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Salò, or the 120 Days of Sodom (1975) More at IMDbPro »Salò o le 120 giornate di Sodoma (original title)

2015 | 2014 | 2013 | 2012 | 2011

8 items from 2015

Pasolini Review – Willem Dafoe Shines In Compelling True Life Story

18 September 2015 1:43 AM, PDT | Obsessed with Film | See recent Obsessed with Film news »


Rating: ★★★

Abel Ferrara has been toying with the idea of making a film on the life of late Italian filmmaker Pier Paolo Pasolini since the early 1990s. The original idea was set to be quite different from the one we’ve got, mind, and would see actress and collaborator Zoe Lund (Ms. 45, Bad Lieutenant) playing a sort-of female version of Pasolini living the life that he did (the project was scrapped when Lund tragically died in 1997).

It’s easy to understand why Ferrara, the enfant terrible of New York cinema, was and is attracted to Pasolini: both men have been accused of peddling exploitation from those who find their work morally objectionable but, conversely, they have also been hailed as genuine auteurs and makers of important art (Pasolini more so than Ferrara, it must be said).

Pasolini chronicles the final 24 hours in the late director, novelist, critic and intellectual’s life. »

- Lewis Howse

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Pasolini review – a handsome, oblique tribute to the great director

13 September 2015 12:00 AM, PDT | The Guardian - Film News | See recent The Guardian - Film News news »

Abel Ferrara’s account of the last days of the Italian auteur, played by Willem Dafoe, is beautiful and enigmatic

“Narrative art is dead – we are in a period of mourning”; “To scandalise is a right, to be scandalised a pleasure”; “Refusal must be great, absolute, absurd…” Abel Ferrara’s infatuated tribute to Pier Paolo Pasolini is littered with such gnomic bon mots, which could apply equally to either director. Like Pasolini, Ferrara has courted both outrage and admiration; he made his name with The Driller Killer, and remains most celebrated for Bad Lieutenant, a film drenched in equal parts with Catholic ideology and censor-baiting exploitation.

This handsomely oblique film focuses on the very end of Pasolini’s life, as he completes work on Salò, Or the 120 Days of Sodom and makes plans for Porno-Teo-Kolossal, the unmade magnum opus which is here reimagined by Ferrara in startling, elegiac fashion. Willem Dafoe »

- Mark Kermode, Observer film critic

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Venice: 'From Afar' wins Golden Lion; 'The Clan' wins Silver Lion

12 September 2015 12:39 PM, PDT | ScreenDaily | See recent ScreenDaily news »

Anomalisa wins Grand Jury Prize; Robert Pattinson-starrer The Childhood Of A Leader wins best debut.Scroll down for full list of winners

From Afar (Desde Alla), the first Venezuelan production to appear in Competition at the Venice Film Festival, has won the Golden Lion for Best Film.

The directorial debut of Lorenzo Vigas concerns a middle-aged man (Alfredo Castro) who pays young boys to spend time with him. One day he befriends an 18-year-old delinquent (Luis Silva), a development that affects both profoundly.

The film, sold by Celluloid Dreams, is produced by Oscar-nominated screenwriter Guillermo Arriaga, who co-wrote the script.

The Silver Lion for Best Director went to Argentinian film-maker Pablo Trapero for kidnap drama The Clan (El Clan).

Trapero has a good relationship with Venice, having won two prizes for his 1999 debut, Crane World, returning in 2004 with Rolling Family and sitting on the Golden Lion jury in 2012.

The Clan is based on the real-life exploits »

- (Michael Rosser)

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‘From Afar’ By Venezuelan First-Time Director Lorenzo Vigas Scoops Venice Golden Lion

12 September 2015 11:14 AM, PDT | Variety - Film News | See recent Variety - Film News news »

Venice – Venezuelan director Lorenzo Vigas’s striking first feature “From Afar,” about a middle-aged gay man who cruises the streets of Caracas searching for young companions, won the Venice Film Festival’s Golden Lion.

“I want to dedicate this prize to my amazing country, Venezuela. We’ve been having some problems, but we’re very positive. We’re an amazing nation and we’re going to start talking to each other more,” said the beaming debuting director.

