A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A young man tries to help a teenage European girl whom escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A psychic who can read minds picks up the thoughts of a murderer in the audience and soon becomes a victim. An English pianist gets involved in solving the murders, but finds many of his avenues of inquiry cut off by new murders, and he begins to wonder how the murderer can track his movements so closely. Written by
Ed Sutton <email@example.com>
In one scene David Hemmings walks past a bar at night. The bar is styled after the famous painting "Nighthawks", by Edward Hopper. See more »
In Carlos' lover's bedroom we see them leaving with the following order: 1st Carlo, 2nd Marcus and 3rd Carlos' lover. But when reaching the door we see: 1st Carlo, 2nd Carlos' lover and 3rd Marcus. See more »
Olga! Come back here this minute!
[Olga walks back to her father]
What is it?
You little witch. I told you not to do that again!
[Slaps Olga across the face]
Now off you go- go on!
[Olga gives her father an evil smirk as she backs away]
See more »
Simultaneously intriguing and brutal; a masterpiece of Giallo
With this film, Argento raised the bar for Giallo's. With it's spanning plot, complete with highly inventive ideas and intriguing theme; Profondo Rosso is an absolute highlight in the sub-genre. The film follows a female medium who, while giving a lecture, senses the presence of a murderer in the room that is transmitting murderous thoughts to her. Pretty soon after, she is brutally murdered by an unknown assassin, under the watchful eye of Mark (David Hemmings); a professional piano player. As you would expect from Giallo, Mark then takes it upon himself to get to the bottom of the murder and, along with a nosey female journalist (Daria Nicolodi), he conducts his own investigation. However, things are never that simple and aside from trying to solve the murder, he also finds himself being pursued by the maniac...will he be able to discover the truth before it's too late?
Profondo Rosso is, in the collective eyes of the horror fanatics, Argento's number two (Suspiria being number one). I don't actually agree with that; as I think that Tenebre, Opera and Bird With the Crystal Plumage belong in front of this one, but Profondo Rosso is definitely up there, so who am I to complain? This film features a lot more bloodshed than anything Argento had made previously, and that is definitely a good thing. However, the plot does slow down at times, and it's not paced as well as Bird with the Crystal Plumage is. It's also somewhat wayward, with it spending lots of time on certain things, such as the investigation in the haunted house, and not a lot of time on other things that are just as important to the mystery. Despite there being quite a few death scenes, I do feel that Argento would have been better served either adding another one to increase the excitement, or maybe cutting the film down a little to make it run more smoothly. The murders that Dario does give us, however, are brutal to say the least! We've got a woman burned to death in a bath of scolding water, another woman smashed through a glass window, a man having his teeth smashed against a table (not too dissimilar to the 'curb' scene in American History X) and, of course, the final death, which has to be seen to be believed - an amazingly over the top scenario to say the least!
David Hemmings take the lead role in Profondo Rosso, and does a very good job of it. Hemmings is, of course, most famous for his role in Blow-Up, and his role here isn't too different from that one. Starring alongside Hemmings is Daria Nicolodi, the actress that has starred in a number of Argento's films (Opera, Inferno and Tenebre to name three) and also collaborated with Argento on another fine creation. I'm sure you know who I'm talking about. Also getting in on the fun is Gabriele Lavia, whom Argento fans will remember from Inferno (also, curiously, called Carlo). Dario Argento's direction here is nothing short of sublime. His use of the camera is more than assured and some of the camera angles and images that are presented on screen are amazing. Dario Argento deserves every piece of praise that he gets and anyone that sees this film will not find it hard to see why.
Overall, Profondo Rosso ranks as an absolute must see. It's one of the finest Giallo's ever made and is a career highlight for everyone involved. Highly recommended viewing for all.
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