A lonely widow and a postman find romance late in life at the local dance hall.

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Cast

Cast overview, first billed only:
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Bea Asher
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Al Green
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David
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Jack
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Helen
Jacquelyn Hyde ...
Angie
Beverly Sanders ...
Diane
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Louis
Elizabeth Berger ...
Jennifer
Natalie Core ...
Pauline Krimm
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Singer
Danna Hansen ...
Martha
Orrin Tucker ...
M.C.
Lewis Charles ...
Johnny
Ruth Warshawsky ...
Shirley
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Storyline

A middle-aged woman finds herself simply a widow, a grandmother and a person when a friend takes her to the Stardust Ballroom, a dance hall which recreates the music and atmosphere of the 1940s. There she encounters a most unlikely Prince Charming, a middle-aged mailman. With this encounter, life takes on a new meaning for the film's heroine. Written by alfiehitchie

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Romance | Drama

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13 February 1975 (USA)  »

Also Known As:

Die Ballkönigin  »

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4:3
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Did You Know?

Trivia

The house exteriors are of a house in Woodhaven, Queens, New York. The house, at one time, was owned by the Smith family. Betty Smith wrote the novel, "A Tree Grows In Brooklyn". The house is still standing on Forest Parkway, next to the Post Office. See more »

Soundtracks

I Love To Dance
Music by Billy Goldenberg
Lyrics by Marilyn Bergman and Alan Bergman
Performed by Charles Durning and Maureen Stapleton
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User Reviews

Low-Key And Sentimental
21 February 2011 | by (Dallas, Texas) – See all my reviews

Maureen Stapleton gives a fine performance in this simple and straightforward story of an older woman trying to get on with her life after her husband dies.

Stapleton's performance aside, the film has the look and feel of a typical 1970's made-for-TV movie of the week. In addition to period costumes and props, the visuals are very dark. And the background music is annoyingly nondescript. Further, I did not care for the plot device wherein Stapleton's character suddenly bursts into non-melodic song, at odd moments. It seemed unnatural and intrusive.

A big part of the plot takes place at the ballroom. Here, the filmmaker could have included well-known songs from the big band era, songs that viewers could identify with. But, for whatever reason, the filmmaker passed up this opportunity, and chose instead more nondescript music that quickly becomes tiresome.

Although this film is not bad, it was a disappointment to me. But other viewers may find interest in it, especially if they're looking for a low-key, sentimental story, or a film with a fine performance from Maureen Stapleton.


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