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Violent City (1975)
"Roma violenta" (original title)

6.9
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Ratings: 6.9/10 from 330 users  
Reviews: 12 user | 7 critic

A detective sick and tired of the rampant crime and violence in his city, and constantly at odds with his superiors, is finally kicked out of the department for a "questionable" shooting of... See full summary »

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(as Franco Martinelli)

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(screenplay), (story)
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Cast

Cast overview, first billed only:
Maurizio Merli ...
...
Lawyer Sartori
Silvano Tranquilli ...
Capo della Squadra mobile
Ray Lovelock ...
Biondi
John Steiner ...
Franco Spadoni 'Chiodo'
Daniela Giordano ...
Lover of Betti
Attilio Duse ...
Mar. Antinori
Giuliano Esperanti ...
De Rossi (as Giuliano Esperati)
Marcello Monti ...
The Chink
Consalvo Dell'Arti ...
Violante
Luciano Rossi ...
Delivery Man
Pippo Pollaci ...
Pollaci
Marco Stefanelli ...
Grocery Store Robber
Brunello Chiodetti ...
Santini
Ruggero Diella ...
Boy Killed on Bus
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Storyline

A detective sick and tired of the rampant crime and violence in his city, and constantly at odds with his superiors, is finally kicked out of the department for a "questionable" shooting of a vicious criminal. However, he is soon approached by a representative for a group of citizens who themselves are fed up with what they see as criminals going unpunished, and they make him an offer he may very well not refuse. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Genres:

Action | Crime

Certificate:

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Details

Country:

Language:

Release Date:

13 August 1975 (Italy)  »

Also Known As:

Violent City  »

Company Credits

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Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

First part of police commissioner Betti's trilogy, also including Violent Naples (1976) and Italia a mano armata (1976). See more »

Goofs

In the police station, a officer is handed a pistol said to be Russian. In actuality it is a Japanese Nambu 14. See more »

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User Reviews

 
Maurizio Merli - Unorthodox Cop in Ultra-Violent Rome
30 July 2008 | by (Salzburg, Austria) – See all my reviews

Marino Girolami's "Roma Violenta" aka. "Violent Rome" of 1975 is a good, though not exceptional Poliziottesco that is very memorable for several reasons. This was the first of three films in which Maurizio Merli played the rough and ready copper Commisarrio Betti, the other two being Girolami's own "Italia A Mano Armata" (aka "A Special Cop In Action") 1976, and the great "Napoli Violenta" ("Violent Naples"), also of 1976. This is not the best of the films in which Maurizio Merli played unorthodox cops (of different names, but basically the same character), but it was the first one. The sequel "Napoli Violenta" is superior, and Merli's all-time highlight is "Roma A Mano Armata" (directed by Umberto Lenzi), but "Roma Violenta" is the film that made him one of the greatest stars in Italian Crime/Cop cinema. Furthermore this is the last film ever to star the great Richard Conte known for many films including "The Godfather" and Fernando Di Leo's Italian crime masterpiece "Il Boss" (1973).

As the title promises, the film takes place in Rome, and a violent city it is indeed. Comissario Betti (Maurizio Merli) is a tough, mustached copper whose unorthodox methods make Dirty Harry look quite clean. Betti is fed up with criminals getting away with their crimes, and he expresses his opinion both verbally and by his tough methods of crime-fighting... As most good Poliziotteschi at the time, "Roma Violenta" is very gritty, violent and delightfully politically incorrect. It seems as if Maurizio Merli was born to play super-tough unorthodox cops, and the role of Comissario Betti fits him like a glove. Good supporting performances come from Richard Conte, Ray Lovelock and especially John Steiner, who plays a ruthless criminal. Regular Genre bit-part actor Luciano Rossi is also typecast as a sadistic small-time crook. The film is full of action-packed car chases, violent shootouts and scenes of genre-typical brutality, all stylishly shot and accompanied by a nice score by the De Angelis brothers. As mentioned above "Violent Rome" is no particular highlight of Poliziotto-cinema. It is not quite as stylish as some other specimen of the genre, and it lacks the charismatic and diabolical main villain of films like "Milano Odia - La Polizia Non Può Sparare" (aka. "Almost Human", 1974) or "Roma A Mano Armata". It is a good example for the genre, however, and a highly influential one too, as it basically made Maurizio Merli THE unorthodox copper in Italian cinema. All things considered, "Violent Rome" is a film that I highly recommend to any of my fellow fans of Italian genre-cinema. My rating: 7.5/10


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