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'Sheba, Baby' (1975)

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A Chicago private detective returns back home to Louisville, Kentucky, to help her father fight mobsters.

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(story), (story) | 2 more credits »
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Cast

Cast overview, first billed only:
...
...
D'Urville Martin ...
Pilot
Rudy Challenger ...
Andy Shayne
Dick Merrifield ...
Shark
Christopher Joy ...
Walker
Charles Kissinger ...
Phil
Charles Broaddus ...
Hammerhead
Maurice Downs ...
Killer (as Maurice Downes)
Ernest Cooley ...
Whale
Edward Reece Jr. ...
Racker (as Edward Reece)
William Foster Jr. ...
Waldo
Bobby Cooley ...
Tank
Paul Grayber ...
Fin
Sylvia Jacobson ...
Tail
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Storyline

Sheba Shayne (Pam Grier) returns to her hometown of Louisville, Kentucky to help her father. A proud businessman, he refuses to be intimidated by thugs attempting to run him out of business. While Sheba looks for the men (and the organization) supporting the thugs, she also finds a sinister motive behind their actions. Sheba's former flame Brick (Austin Stoker) adds some muscle to her mission. Written by Ken Miller <wkmiller704@yahoo.com>

Plot Summary | Add Synopsis

Taglines:

Hotter 'N' "Coffy" Meaner 'N' "Foxy Brown" See more »


Certificate:

PG | See all certifications »
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Details

Official Sites:

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Release Date:

14 October 1977 (Portugal)  »

Also Known As:

Amenaza en Chicago  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Pam Grier's final blaxploitation picture. See more »

Goofs

The address of the loan company is given as 649 West Main Street, Louisville, KY 40207, but 649 West Main Street would have a zip code of 40202. See more »

Quotes

Sheba Shayne: You better talk, big man, before I put my number one foot down your number one mouth.
Walker: Shit, you can't kick no shadow, bitch! Catch me!
[runs away]
See more »

Connections

Referenced in Baadasssss Cinema (2002) See more »

Soundtracks

A Good Man Is Gone
(uncredited)
Music by Monk Higgins
Words by Alex Brown
See more »

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User Reviews

 
Pam Grier Bids Farewell to Blaxploitation
17 February 2016 | by (United States) – See all my reviews

A Chicago private detective (Pam Grier) returns back home to Louisville, Kentucky, to help her father fight mobsters.

This film was the pet project of director William Girdler, who had already made "Three on a Meathook" (1972) but had yet to make his better known films, "Grizzly" (1976), "Day of the Animals" (1977) and "The Manitou" (1978). During filming, Girdler was only 28... and he would end up dying in a helicopter crash at age 30. (One assumes that had he lived, he would have been a major force in the 1980s.)

Writer David Sheldon was given the task of writing a script for Pam Grier that was less edgy than the movies Jack Hill had been making. He wrote "Honor" almost literally overnight, which was transformed into "Sheba, baby" by the PR department, and Sheldon was also put on as a producer. This was a huge promotion for Sheldon, who had been at AIP as Larry Gordon's assistant (and later "director of development", which essentially means script reader).

For me, the blaxploitation subgenre is an interesting one -- did people dress like this? Now, I did not live through the 1970s nor did I grow up in a big city. But I feel like the "pimp" clothes and similar styles were more likely created in the movies and adopted in real life than the other way around. What is especially interesting is that most of the people involved in the subgenre were white... so this was very much how the black community was perceived rather than how it actually was.

One exception to this in "Sheba" might be the character of "Killer", played by Maurice Downs. Downs was a gangster and heroin dealer in real life, and somehow got mixed up with Sheldon and Girdler. He was also in their follow-up, "Project: Kill" and helped produce it. Tragically (but not surprisingly), he was shot to death outside a restaurant a few years later in true gangster fashion.

"Sheba, Baby" was a major hit in theaters, even though it is often cited as one of Pam Grier's weaker vehicles when compared to her similarly themed action films "Coffy" and "Foxy Brown" (both made by Jack Hill for AIP). This is fair, and it certainly lacks any iconic moments that really burn into a viewer's mind.

Despite this being a second or third tier film, it remains an important part of Grier's career, as well as Girdler's career, and there seems to always be a new generation of fans searching out every last AIP picture. Arrow Video has wisely picked this one up and given it the star treatment.

The Arrow disc has not one, but two audio commentaries. One with writer-producer David Sheldon, which offers incredible insight on AIP, Pam Grier and even legendary director Jack Hill. Heck, some of his detours are more interesting than his recollections of "Sheba", such as how he clarifies that "Grizzly" was not technically a "Jaws" ripoff because "Jaws" had not been released at that point. Heck, even Sheldon's involvement in "Last House on the Left" is discussed!!

We also have an in-depth retrospective on Pam Grier's time at AIP. Did you know that Grier was working as a switchboard operator before being discovered by Roger Corman and Jack Hill? Amazing!

This is an absolutely MUST-OWN disc for any fan of AIP.


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