Larry Rayder is an aspiring NASCAR driver, Deke Sommers is mechanic. As they feel they collectively are the best, the only thing that is holding them back is money to build the best vehicle... See full summary »
In the countryside of England, the Duc de Richleau a.k.a Nicholas welcomes his old friend Rex Van Ryn that has flown to meet him and Simon Aron, who is the son of an old friend of them that... See full summary »
Frank and Roger and their wives take off for Colorado in a recreational vehicle, looking forward to some skiing and dirt biking. While camping en route, they witness a Satanic ritual sacrifice, but the local sheriff finds no evidence to support their claims and urges them to continue on their vacation. On the way, however, they find themselves repeatedly attacked by cult members, and they take measures to defend themselves. Written by
Ed Sutton <firstname.lastname@example.org>
Jack Starrett replaced original director Lee Frost when Fox head Alan Ladd Jr. was unsatisfied with the dailies. Most of his footage was re-shot. See more »
When Roger (Peter Fonda) is shooting at the final car chasing after them, the car that was following them was a late 1960s Oldsmobile Delmont 88, but the close up scenes of the car getting shot appears to be an early 1960s compact vehicle. See more »
For years I've listened to nitpickers attack the ending. "Why didn't they just drive away?" If you recall, the attendant at the last gas station they stopped at warned, "You got a busted headlight on that thing". Not to mention half of the front end torn off, exposing the engine compartment.
Fonda's character pulls off the road to repair the headlight "while there's still enough light to see what I'm doing". The cultists last contacted them at the roadside construction project, and followed them to where they stopped -- at twilight.
When night fell, they either smashed the other headlight or disabled the engine by quietly pulling a cable or belt. In the dark, with no headlights, surrounded by hills and dales and rocks and streams and trees, that big behemoth isn't going anywhere, if it's even still running.
The couples originally see their $26,000 Vogue as a castle on wheels -- king of the road. "We don't need anything. We are self-contained, baby!" They quickly realize that it is in fact a lumbering, vulnerable deathtrap that makes them easy prey in isolated, unfamiliar territory. This refusal to accept that they are so out of their element -- in a race that they can't possibly win -- is the movie's entire point.
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