| Rebecca Brooke | ... | Anne (as Mary Mendum) | |
| Carl Parker | ... | Jean | |
| Marilyn Roberts | ... | Claire | |
| Valerie Marron | ... | Salesgirl (as Yvette Hiver) | |
| Michelle Vence | |||
| Estelle McNalley | |||
| Nicole Rochambeau |
Directed by | |||
| Radley Metzger | |||
Writing credits(in alphabetical order) | ||
| Radley Metzger | screenplay (as Jake Barnes) | |
| Catherine Robbe-Grillet | novel "L'Image" (as Jean de Berg) | |
Produced by | |||
| Gill Champion | .... | producer | |
| Ava Leighton | .... | associate producer | |
| Max Pécas | .... | producer | |
| Marty Richards | .... | producer | |
Cinematography by | |||
| Robert Lefebvre | (director of photography) | ||
Makeup Department | |||
| Antoinette Richard | .... | hair stylist | |
Production Management | |||
| Yves Prigent | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jean-Claude Raynal | .... | second assistant director | |
| Robert Renzulli | .... | assistant director | |
Sound Department | |||
| Emil LeBrun | .... | sound | |
Camera and Electrical Department | |||
| Henri-Jean Alliet | .... | first assistant camera (as Henri Alliet) | |
| Gaston Muller | .... | camera operator | |
Editorial Department | |||
| Lucienne Margale | .... | color consultant | |
| Andrew Pressman | .... | assistant editor (as Andy Pressman) | |
| William Szarka | .... | assistant editor | |
Music Department | |||
| George Craig | .... | music editor | |
Other crew | |||
| Janette Chaix | .... | script supervisor | |
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| Fly Me the French Way | Historia sexual de O | Emmanuelle | The Voyeur | Immagini di un convento |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adult section | IMDb USA section |
THE IMAGE is a disturbing, erotic, scary, elegant movie that probably only Radley Metzger could have made. Most directors of 'erotica' concentrate on gynecological close-ups to the exclusion of all else; Metzger's hallmark has always been to tell the story and explain the characters by relying as much on the actors' eyes as on the dialogue. The S&M scene is as alien to me as peanut-butter-and-pickle sandwiches (which I am also told some enjoy), but in THE IMAGE I can see the gamesmanship, the role-playing and the unspoken psychological leveraging that makes it all so compellingly complex. Would I show this film to Grandma? Uh-uh. But then, that's just MY grandma, who knows, yours may have a side you never suspected. This film is hot, fascinating, and, in this gorgeous and UNCUT (thank you, thank you!) video transfer, stunningly beautiful as well.