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Salò, or the 120 Days of Sodom (1975)

Salò o le 120 giornate di Sodoma (original title)
Not Rated | | Drama, Horror, War | 19 May 1976 (France)
In World War II Italy, four fascist libertines round up nine adolescent boys and girls and subject them to one hundred and twenty days of physical, mental and sexual torture.
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Cast

Cast overview, first billed only:
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The Magistrate (as Umberto P. Quintavalle)
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Signora Vaccari (as Helene Surgere)
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Sergio Fascetti ...
Bruno Musso ...
Antonio Orlando ...
Claudio Cicchetti ...
Male Victim
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Umberto Chessari ...
Lamberto Book ...
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Storyline

Nazi-Fascist Northern Italy, 1943-44. Four senior members of government, aided by henchmen and Nazi soldiers, kidnap a group of young men and women. They hold them for 120 days, subjecting them to all manner of torture, perversion and degradation. Written by grantss

Plot Summary | Add Synopsis

Taglines:

Direct from the New York Film Festival showing See more »

Genres:

Drama | Horror | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

19 May 1976 (France)  »

Also Known As:

Salò, or the 120 Days of Sodom  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The opening title include an "essential bibliography" compiled by director Pier Paolo Pasolini: -Roland Barthes. "Sade/Fourier/Loyola," 1971. Trans. Richard Miller. Baltimore, Maryland: Johns Hopkins University Press, 1997; -Maurice Blanchot. "Lautréamont and Sade," 1949. Trans. Stuart Kendell and Michelle Kendell. Stanford, California: Stanford University Press, 2004; -Simone de Beauvoir. "Must We Burn Sade?" 1955. Trans. Annette Michelson, in "The 120 Days of Sodom and Other Writings". New York, New York: Grove Press, 1966; -Pierre Klossowski. "Sade my Neighbor," 1950. Trans. Alphonso Lingis. Evanston, Illinois: Northwestern University Press, 1991; -Philippe Sollers. "Writing and the Experience of Limits," 1971. Trans. and eds. Philip Bernard and David Hayman. New York, New York: Columbia University Press, 1983. See more »

Goofs

In the beginning of the film a 1948 Fiat 500 B can be seen. See more »

Quotes

[first lines]
[four men, sitting at a table, each sign a booklet]
The Duke: Your Excellency.
The Magistrate: Mr. President.
The President: My lord.
The Bishop: All's good if it's excessive.
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Crazy Credits

Essential Bibliography: Roland Barthes: 'Sade, Fourier, Loyola' (Editions du Seuil); Maurice Blanchot: "Lautréamont et Sade' (Editions de Minuit; in Italy Dedalo Libri); Simone de Beauvoir: 'Faut-il brûler Sade' (Editions Gaimard); Pierre Klossowski: 'Sade mon prochain, le philosophe scélérat' (Editions du Seuil; in Italy SugarCo Edizioni); Philippe Sollers: 'L'écriture et l'experience des limites' (Editions du Seuil) See more »

Connections

Referenced in La macchinazione (2016) See more »

Soundtracks

Prelude in E minor
Composed by Frédéric Chopin
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Frequently Asked Questions

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User Reviews

 
A necessary evil
16 March 2005 | by See all my reviews

This is a tough one. Pasolini was a very complicated man. He was murdered in still-unexplained circumstances shortly after the film was completed. I was 10 years old when this movie was finished, but I only saw it now. Despite being almost 30 years old, Salo is probably the most cruel and repulsive film ever made, not just here in Italy but in the whole world. It depicts the worse atrocities inflicted to humans by humans. The true dark side of human nature: When evil is born out of simple boredom, when it comes naturally. It is a film that I don't want to see ever again, but at the same time I'm glad it was made. I thought hated it at first, but I now I realized is not true. Of course I don't love it either. I can't decide how to judge it. I don't like the cinematography or the acting. But it was definitely one of the most profound emotional experiences of revulsion I've had in a film. It is a necessary evil if you can endure it.


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