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Rollerball (1975)

 -  Action | Sci-Fi | Sport  -  25 June 1975 (USA)
6.6
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Ratings: 6.6/10 from 13,618 users  
Reviews: 153 user | 54 critic

In a corporate-controlled future, an ultra-violent sport known as Rollerball represents the world, and one of its powerful athletes is out to defy those who want him out of the game.

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Title: Rollerball (1975)

Rollerball (1975) on IMDb 6.6/10

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Won 1 BAFTA Film Award. Another 3 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Ella
...
Moonpie
...
...
Mackie
Barbara Trentham ...
Daphne
John Normington ...
Executive
...
Rusty, Team Executive
...
Japanese Doctor
Nancy Bleier ...
Girl in Library
...
Bartholomew's Aide (as Rick LeParmentier)
...
Strategy Coach for Houston Team
...
Librarian
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Storyline

In a futuristic society where corporations have replaced countries, the violent game of Rollerball is used to control the populace by demonstrating the futility of individuality. However, one player, Jonathan E., rises to the top, fights for his personal freedom, and threatens the corporate control. Written by Jeff Hansen <jmh@umich.edu>

Plot Summary | Plot Synopsis

Taglines:

In the not-too-distant future, wars will no longer exist. But there WILL be...The Game. See more »

Genres:

Action | Sci-Fi | Sport

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

25 June 1975 (USA)  »

Also Known As:

Rollerball  »

Box Office

Gross:

$30,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(35 mm magnetic prints)| (70 mm prints)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The game of Rollerball was so realistic the cast, extras, and stunt personnel played it between takes on the set. See more »

Goofs

Some of the long shots in the Tokyo match show an empty arena. See more »

Quotes

Jonathan E.: Don't try to frighten me, you don't know how. Now I am going to Tokyo and you are not.
See more »

Connections

Referenced in These Sorcerers Are Mad (1978) See more »

Soundtracks

Adagio for Strings and Organ in G minor
(uncredited)
composed by Tomaso Albinoni"
by Tomaso Albinoni (as Albinoni) - Remo Giazotto (as Giazotto)
Published by G. Ricordi & Company (London) Limited on its own behalf and on behalf of G. Ricordi & C.s.p.a. of 2,
Via Berchet, 20121 Milan, Italy
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
This film is the don/Ubermensch.
8 December 2004 | by (Ether) – See all my reviews

I thought id right this as some other comment said it was disappointing, and i had to put them straight.

This is a flawed masterpiece, yes. But still a masterpiece. The slow bits that other commentators point out are in contrast to the super fast game scenes. And what a Dirty Little Game it is.

But hey thats life, I think this ranks up there with 1984, as one of the few films that realistically depicts life as it really is.

I think the strength and ultimately the weakness of this film is the simplicity it achieves.

Strength, as usually a film with this sort of scope becomes rather convoluted and philosophical; but this film uses some visually stunning symbols and very little dialogue - remember those fools who say that there is no depth of character, this film is based in the world of "the last man", where everyone is a weak victim of the state, they don't have any depth of characture. Thats the point, the state has achieved its ideal.

Its weekness, as people don't get this film (people generally don't get many films), as in the case of Donnie Darko, but DD is so obviously complicated people think that they are missing something. With this film blink and you miss it - its so simple people don't see its masterful and sublime use of symbols. Also you get the feeling the directer thought his film would be banned for glorifying violence, so he made a special effort to hammer his point home(take the losing an epoch scene).

And at worst think its some film about violence. I first saw this film when i was 14, and it opened up my eyes to the use of symbols and structures in films. Watch it, it changed the way i view films and life.

Not an exaggeration.


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