The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally murders his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
Sometime in the future, the Canadian Academy for Erotic Inquiry is investigating the theories of parapsychologist Luther Stringfellow. Seven young adults volunteer to submit to a form of ... See full summary »
A scientist living in an apartment complex kills a girl and uses acid to destroy her internal organs, and then kills himself. While investigating, a doctor discovers that the scientist was doing experiments on the use of genetically engineered parasites as organ transplants. Soon, other people in the complex begin showing signs of carrying the parasites, spreading the things through wanton orgiastic abandon, and the complex begins suffering an attrition problem. Written by
Ed Sutton <email@example.com>
Canadian journalist Robert Fulford attacked the content of "Shivers" in the pages of the national magazine "Saturday Night." Since Cronenberg's film was partially financed by the taxpayer-funded National Film Board of Canada (or NFB), Fulford headlined the article "You Should Know How Bad this Movie Is: You Paid for It." Not only did this high-profile attack make it more difficult for Cronenberg to obtain funding for his subsequent movies, Cronenberg later said that Fulford's attack also resulted in him being kicked out of his Toronto apartment. See more »
In the theatrical version, the viewer can see the wire that moves the parasite in the very first shot it appears in (in the garden, after it fell on the old woman's umbrella). However, the wire is so thin that it is invisible in all home video editions. See more »
[speaking to his stomach]
Come on, boy. Here, boy, here. Come on, boy. Come on, fella!
You... and me...
You and me are gonna be good friends. Good friends. Shhhh-hooooo. Attaboy. Attaboy!
See more »
An early piece from David Cronenberg, this is his first cinematic exploration of themes which he would continually come back to throughout his career in films such as eXistenZ, Videodrome, The Fly and Crash. to best explain these themes, i must qoute the man himself, "I was saying, I love sex, but I love it as a veneral disease. I am Syphilis. I am Enthusiastic about it, but in a very different way from you." and while that doesnt shed a whole lot of light on the film, it sure is a hell of a qoute :) the plot of Shivers, aka The Parasite Murders, revolves around a parasite which has been bred to heighten sexual desire and other primal instincts while dampening our mental awareness. this parasite has been let lose within a high-tech high rise block thanks to the experiments upon a young girl by an older scientist. the horror begins immediately, as do the social metaphors and ideas of sex and death. it is interesting to note this film was produced before the outbreak of AIDs, but is entirely applicable in our modern world. in some ways this is a tale of warning, of what can go wrong and how we can destroy ourselves. but above all, cronenberg delights in sinking us into the flesh, so the film can also be seen as fable of a world gone mad with life and freedom, which many would not consider so horrific. it defies simple catergorisation, it is not just a story about rampantly sexually active teenagers like so many of its kind. it is a story about every person's desire for safety, and the darker desires which hide behind it. wonderfully directed, intriguingly written, there is little that i can fault this film for, except perhaps its little to obvious reference to Romero's Night Of The Living Dead. while it is obviously partly inspired by that film, and brilliantly reinterprets it for a new age and a new social strata, the tiresome zombies that stagger about like slugs are a little out of place, but fortunately it does not let the film down. a must see.
16 of 21 people found this review helpful.
Was this review helpful to you?