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Deep Red (1975)

Profondo rosso (original title)
After witnessing the murder of a famous psychic, a musician teams up with a feisty reporter to find the killer while evading attempts on their lives by the unseen assailant bent on keeping a dark secret buried.

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Cast

Cast overview, first billed only:
...
...
Gabriele Lavia ...
...
Eros Pagni ...
...
Piero Mazzinghi ...
Glauco Mauri ...
...
Aldo Bonamano ...
Liana Del Balzo ...
Vittorio Fanfoni ...
Dante Fioretti ...
Geraldine Hooper ...
Jacopo Mariani ...
Young Carlo (as Iacopo Mariani)
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Storyline

A psychic who can read minds picks up the thoughts of a murderer in the audience and soon becomes a victim. An English pianist gets involved in solving the murders, but finds many of his avenues of inquiry cut off by new murders, and he begins to wonder how the murderer can track his movements so closely. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

The maker of "SUSPIRIA" now takes you on a journey through the macabre, the bizarre. . . the unnatural. See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

11 June 1976 (USA)  »

Also Known As:

Deep Red  »

Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

| (R-rated) | (theatrical)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The closeup shots of the killer's hands, clad in black leather gloves, were performed by director Dario Argento himself. See more »

Goofs

Marc plays a piano one-handed in his loft but sounds like he's still playing with both hands (ie, treble and bass notes together). See more »

Quotes

Gianna: I think that a woman's gotta be independent so she can...
Marc: Oh, don't start with me about all that woman's stuff. It is a fundamental fact... men are different from women. Women are... weaker; well, they're gentler.
Gianna: They're what? Weaker? Gentler?
[howls in laughter]
Gianna: [Gianna stops laughing, stands and moves to the table, pushing things off of it]
Marc: What on earth are you doing?
[Sitting again and holding her arm up]
Gianna: Come on, Tarzan. Why don't you try me?
Marc: What's that?
Gianna: Indian wrestling.
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Crazy Credits

"You have just seen Deep Red." See more »

Frequently Asked Questions

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User Reviews

It Even Has An Intriguing Story
18 October 2005 | by (Dallas, Texas) – See all my reviews

As with other Argento giallos, the accent in "Deep Red" is on the visuals: the artsy sets, the garish lighting, the tendency for the camera to dwell on brutal details. Images are stark, with high contrast in lighting. And there's lots of visual symmetry. Emotionally, "Deep Red" is cold, entirely appropriate, given that the theme relates to the psychological coldness of a killer.

But unlike "Suspiria", wherein the story is almost irrelevant, "Deep Red" has an intriguing premise, with a plot that, although slow to get going, is nevertheless coherent, and builds to a riveting finale. I was quite surprised at who the killer was. Clues are very subtle, but they're there, if you know where to look. There's a nifty plot twist toward the film's end. I like the visuals in all of the Argento films I have seen. But "Deep Red", more than others, has a better developed story line. As such, the film is my second favorite Argento giallo. My personal favorite is "The Bird With The Crystal Plumage".

Weak dialogue and weak characterization permeate Argento's films. But his fans don't seem to mind. I certainly don't. What I did find annoying in "Deep Red" was the background music. Most viewers like the sound of Goblin. But to me, the music was too frantic, and not really suitable for a thriller.

There are few contemporary horror films that compare to those of Dario Argento. His giallos are: Gothic, brutal, impressionistic, artistic, and sometimes surreal. "Deep Red" is one of the best.


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