After witnessing the murder of a famous psychic, a musician teams up with a feisty reporter to find the killer while evading attempts on their lives by the unseen assailant bent on keeping a dark secret buried.
A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A young man tries to help a teenage European girl who escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A psychic who can read minds picks up the thoughts of a murderer in the audience and soon becomes a victim. An English pianist gets involved in solving the murders, but finds many of his avenues of inquiry cut off by new murders, and he begins to wonder how the murderer can track his movements so closely. Written by
Ed Sutton <email@example.com>
The film was originally titled "La tigre dai denti a sciabola" ("The Sabre-Toothed Tiger"), following the naming pattern of Dario Argento's previous thrillers. However, much to Argento's annoyance, other directors had started using similar animal-related titles for their own genre films, so he decided to go in a different direction. See more »
When the camera is panning across the record player, when Marcus is playing the 'child's song', the stylus is silver whereas in the next shot when the record is stopped the stylus is completely different (a red one instead). See more »
[Back at the car with Marc]
What'd you do?
Nothing. Don't pay any attention; my father's just a little crazy.
[At Rodi's feet, a lizard with a pin through it's head, squirming on the ground]
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Thrilling giallo masterpiece is considered by many to be one of the finest, if not the finest, films made by horror master Dario Argento.
When musician witnesses brutal murder, he joins a quirky journalist in the hunt for a mysterious killer.
It's not hard to see why many believe this film to be Argento's greatest and a landmark in the giallo horror genre. The film is an engrossing murder mystery, possessing many of the elements of Argento's great debut film The Bird with the Crystal Plumage (1970). Argento throws in lots of his unique trademark style with plenty of inventive set pieces, clever cinematography, and terrific atmosphere and imagery. Deep Red also has some of the most horrific murder sequences of the genre and there's plenty of gruesomeness to be had! Adding all the more to the proceedings is the energetic music score of Goblin.
The cast is also good. David Hemmings makes for a great leading man. Daria Nicolodi, who would later be long-time girlfriend to director Argento, shines as the journalist. Hemmings and Nicolodi have some nicely comical scenes together that add even more color to the film. Also worthy of mention is Gabriele Lavia in his role as Hemmings alcoholic friend and Macha Meril as an ill-fated psychic.
While this Argento fan still favors Suspiria (1977) as Argento's finest film, it's easy to see why Deep Red is considered his greatest by some. It's a terrific landmark thriller that firmly ranks as one of Argento's best!
**** out of ****
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