| Peter Fonda | ... | Roger Marsh | |
| Warren Oates | ... | Frank Stewart | |
| Loretta Swit | ... | Alice Stewart | |
| Lara Parker | ... | Kelly Marsh | |
| R.G. Armstrong | ... | Sheriff Taylor | |
| Clay Tanner | ... | Delbert | |
| Carol Blodgett | ... | Ethel Henderson | |
| Phil Hoover | ... | Mechanic | |
| Ricci Ware | ... | Ricci Ware | |
| Paul A. Partain | ... | Cal Mathers | |
| James N. Harrell | ... | Gun Shop Owner | |
| Karen Miller | ... | Kay | |
| Arkey Blue | ... | Arkey Blue | |
| Jack Starrett | ... | Gas Station Attendant | |
| Wes Bishop | ... | Deputy Dave | |
| rest of cast listed alphabetically: | |||
| Joyce King | ... | Librarian (uncredited) | |
| Paul Maslansky | ... | Road Worker in Cowboy Hat (uncredited) | |
| Dan Hewitt Owens | ... | Jay (uncredited) | |
| Tommy Splittgerber | ... | Shop Foreman (uncredited) | |
Directed by | |||
| Jack Starrett | |||
Writing credits | ||
| Lee Frost | (written by) and | |
| Wes Bishop | (written by) | |
Produced by | |||
| Wes Bishop | .... | producer | |
| Paul Maslansky | .... | executive producer | |
| Lee Frost | .... | producer (uncredited) | |
Original Music by | |||
| Leonard Rosenman | |||
Cinematography by | |||
| Robert C. Jessup | (director of photography) (as Robert Jessup) | ||
Film Editing by | |||
| John F. Link | (as John Link) | ||
Makeup Department | |||
| Dorothy J. Pearl | .... | makeup artist (as Dottie Pearl) | |
Production Management | |||
| Frederic W. Brost | .... | unit production manager (as Fred Brost) | |
| Tony Wade | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Frederic W. Brost | .... | assistant director (as Fred Brost) | |
| Stephen Lim | .... | second assistant director (as Steve Lim) | |
| Paul Maslansky | .... | second unit director (uncredited) | |
| Paul Nuckles | .... | second unit director (uncredited) | |
Art Department | |||
| Mark Wade | .... | property master | |
| Stephane Goulet | .... | prop supervisor (uncredited) | |
Sound Department | |||
| Don J. Bassman | .... | sound re-recording mixer (as Don Bassman) | |
| William Randall | .... | production sound mixer | |
Special Effects by | |||
| Richard O. Helmer | .... | special effects (as Richard Helmer) | |
Stunts | |||
| Paul Nuckles | .... | stunt coordinator (as Paul Knuckles) | |
| Bud Davis | .... | stunts (uncredited) | |
| Gary Davis | .... | stunts (uncredited) | |
| Eddy Donno | .... | stunts (uncredited) | |
| Bud Ekins | .... | stunts (uncredited) | |
| Beau Gibson | .... | stunts (uncredited) | |
| Duffy Hambleton | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| George Bouillet | .... | camera operator (as George Boulliet) | |
| Ross A. Maehl | .... | gaffer (as Ross Maehl) | |
| Don Baker | .... | animation camera: main title (uncredited) | |
| Calvin Maehl | .... | best boy electric (uncredited) | |
Costume and Wardrobe Department | |||
| Nancy McArdle | .... | wardrobe | |
Editorial Department | |||
| Michael Cipriano | .... | assistant film editor | |
| Allan Jacobs | .... | supervising film editor | |
Music Department | |||
| Tommy Tedesco | .... | musician: guitar (uncredited) | |
Transportation Department | |||
| Greg Van Dyke | .... | transportation coordinator (uncredited) | |
Other crew | |||
| Jack Cole | .... | main title design | |
| Joyce King | .... | script supervisor | |
| Peter Anderson | .... | main title (uncredited) | |
| Catherine McDermott | .... | lead stand-in (uncredited) | |
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| The Car | Desperation | First Blood | Doctor Mordrid | Army of One |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Let's hop into the wayback machine and return to the North Cedar Drive-In Theatre in Spokane, Washington, circa 1975. It's hot and muggy and my best friend and I are seeing maybe the fortieth movie of the summer, sitting in my Oldsmobile Vista Cruiser or his 12 year old F-250 (I can't remember which). We sit back to watch Race With the Devil, an obvious B-grade horror flick we've heard great things about from friends.
I haven't seen Jack Starrett's RWD since that night in the summer of '75, but I distinctly remember how good it was, how merrily hell-bent-for-leather the action was, and the way it tied into our goofy fear of Satanic cults and human chains thirty years ago. If you were around the greater Spokane area (now there's an oxymoron!) way back when, you must have heard the stories coming out of Rathdrum, Idaho, north of Coeur d'Alene. This flick was shot in the southwest, but with all the rural versions of urban legends clanking about the Idaho Panhandle, Race With the Devil seemed like a home movie.
I believe the movie made a gob of money that year.
I recommend Race With the Devil in no small part for the fact that it's obvious the people involved are having a great time, a must for a low-budget movie. It has the pacing and the chills to scare teenagers wearing long hair and bell bottoms and, I'm sure after I order a copy from Amazon, it will put a grin on the face of this paunchy, middle-aged nostalgist.