Skip tracer Tommy Nowak is tracking Lou Ann McGuinn for a bail bondsman in California. Lou Ann is also being chased by her husband Roy McGuinn and his birth right/neo-nazi friends for ... See full summary »
Sergeant Major Zak Carey is serving what is his final tour of duty at an Army base in Clemens, Georgia. Zak doesn't like the way the Army keeps the base and the bar is not what he's ... See full summary »
Marvin J. Chomsky
C. Thomas Howell
A small village in the Indian Nation that is run by a Minister Goodnight and his daughter Eula is overrun by a band of drunken thugs. They kill and rape the people of the village. Miss Goodnight then teams up with the ruthless Marshal Rooster J. Cogburn who goes after them and bring them to justice. Written by
Christopher D. Ryan <firstname.lastname@example.org>
Eula mentions a poet, Ella Sturgis Hooper. The real name is Ellen Sturgis Hooper (1812 - 1848). She was member of the Transcendental Club and regarded as one of the most gifted poets among the Transcendentalists of New England. See more »
The movie is set in Arkansas (per the court scene immediately following the opening), but features mountains, a river canyon, and other natural features totally unlike anything in Arkansas. Not surprisingly, these features are found in Oregon, where the movie was shot. See more »
It's the law, Pecos! We want you for the robbery of the Katy Flyer, murder of the engineer. Now git your hands on top your heads...
You bastard! You - bastard!
See more »
Don't get me wrong, True Grit is a good western and worthy of its classic status, but I've always found John Wayne's first go round as Rooster Cogburn to be uneven, at times colorfully into character but just as often just playing John Wayne. He won his only Oscar for it of course, but he hadn't yet completely found ol' Rooster's voice.
In this sequel co starring Katharine Hepburn, the Duke has every aspect of Rooster down pat. The scenes he and Hepburn share, trading their philosophies and anecdotes while they come to know and admire (and platonically fall in love with) each other is the engine of this film. Forget the plot, it's passable enough but very much secondary, this story gets along strictly on the strength of the two lead characters and it's worth seeing again and again just to watch these two Hollywood legends banter and spar in their one and only movie together.
This was the first John Wayne film I ever saw in a movie theatre (I was 9 years old in 1975) and it made me a lifelong fan. This is easily one of his most entertaining adventures. Hepburn and Wayne together is even more fun than Bogart and Hepburn in The African Queen. A timeless treasure.
27 of 38 people found this review helpful.
Was this review helpful to you?