The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
Sometime in the future, the Canadian Academy for Erotic Inquiry is investigating the theories of parapsychologist Luther Stringfellow. Seven young adults volunteer to submit to a form of ... See full summary »
After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally murders his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
A scientist living in an apartment complex kills a girl and uses acid to destroy her internal organs, and then kills himself. While investigating, a doctor discovers that the scientist was doing experiments on the use of genetically engineered parasites as organ transplants. Soon, other people in the complex begin showing signs of carrying the parasites, spreading the things through wanton orgiastic abandon, and the complex begins suffering an attrition problem. Written by
Ed Sutton <email@example.com>
While the nurse is in the apartment with the old couple she locks the door with a chain, but after-wards she leaves the apartment (leaving the chain out and unlocks the door). Later in the movie when the mob tries to break in the door it's firstly locked and then the chain is also visible holding the door closed. The old couple is still sitting in the couch in the same position which indicates they never manually re-locked the door or put up the chain a second time. See more »
[speaking to his stomach]
Come on, boy. Here, boy, here. Come on, boy. Come on, fella!
You... and me...
You and me are gonna be good friends. Good friends. Shhhh-hooooo. Attaboy. Attaboy!
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Cronenberg's variation on the Zombie theme was his first full length feature film and for this it is surprisingly good.
From the technical point of view, it is very amateurish. The lighting and camera work are highly reminiscent of home made Super 8, and the sound is bad beyond belief.
Although the mindless creatures attacking anything that moves immediately recall the Zombies, Cronenberg's movie has some original ideas. In fact, watching German television these days, the subject of bored middle class diving into sex orgies (at least in their fantasy) seems more up to date than ever. Unlike Romero's Zombies, Cronenberg's creatures simply embark into endless sexual excesses, including minors. Indeed, one of the most scandalous scene shows two young girls on dog leashes, climbing up a stair and barking - unexcusable image!
The special effects in "Shivers" work very well and are more slimy, organic, and visceral than say Romero's, and give better testimony of the vulnerability of the human body. They set the tone for Cronenberg's use of gore in his subsequent films.
"Shivers" earned Cronenberg immediately the title of the "reigning king of shlock horror" - very appropriate.
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