A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
A killer known as Ghostface begins killing off teenagers, and as the body count begins rising, one girl and her friends find themselves contemplating the "Rules" of horror films as they find themselves living in a real-life one.
With a dead body lying between them, two men wake up in the secure lair of a serial killer who's been nicknamed "Jigsaw". The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.
Someone is strangling coeds in Perugia. The only clue is that the killer owns a red and black scarf, and police are stumped. American exchange student Jane and her friends decide to take a ... See full summary »
A wave of gruesome murders is sweeping Tokyo. The only connection is a bloody X carved into the neck of each of the victims. In each case, the murderer is found near the victim and ... See full summary »
A psychic who can read minds picks up the thoughts of a murderer in the audience and soon becomes a victim. An English pianist gets involved in solving the murders, but finds many of his avenues of inquiry cut off by new murders, and he begins to wonder how the murderer can track his movements so closely. Written by
Ed Sutton <firstname.lastname@example.org>
Following the 11 seconds of cuts made in 1993 to the Redemption video the Platinum DVD restored the brief dogfight scene though one cut was retained. On a Dario Argento collection where versions could be chosen (English or Italian) the longer Italian language version showed a very sloppy cut before the unfortunate lizard was seen on-screen with a pin through its head. The shorter English language print had no such cuts. See more »
The wires controlling the bird are visible when it flies into the knitting needle. See more »
[Back at the car with Marc]
What'd you do?
Nothing. Don't pay any attention; my father's just a little crazy.
[At Rodi's feet, a lizard with a pin through it's head, squirming on the ground]
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Thrilling giallo masterpiece is considered by many to be one of the finest, if not the finest, films made by horror master Dario Argento.
When musician witnesses brutal murder, he joins a quirky journalist in the hunt for a mysterious killer.
It's not hard to see why many believe this film to be Argento's greatest and a landmark in the giallo horror genre. The film is an engrossing murder mystery, possessing many of the elements of Argento's great debut film The Bird with the Crystal Plumage (1970). Argento throws in lots of his unique trademark style with plenty of inventive set pieces, clever cinematography, and terrific atmosphere and imagery. Deep Red also has some of the most horrific murder sequences of the genre and there's plenty of gruesomeness to be had! Adding all the more to the proceedings is the energetic music score of Goblin.
The cast is also good. David Hemmings makes for a great leading man. Daria Nicolodi, who would later be long-time girlfriend to director Argento, shines as the journalist. Hemmings and Nicolodi have some nicely comical scenes together that add even more color to the film. Also worthy of mention is Gabriele Lavia in his role as Hemmings alcoholic friend and Macha Meril as an ill-fated psychic.
While this Argento fan still favors Suspiria (1977) as Argento's finest film, it's easy to see why Deep Red is considered his greatest by some. It's a terrific landmark thriller that firmly ranks as one of Argento's best!
**** out of ****
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