| Komaki Kurihara | ... | Keiko Mitani | |
| Yôko Takahashi | ... | Osaki as a young woman | |
| Kinuyo Tanaka | ... | Osaki Yamakawa, as an old woman | |
| Takiko Mizunoe | ... | Okiku | |
| Eiko Mizuhara | ... | Ofumi | |
| Yoko Todo | ... | Oyae | |
| Yukiko Yanagawa | ... | Otake | |
| Yoko Nakagawa | ... | Ohana | |
| Masayo Umezawa | ... | Yukiyo | |
| Ken Tanaka | ... | Hideo Takeuchi | |
| Eitarô Ozawa | ... | Tarozo | |
| Tomoko Jinbo | ... | Moto | |
| Hideo Sunazuka | ... | Yajima | |
| Mitsuo Hamada | ... | Yasukichi | |
| Kaneko Iwasaki | ... | Sato | |
| Yoshiko Maki | |||
| rest of cast listed alphabetically: | |||
| Takashi Ebata | ... | Murata | |
| Mamoru Hirata | |||
| Kikuo Kaneuchi | |||
| Shunsuke Kariya | |||
| Teruko Kishi | ... | Nami | |
| Mariko Kuzumi | |||
| Junko Matsumoto | |||
| Ichirô Nakatani | ... | Yamamoto | |
| Mariko Nonaka | ... | Kiyo | |
| Kishino Sayuri | ... | Haru | |
| Mikio Shimizu | |||
| Kinzô Shin | ... | Sanetaka Ichijo | |
| Kin Sugai | ... | Woman came back from Penang | |
| Chigusa Takayama | ... | Tomi | |
| Yasukiyo Umeno | |||
| Takako Yamada | ... | Old woman | |
| Hatsuo Yamaya | ... | Ittchan | |
Directed by | |||
| Kei Kumai | |||
Writing credits | ||
| Tomoko Yamazaki | (nonfiction book) | |
| Sakae Hirosawa | (screenplay) (as Ei Hirosawa) and | |
| Kei Kumai | (screenplay) | |
Produced by | |||
| Masayuki Satô | .... | producer | |
| Hideyuki Shiino | .... | producer | |
Original Music by | |||
| Akira Ifukube | |||
Cinematography by | |||
| Mitsuji Kanau | |||
Film Editing by | |||
| Tatsuji Nakashizu | |||
Production Design by | |||
| Takeo Kimura | |||
Production Management | |||
| Nozomi Hashimoto | .... | assistant production manager | |
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| Paradise Road | Grave of the Fireflies | Hiroshima Mon Amour | The Red Machine | Merry Christmas Mr. Lawrence |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Japan section |
Despite the subject matter, this is one of the most physically beautiful films I've ever seen. A difficult story to watch at times and some of the symbolism was a little overdone, but a well crafted movie with great attention to camera angle, set dressing, and - above all - the cinematography. A really stunning work...