Overview
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Release Date:
9 April 1975 (USA)
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Tagline:
I used to be somebody else...but I traded myself in.
Plot:
A frustrated war correspondent, unable to find the war he's been asked to cover, takes the risky path of co-opting the I.D. of a dead arms dealer acquaintance.
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Awards:
4 wins
&
1 nomination
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User Comments:
One of the best Antonioni films
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Additional Details
Also Known As:
The Passenger (International: English title) (UK)
El reportero (Spain)
Profession: reporter (France)
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Rated PG-13 for some violence, nudity and language. (edited version)
Runtime:
126 min | 119 min
Color:
Color (Metrocolor)
Aspect Ratio:
1.85 : 1
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Fun Stuff
Trivia:
In the DVD commentary, Nicholson states that Antonioni constructed the entire hotel entirely so that the final shot could be accomplished, though he suggests that the entire hotel was built on hinges instead of simply the bars outside the window. This assertion is incorrect as production photos and several books testify. The shot was made by opening the bars which were on hinges and allowing the camera to pass through and be picked up outside. What also attracted the director to this building is it used to be a church and was across the street from a bullfight ring.
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Quotes:
David Locke:
What can you see now?
The Girl:
[
looking out the window] A man scratching his shoulder, a kid throwing stones, and dust. It's very dusty here.
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Michelangelo Antonioni's films are very static, with a few dialogues. They describe boredom of bourgeois class, they're cold. Sometimes they're unbearable: either you like them or you don't.
"Professione: reporter", to me, belongs to the most interesting period of Antonioni's career (between the second half of the Sixties and the first of the Seventies). Because in these years the Italian director made his most accessible works: "Blow Up" (1966), "Zabryskie point" (1969) and "Professione: reporter" ("The Passenger", 1974). These films contain more action and more situations. They are neither more commercial nor more mainstream, but they talk about an adventure or a dream.
A journalist in North Africa switches the identity with a dead man who looks like him. He does this to escape from his life and for living a more interesting one. But he'll pay for his choice...
It's difficult to say, but this Antonioni movie (with his recurrent themes and -in a smaller way- times) has a lot of suspense, if I can say so. Once you begin to watch it, you can't give up. The funny thing is that nothing really big or special happens: sometimes it seems a road movie, sometimes it is a typical Antonioni analysis of the society. Jack Nicholson -how young he was at that time!- fills the film, his performance and his expressions are brilliant. It's also interesting the chemistry with Maria Schneider, the lady of "The last tango in Paris" -an actress who never got the fame and the recognition she deserved.
Cinematography is fantastic. But, above all, the big surprise of the film is the final shot: a 7-8 minutes take without cuts, absolute amazing. It's not describable, it's a must!