The jury was presided by Alfonso Cuaron. This edition of the fest was marked by plenty of prizes going to Latin American cinema and  also to debut directors. Cuaron said it’s the first time a Latin American film wins the Golden Lion.

Variety critic Guy Lodge called “From Afar” a “smart, unsensationalized examination of the slow-blossoming relationship between a middle-aged loner and a young street tough.”

Chilean veteran Alfred Castro (“No,” “The »

- Nick Vivarelli

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Restored Version of Charles Burnett’s ‘To Sleep With Anger’ to Screen at Venice Film Festival in September

21 July 2015 9:29 AM, PDT | ShadowAndAct | See recent ShadowAndAct news »

Over the past few years, the Venice Film Festival, which celebrates its 72nd anniversary in September, has presented newly restored versions of classic films in the Classics section at the festival. Yesterday their list of restored films to be shown was released, and among the 21 classic films selected are Akira Kurosawa’s 1965 "Red Beard," Sergej Ėisenstein’s 1938 epic "Alexander Nevsky," 1946 fantasy "A Matter of Life and Death" co-directed by Michael Powell and Emeric Pressburger, and Pier Paolo Pasolini’s highly controversial and graphic 1975 film "Salò, or the 120 Days of Sodom." But a very welcome surprise was »

- Sergio

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Venice Classics to include 21 restorations

20 July 2015 5:29 AM, PDT | ScreenDaily | See recent ScreenDaily news »

Akahige, Amarcord, Aleksandr Nevskij among Venice Classics titles; Bertrand Tavernier selects four films.

Akahige, Amarcord, Aleksandr Nevskij and A Matter of Life and Death are among 21 titles announced today to screen in Venice’s (September 2-12) Classics section, which will reveal further titles later this month.

Director Bertrand Tavernier, who is to receive the Golden Lion for Lifetime Achievement award, has selected and will present four films for the Classics strand: Pattes Blances (White Paws) by Jean Grémillion, La Lupa (The Vixen) by Alberto Lattuada, Sonnenstrahl (Ray of Sunshine) by Pál Fejös and A Matter of Life and Death by Michael Powell and Eric Pressburger.

The 21 restorations:

Akahige (Red Beard) by Akira Kurosawa (Japan, 1965, 185’, B&W), restoration by Tōhō Co., Ltd.

Aleksandr Nevskij (Alexander Nevsky) by Sergej Michajlovič Ėjzenštejn (Ussr, 1938, 108’, B&W), restoration by Mosfilm

Amarcord by Federico Fellini (Italy, 1973, 123’, Color) restoration by Cineteca di Bologna with the support of and the »

- (Madison Antus)

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Arrow Films announces Blu-ray slate for September

11 June 2015 9:00 PM, PDT | Flickeringmyth | See recent Flickeringmyth news »

Those cool Blu-ray distributors Arrow Films and Video have announced their line-up of releases for September 2015, and once again there are some real gems in the collection, including Milos Forman’s The Fireman’s Ball, the regular edition of Society (which has just had a steelbook collectors edition released this week) and Sean Connery’s space-opus Zardoz. All the details and artwork for the releases are below….

Closely Observed Trains – released September 27th

Shy teenage virgin Miloš gets his first job as a railway dispatcher and is suddenly forced to confront the realities of the adult world, not least the temptations of the opposite sex. But they in turn are more attracted to his more experienced colleague Hubi?ka and his distinctive way with an inkpad and rubber stamp…

This could easily have fuelled a light comedy, but Ji?í Menzel’s bittersweet feature debut is set during World War II in Nazi-occupied Czechoslovakia, »

- Scott J. Davis

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Notebook's 7th Writers Poll: Fantasy Double Features of 2014

5 January 2015 10:08 AM, PST | MUBI | See recent MUBI news »

How would you program this year's newest, most interesting films into double features with movies of the past you saw in 2014?

Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2014—in theatres or at a festival—and creatively pair it with an old film they also saw in 2014 to create a unique double feature.

All the contributors were given the option to write some text explaining their 2014 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch »

- Notebook

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2015 | 2014 | 2013 | 2012 | 2011

8 items from 2015, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

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