The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally murders his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
Recording and editing of the homonym ballet, choreographed by Olga Roriz, for the Companhia Olga Roriz.At the garden's house near the sea. She waits. She goes forward and then stops. She ... See full summary »
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
A scientist living in an apartment complex kills a girl and uses acid to destroy her internal organs, and then kills himself. While investigating, a doctor discovers that the scientist was doing experiments on the use of genetically engineered parasites as organ transplants. Soon, other people in the complex begin showing signs of carrying the parasites, spreading the things through wanton orgiastic abandon, and the complex begins suffering an attrition problem. Written by
Ed Sutton <firstname.lastname@example.org>
According to Lynn Lowry, the shoulder that Nurse Forsythe stabs with the fork is actually that of David Cronenberg. A pad was inserted under Cronenberg's shirt for Lowry to stab, but, unfortunately, she missed and hit Cronenberg's real shoulder instead. See more »
In the theatrical version, the viewer can see the wire that moves the parasite in the very first shot it appears in (in the garden, after it fell on the old woman's umbrella). However, the wire is so thin that it is invisible in all home video editions. See more »
I loathe to eat alone. It makes me feel so fat and lonely.
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Cronenberg's variation on the Zombie theme was his first full length feature film and for this it is surprisingly good.
From the technical point of view, it is very amateurish. The lighting and camera work are highly reminiscent of home made Super 8, and the sound is bad beyond belief.
Although the mindless creatures attacking anything that moves immediately recall the Zombies, Cronenberg's movie has some original ideas. In fact, watching German television these days, the subject of bored middle class diving into sex orgies (at least in their fantasy) seems more up to date than ever. Unlike Romero's Zombies, Cronenberg's creatures simply embark into endless sexual excesses, including minors. Indeed, one of the most scandalous scene shows two young girls on dog leashes, climbing up a stair and barking - unexcusable image!
The special effects in "Shivers" work very well and are more slimy, organic, and visceral than say Romero's, and give better testimony of the vulnerability of the human body. They set the tone for Cronenberg's use of gore in his subsequent films.
"Shivers" earned Cronenberg immediately the title of the "reigning king of shlock horror" - very appropriate.
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