9 items from 2014
Top 100 horror movies of all time: Chicago Film Critics' choices (photo: Sigourney Weaver and Alien creature show us that life is less horrific if you don't hold grudges) See previous post: A look at the Chicago Film Critics Association's Scariest Movies Ever Made. Below is the list of the Chicago Film Critics's Top 100 Horror Movies of All Time, including their directors and key cast members. Note: this list was first published in October 2006. (See also: Fay Wray, Lee Patrick, and Mary Philbin among the "Top Ten Scream Queens.") 1. Psycho (1960) Alfred Hitchcock; with Anthony Perkins, Janet Leigh, Vera Miles, John Gavin, Martin Balsam. 2. The Exorcist (1973) William Friedkin; with Ellen Burstyn, Linda Blair, Jason Miller, Max von Sydow (and the voice of Mercedes McCambridge). 3. Halloween (1978) John Carpenter; with Jamie Lee Curtis, Donald Pleasence, Tony Moran. 4. Alien (1979) Ridley Scott; with Sigourney Weaver, Tom Skerritt, John Hurt. 5. Night of the Living Dead (1968) George A. Romero; with Marilyn Eastman, »
- Andre Soares
Scariest movies ever made: The top 100 horror films according to the Chicago Film Critics (photo: Janet Leigh, John Gavin and Vera Miles in Alfred Hitchcock's 'Psycho') I tend to ignore lists featuring the Top 100 Movies (or Top 10 Movies or Top 20 Movies, etc.), no matter the category or criteria, because these lists are almost invariably compiled by people who know little about films beyond mainstream Hollywood stuff released in the last decade or two. But the Chicago Film Critics Association's list of the 100 Scariest Movies Ever Made, which came out in October 2006, does include several oldies — e.g., James Whale's Frankenstein and The Bride of Frankenstein — in addition to, gasp, a handful of non-American horror films such as Dario Argento's Suspiria, Werner Herzog's Nosferatu the Vampyre, and F.W. Murnau's brilliant Dracula rip-off Nosferatu. (Check out the full list of the Chicago Film Critics' top 100 horror movies of all time. »
- Andre Soares
Willem Dafoe will take on the eponymous role as the controversial filmmaker in the biopic.
The film focuses on the filmmaker's final days.
After Pasolini was murdered, a prostitute confessed to the crime but later claimed that he had been forced to do so when his family was threatened.
The film is yet to announce a release date. »
Independent New York filmmaker Abel Ferrara became best-known for his low-budget, shockingly violent films that explore the roughest neighbourhoods of the Big Apple. From his 1979 Driller Killer, for which Ferrara starred, edited, and wrote the songs – to his more mainstream hits, The King of New York and Bad Lieutenant – to his most recent film, Welcome to New York, the director has successfully retained his stylistic edge while garnering critical acclaim. Now the controversial filmmaker is set to premiere his newest film at Tiff later this week, a bio-pic about another famed and controversial filmmaker Pier Paolo Pasolini. And right before its premiere, the first trailer has arrived.
For the unfamiliar: Italian director, screen writer, essayist, poet, critic and novelist, Pier Paolo Pasolini is best known for his controversial and provocative films, most notably Salo. He demonstrated a unique and extraordinary cultural versatility, and has since, come to be valued by »
- Kyle Reese
Abel Ferrara has always been known for creating characters and stories that delve into extreme human behaviour, but his last couple of films have concerned events that he did not have to dream up. This summer, the filmmaker unveiled "Welcome To New York," the fictionalized tale of former Imf chief Dominique Strauss-Kahn, and now, just a couple of months later, Ferrara is in Venice where he's premiering "Pasolini," a feature about controversial, slain filmmaker Pier Paolo Pasolini. And a pretty great first trailer for the film has arrived. Vacillating between English, Italian and French, this looks to be a respectful and quite beautiful look at the director who brought "Salò, or the 120 Days of Sodom" and "The Gospel According To St. Matthew" to cinemas. The movie will focus on the events surrounding Pasolini's murder: while a male prostitute initially confessed to the crime, he later said the act was coerced via. »
- Kevin Jagernauth
In an odd turn of events, this list has a number of films that don’t have English-language titles. They just go by whatever the original title was. Good for us. What we do see in this portion of the list is a few movies that weren’t really created specifically to be horror films, but their themes and visuals made it so. In addition, we have some heavyweights of non-horror cinema creating horror films that push the genre all the more upward. “Thinking man horror,” if you will.
20. Le locataire (1976)
English Language Title: The Tenant
Directed by: Roman Polanski
Roman Polanski has made one of the greatest horror “trilogies” of all time with 1965′s British production Repulsion, 1968′s American production Rosemary’s Baby, and 1976′s French production The Tenant, completing his “Apartment Trilogy.” Unlike the other two, Polanski actually stars in The Tenant as Trelkovsky, a reserved man renting an apartment in Paris. »
- Joshua Gaul
Rome – The still-mysterious 1975 murder of Pier Paolo Pasolini, the Italian filmmaker, poet, and novelist known for “The Gospel According to Matthew” and “Salò – or the 120 Days of Sodom,” among other works, will get yet another cinematic treatment in Italian director David Grieco’s “La Macchinazione,” which started shooting today in Rome.
Grieco, who worked with Pasolini as a thesp in his “Theorema,” before becoming a journalist and, more recently, a helmer, is claiming he will shed new light on the final months in Pasolini’s life. The visionary Italian cultural figure, considered a towering figure of contemporary European cinema, was murdered on on All Soul’s Day Nov. 2, 1975, when he was run over by his »
- Nick Vivarelli
Directed by Pier Paolo Pasolini
Written by Pier Paolo Pasolini
A work that is chronologically and aesthetically his mid-period film, Teorema is Pier Paolo Pasolini at his finest hour. It is not Neo Realist cousin like Accatone (1961) Mamma Roma (1962), nor is it the debaucherous snarl of Salò (1975); it has a larger portion of the religious parable than The Hawks and the Sparrows (1966), and is as interested in sex as The Decameron (1971).
Teorema is a work of quiet suddenness. It moves quickly from documentary-style social film to its enigmatic plot, and Pasolini seems intent on doing away with any contrivances of a traditional narrative set-up. Within minutes of the opening credits the upper-class family at the center of the story receives a brief telegram: “Arriving tomorrow.” Immediately thereafter, the Visitor (or the Angel, as he’s sometimes called) is in their midst, disrupting and confusing husband, wife, son, daughter, »
- Neal Dhand
"His films are often allegorical, paradoxical and at times considered blasphemous in their attempts to reconcile conflicting passions, such as his belief in both Catholicism and Marxism..."Welcome to a new year of diverse delights from the Melbourne Cinematheque. This curatorial mix of auteur and period driven cinema aims to reignite the passionate and educate the eager. After opening strong with master King Hu's near perfect A Touch Of Zen, the program's first season proper is all about post-war Italian cinema, with an in-depth exploration of iconoclast Pier Paolo Pasolini.Highlights include his 'trilogy of life' and the once banned Salò which is widely regarded as one of the most notorious films in cinema history. Click through below for highlights of the program which runs from February...
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9 items from 2014
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