7.8/10
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7 user 3 critic

Sandakan 8 (1974)

Sandakan hachibanshokan bohkyo (original title)
A journalist interviews an old woman who was forced into prostitution, just like many other Japanese women working in Asia outside of Japan during the first half of the 20th century. She worked in a Malaysian brothel called Sandakan 8.

Director:

Writers:

(nonfiction book), (screenplay) (as Ei Hirosawa) | 1 more credit »
Reviews
Nominated for 1 Oscar. Another 7 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Komaki Kurihara ...
Keiko Mitani
Yôko Takahashi ...
Osaki as a young woman
...
Osaki Yamakawa, as an old woman
Takiko Mizunoe ...
Okiku
Eiko Mizuhara ...
Ofumi
Yoko Todo ...
Oyae
Yukiko Yanagawa ...
Otake
Yoko Nakagawa ...
Ohana
Masayo Umezawa ...
Yukiyo
Ken Tanaka ...
Hideo Takeuchi
Eitarô Ozawa ...
Tarozo
Tomoko Jinbo ...
Moto
Hideo Sunazuka ...
Yajima
Mitsuo Hamada ...
Yasukichi
Kaneko Iwasaki ...
Sato
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Storyline

A journalist interviews an old woman who was forced into prostitution, just like many other Japanese women working in Asia outside of Japan during the first half of the 20th century. She worked in a Malaysian brothel called Sandakan 8.

Plot Summary | Add Synopsis

Taglines:

A prostitute is a woman, too.

Genres:

Drama | History | War

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Details

Country:

Language:

|

Release Date:

23 June 1977 (Hungary)  »

Also Known As:

Sandakan 8  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Official submission of Japan for the 'Best Foreign Language Film' category of the 48th Academy Awards in 1976. See more »

Goofs

Osaki was born and raised in Kumamoto. But she speaks the dialect of Oita, the neighbouring prefecture. See more »

Connections

Referenced in Sneak Previews: The Best and Worst Films of 1976 (1977) See more »

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User Reviews

 
One of my ten favorites
22 December 2003 | by (San Francisco, Ca) – See all my reviews

Never overacted, yet powerfully moving. I've watched it many times, and it never loses its impact. No one I've watched it with have left unshaken. It's impact is in the same class as "Sophie's Choice"; can there be higher praise? If this movie can leave you unmoved, you have a heart of stone.


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