J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boy's want to get his attention they decide to ... See full summary »
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and ... See full summary »
A small village in the Indian Nation that is run by a Minister Goodnight and his daughter Eula is overrun by a band of drunken thugs. They kill and rape the people of the village. Miss Goodnight then teams up with the ruthless Marshal Rooster J. Cogburn who goes after them and bring them to justice. Written by
Christopher D. Ryan <email@example.com>
Several actors were suggested to play Rooster Cogburn, as there was concern that John Wayne was too ill to reprise the role. See more »
The raft is stopped by a rope stretched across the river. It is obvious that the rope didn't stop the raft and when Rooster cuts the rope it is not taut from the tension of holding the raft but just laying in the water and obviously not holding the raft at all. See more »
It's the law, Pecos! We want you for the robbery of the Katy Flyer, murder of the engineer. Now git your hands on top your heads...
You bastard! You - bastard!
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Don't get me wrong, True Grit is a good western and worthy of its classic status, but I've always found John Wayne's first go round as Rooster Cogburn to be uneven, at times colorfully into character but just as often just playing John Wayne. He won his only Oscar for it of course, but he hadn't yet completely found ol' Rooster's voice.
In this sequel co starring Katharine Hepburn, the Duke has every aspect of Rooster down pat. The scenes he and Hepburn share, trading their philosophies and anecdotes while they come to know and admire (and platonically fall in love with) each other is the engine of this film. Forget the plot, it's passable enough but very much secondary, this story gets along strictly on the strength of the two lead characters and it's worth seeing again and again just to watch these two Hollywood legends banter and spar in their one and only movie together.
This was the first John Wayne film I ever saw in a movie theatre (I was 9 years old in 1975) and it made me a lifelong fan. This is easily one of his most entertaining adventures. Hepburn and Wayne together is even more fun than Bogart and Hepburn in The African Queen. A timeless treasure.
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