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The Romantic Englishwoman (1975)

 -  Comedy | Drama  -  26 November 1975 (USA)
6.4
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Ratings: 6.4/10 from 678 users  
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What is real and what is fiction? Faced with writer's block with his novel, Lewis Fielding turns to a film script about a woman finding herself after his wife Elizabeth returns from Baden ... See full summary »

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Cast

Cast overview, first billed only:
...
Elizabeth
...
Lewis
...
...
Swan
Béatrice Romand ...
Catherine
...
Isabel
Nathalie Delon ...
Miranda
Reinhard Kolldehoff ...
Herman (as Rene Kolldehoff)
Anna Steele ...
Annie
Marcus Richardson ...
Julie Peasgood ...
New Nanny
Frankie Jordan ...
Supermarket Cashier
Tom Chatto ...
Neighbour
Frances Tomelty ...
Airport Shop Assistant
Lillias Walker ...
1st Mealticket Lady
Edit

Storyline

What is real and what is fiction? Faced with writer's block with his novel, Lewis Fielding turns to a film script about a woman finding herself after his wife Elizabeth returns from Baden Baden. She didn't quite find herself there but had a brief encounter in a lift with a German who says he is a poet. Now the German is in England, gets himself invited to tea where he claims he admires Fielding's books. Which one does he like the best? "Tom Jones." Amused at being confused with the other Fielding, the novelist works the German into the plot. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama

Certificate:

R | See all certifications »
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Details

Country:

|

Language:

Release Date:

26 November 1975 (USA)  »

Also Known As:

A inglesa romântica  »

Box Office

Budget:

$1,200,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Harold Pinter was offered a major cameo role. See more »

Quotes

Thomas: Yes... and what would it be without them?
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User Reviews

 
The Romantic Englishwoman
13 September 2012 | by (Cairo, Egypt) – See all my reviews

My very first contact with Joseph Losey's canon is this film adapted from Thomas Wiseman's eponymous novel, the reason why I selected this one purely because of its cast, namely for Glenda Jackson, the two-times Oscar winner, whose work has eluded me until now, but the film itself turns out to be a very disappointing misfire.

Speaking of the cast, Glenda Jackson has her charismatic dignity in almost every scene although regularly shoehorned between Berger's perpetual snug grin and Caine's perpetual sullen stare, and eventually cannot save the film from the mire of a psychological drama swamped with behavioral absurdities and non-consistent narrative. The fierce-looking wife with a bob cut and perfectly trimmed fringes, who is discontent with her middle-class lifestyle (her writer husband has immersed into the writer's block when writing a film script and becomes paranoid about her adultery in her solo trip to Baden-Baden), tries her luck to elope with a self-claimed German poet (whose real identity is only hinted by smuggling small-time drugs and cruising of elderly lonely-hearts), whom she has met before in Baden- Baden, but is there a fling between them in their previous encounter? The film never answer the question, a corny exploit being overused here.

Richard Harley's lyrical string score has stolen the thunder since more often than not, I am very much a visual observer than a sonic perfectionist. Also I quite prefer the slowly panning camera in carefully constructing a hunter and prey game in the beginning part in Baden- Baden to the dreadful and ostentatious meandering in the labyrinth of feigned sentimentality, claiming inane quips like "Englishwoman is the most romantic" (Berger's German accent is a major buzz-killer), I hope someone else could be fortunate enough to fully digest all the hocus-pocus and be grateful towards this ill-fated film adaption.


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