IMDb > Blood in the Streets (1973)

Blood in the Streets (1973) More at IMDbPro »Revolver (original title)


Overview

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Director:
Writers:
Massimo De Rita (screenplay)
Arduino Maiuri (screenplay)
(more)
Contact:
View company contact information for Blood in the Streets on IMDbPro.
Release Date:
November 1975 (USA) See more »
Genre:
Tagline:
The last battle between crime and the law in every major city in the world. See more »
Plot:
An Italian official's wife is kidnapped, and the kidnappers demand that a notorious prisoner be released in order for the man to get his wife back... See more » | Add synopsis »
User Reviews:
A nice change of pace See more (7 total) »

Cast

  (in credits order)

Oliver Reed ... Vito Cipriani

Fabio Testi ... Milo Ruiz

Paola Pitagora ... Carlotta
Agostina Belli ... Anna Cipriani
Frédéric de Pasquale ... Michel Granier
Marc Mazza ... Police Inspector
Reinhard Kolldehoff ... French Lawyer (as René Kolldehoff)
Bernard Giraudeau ... Kidnapper
Peter Berling ... Grappa
Gunnar Warner ... Jean Daniel
Daniel Beretta ... Al Niko
Calisto Calisti ... Maresciallo Fantuzzi
Steffen Zacharias ... Joe Lacours (as Steffen Zaccarias)
Michel Bardinet
Salvatore Borghese ... Suicidal Prisoner (as Sal Borghese)
Giovanni Pallavicino ... Kidnapper
Giacomo De Michelis
Amato Garbini
Carla Mancini
Orazio Stracuzzi
Marco Mariani ... Carlo DeGregori
Jean Degrave ... Harmakolas (as Jean de Grave)
Franco Moraldi ... French Police Chief
Ottavio Fanfani ... Shopkeeper
Gianni Bortolotti ... Doctor (as Gianni Bortolotto)
rest of cast listed alphabetically:
Bernd Stephan ... (uncredited)

Directed by
Sergio Sollima 
 
Writing credits
(in alphabetical order)
Massimo De Rita  screenplay
Arduino Maiuri  screenplay
Sergio Sollima  screenplay

Produced by
Ugo Santalucia .... producer
 
Original Music by
Ennio Morricone 
 
Cinematography by
Aldo Scavarda 
 
Film Editing by
Sergio Montanari 
 
Art Direction by
Carlo Simi 
 
Set Decoration by
Carlo Simi 
 
Costume Design by
Carlo Simi 
 
Makeup Department
Massimo De Rossi .... assistant makeup artist
Amato Garbini .... makeup artist
Vanda Piovesan .... hair stylist
Alvaro Rossi .... assistant makeup artist
 
Production Management
Hans Brockmann .... production manager: Germany
Alain Darbon .... unit manager
Livio Maffei .... production manager
Vincenzo Mazzucchi .... unit manager
 
Second Unit Director or Assistant Director
Fabrizio Castellani .... assistant director
André Delacroix .... assistant director
Jobst Neuschaeffer .... assistant director: Germany
 
Art Department
Guy Maugin .... set dresser
Sergio Palmieri .... assistant art director
 
Sound Department
Franco Bassi .... sound recordist
Amedeo Casati .... sound
René Longuet .... sound
Renato Marinelli .... sound effects
Domenico Pasquadibisceglie .... boom operator
 
Special Effects by
Gianni D'Andrea .... special effects
 
Camera and Electrical Department
Oddone Bernardini .... second camera operator
Divo Cavicchioli .... still photographer
Onofrio Coppola .... grip
Enrico Cortese .... camera operator
 
Costume and Wardrobe Department
Valeria Sponsali .... wardrobe
Anna Maria Tucci .... wardrobe
 
Editorial Department
Giuliano Mattioli .... assistant editor
Roberto Puglisi .... assistant editor
Luciano Vittori .... color timer
 
Other crew
Georgette Darbon .... production secretary
Carmine Del Monaco .... production secretary
Enrico Lucherini .... publicist
Bona Magrini .... script girl
Felicity Mason .... dialogue director
Albino Morandini .... production assistant
Angelo Sarago .... business manager
Jacques Schaeffer .... production assistant
Gino Soldi .... production assistant
Pino Colizzi .... voice dubbing: Fabio Testi (uncredited)
Vittoria Febbi .... voice dubbing: Agostina Belli (uncredited)
Pino Locchi .... voice dubbing: Oliver Reed (uncredited)
 

Production CompaniesDistributors

Additional Details

Also Known As:
"Revolver" - Italy (original title)
"In the Name of Love" - USA
See more »
Runtime:
USA:111 min
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Company:

Did You Know?

Trivia:
Director Sergio Sollima said in an interview that Oliver Reed was good to work with until 2 or 3 in the afternoon because then his alcoholism would become difficult to work with. Star Fabio Testi also expressed that it was both exciting and difficult to work with Reed due to his alcoholism, and he would become violent on the set on many occasions.See more »
Goofs:
Errors made by characters (possibly deliberate errors by the filmmakers): In one scene Fabio Testi's character refers to Paola Pitagora's character as Paola instead of Carlotta.See more »
Movie Connections:
Referenced in Ban the Sadist Videos! Part 2 (2006) (V)See more »
Soundtrack:
Un amiSee more »

FAQ

This FAQ is empty. Add the first question.
18 out of 20 people found the following review useful.
A nice change of pace, 27 December 2002
Author: Rob Lineberger

I may be cynical, but sometimes I look at my collection and see 50 copies of the same movie. Explosions, love interest, conservative "twist" ending, cut! Revolver may be just as derivative of 1970's flicks as the explosion fests of the 21st century are today, but for some reason it was refreshing to watch. I can't see anyone lavishing "rabid fanboy" praise on it, but Revolver was enjoyable, moving at times, and had two great performances. If you thirst for a change of pace, but want to retain the comfortable action standbys of guns and violence, Revolver may be right up your alley. The fantastic extras don't hurt either.

I've never seen a movie quite like this. The best descriptor I can muster is "spaghetti thriller". It's a seventies crime drama with a bit of Dirty Harry, a helping of Reservoir Dogs, a few drops of eau de western, a scoop of melodrama, and a dash of political commentary. Though it oscillates between boredom and epic, Revolver delivers the kind of entertainment that today's movies can only parody. If you buy into the characters, you'll be treated to a satisfying drama. If modern sensibilities prevent that, you can at least enjoy the campier aspects (bad lip synch, fur coats) and delight in the commanding score. The score alone is worth it.

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