A hunted man breaks into the castle at Oberwald to kill the Queen, but faints before doing so. He is Sebastian, the splitting image of the King who was assassinated on his wedding day. The ... See full summary »
An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los ... See full summary »
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The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
A journalist researching a documentary in the Sahara Desert meets a gunrunner who dies suddenly. When the journalist notices that they have a similar appearance, he assumes the recently deceased's identity and accepts the consequences that it brings. Written by
Maria Schneider was suffering from excruciating back pain during filming and would often be in a medicated muddle towards the end of the day when her pain meds kicked in. In one scene, Jack Nicholson had to physically prop her up. See more »
Your question are much more revealing about yourself than my answer would be about me.
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Slow but well worth the time it takes to arrive at the shattering conclusion. Watch it more than once as there are many small visual cues and tips that add both to the plot and theme. Jack Nicholson is superb - and surprisingly low-key - as the jaded and detached reporter who switches identity with a dead man out of boredom more than anything else. Maria Schneider is fine in a somewhat underwritten role. The real stars however are Antonioni's restlessly roving camera and the sublime locations which include the Sahara desert, a cable-car, and that bewitching Gaudi rooftop in Barcelona.
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