| Complete credited cast: | |||
| James Caan | ... | ||
| John Houseman | ... | ||
| Maud Adams | ... |
Ella
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| John Beck | ... |
Moonpie
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| Moses Gunn | ... | ||
| Pamela Hensley | ... |
Mackie
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| Barbara Trentham | ... |
Daphne
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John Normington | ... |
Executive
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| Shane Rimmer | ... |
Rusty, Team Executive
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| Burt Kwouk | ... |
Japanese Doctor
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| Nancy Bleier | ... |
Girl in Library
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| Richard LeParmentier | ... |
Bartholomew's Aide
(as Rick LeParmentier)
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| Robert Ito | ... |
Strategy Coach for Houston Team
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| Ralph Richardson | ... |
Librarian
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In a futuristic society where corporations have replaced countries, the violent game of Rollerball is used to control the populace by demonstrating the futility of individuality. However, one player, Jonathan E., rises to the top, fights for his personal freedom, and threatens the corporate control. Written by Jeff Hansen <jmh@umich.edu>
Rollerball is another of those great 70's cult sci-fi films. It features a great cast of actors and a smart script. It was notorious at the time for its violence, although that was greatly exaggerated in comparison to some professional sports and entertainment. It features a futuristic reimagining of the Roman Empire, with gladiatorial games to distract the populace from their bleak existence. It also predates cyberpunk literature, with ts depiction of a world controlled by powerful conglomerates, a world not too different from the present one.
James Caan is fantastic as Johnathan E, the Michael Jordan of Rollerball. He continues to succeed in a sport designed to show the futility of individual effort. The sport is constantly changed to stop him, yet he continues to overcome every obstacle.
John Housman is electrifying as the head of the Energy Corporation, owners of the Houston Team. He has conspired with his peers to keep the masses down and use this sport to both distract them and show them that the individual can't succeed. He grows more desperate as Johnathan E defeats his schemes. He tries every trick without success.
The supporting cast is filled with great actors, like Moses Gunn, John Beck, Sir Ralph Richardson (not John Gielgud, as one reviewer stated), Maude Adams, and Shane Rimmer.
The film demonstrates that the individual can triumph over insurmountable odds and cautions against corporate control of society. It uses both allegory and speculation beautifully, and packages it with thrilling action. The remake was destined for failure because it couldn't see beyond the action. The action was only window dressing for the greater themes. If only more recent sci-fi films were this thought-provoking, or other films for that matter.