, no crime and no ... See full summary »
It's 1963 in rural Massachusetts, and Nora James has the usual worries of an eleven year-old girl:lipstick, first crushes, staying out of trouble at school...not easy when your teacher is ... See full summary »
A TV reporter arrives in Stepford to do a story on the American town with the lowest crime and divorce rates and the tightest real-estate market (no one ever leaves). She needs an assistant... See full summary »
In this sequel to The Stepford Wives, Steven and Laura Harding (along with their kids David and Mary) have moved to the quiet community of Stepford, CT. Steven joins the men's club, which ... See full summary »
Stepford Wives is about a small suburb where the women happily go about their housework - cleaning, doing laundry, and cooking gourmet meals - to please their husbands. Unfortunately, Bobbie and Joanna discover that the village's wives have been replaced with robots, and Joanna's husband wants in on the action. Written by
Director Bryan Forbes claims Diane Keaton turned the role of Joanna down the night before signing her contract, because her analyst got "bad vibes" from the script. See more »
In the end, when Joanna returns to her home to get the children to escape Stepford, it is dark out. When confronted by her husband, she runs upstairs to her room, the hall is lit by daylight. See more »
I'm sure 'The Stepford Wives' spoke more to the audiences of 1975 than it does to the audiences of today, but this holds its own as decent, satisfying thriller. Really little more than a variation on 'Invasion of the Body Snatchers,' 'Stepford' follows that film's structure of slowly unspooling clues and suspicions and saving its bigger 'gotcha!' moments for the end. Katherine Ross was no doubt the star of this film, but Paula Prentiss really stood out for me. Gawky and enjoyable, she oddly predicted Geena Davis by a full generation. At one point in the film, my girlfriend commented of her wardrobe, 'Wow, can you imagine a grown woman today wearing a hot pant jumper?' The '70s yikes!
I had the misfortune of both seeing the remake of 'The Stepford Wives' before seeing the original and *actually seeing* the remake of 'The Stepford Wives.' If the original serves any purpose, it is to expose the remake for the gutless, toothless, anemic waste of everyone's time that it is. God, what a terrible movie
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