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The Passenger (1975)
"Professione: reporter" (original title)

 -  Drama  -  9 April 1975 (USA)
7.7
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Ratings: 7.7/10 from 12,037 users   Metascore: 90/100
Reviews: 100 user | 95 critic | 20 from Metacritic.com

A frustrated war correspondent, unable to find the war he's been asked to cover, takes the risky path of co-opting the I.D. of a dead arms dealer acquaintance.

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(story), (screenplay), 3 more credits »
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Title: The Passenger (1975)

The Passenger (1975) on IMDb 7.7/10

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4 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
...
Jenny Runacre ...
Rachel Locke
...
Martin Knight
...
Stephen
Ambroise Bia ...
Achebe
José María Caffarel ...
Hotel Keeper
James Campbell ...
Witch Doctor
Manfred Spies ...
German Stranger
Jean-Baptiste Tiemele ...
Murderer
Ángel del Pozo ...
Police inspector
Charles Mulvehill ...
David Robertson (as Chuck Mulvehill)
Narciso Pula ...
Murderer's accomplice
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Storyline

A journalist researching a documentary in the Sahara Desert meets a gunrunner who dies suddenly. When the journalist notices that they have a similar appearance, he assumes the recently deceased's identity and accepts the consequences that it brings. Written by MuzikJunky

Plot Summary | Plot Synopsis

Taglines:

I used to be somebody else...but I traded him in.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for some violence, nudity and language | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

| | |

Release Date:

9 April 1975 (USA)  »

Also Known As:

Professione: reporter  »

Box Office

Opening Weekend:

$24,157 (USA) (28 October 2005)

Gross:

$619,744 (USA) (10 March 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The entire movie is supposed to have taken place in just one day, this is the reason that the film has no night-time scenes. Director Michelangelo Antonioni mentioned the fact in a 1986 interview, where he said "Actually the entire story takes place in a short period of one day, from early morning until some time before sunset." See more »

Quotes

David Locke: I've run out of everything - my wife... the house... an adopted child... a successful job... everything except a few bad habits I could not get rid of.
See more »

Connections

Referenced in Siskel & Ebert: On the Sunny Side of the Screen (1994) See more »

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User Reviews

 
One of the best Antonioni films
27 September 2005 | by (Switzerland) – See all my reviews

Michelangelo Antonioni's films are very static, with a few dialogues. They describe boredom of bourgeois class, they're cold. Sometimes they're unbearable: either you like them or you don't.

"Professione: reporter", to me, belongs to the most interesting period of Antonioni's career (between the second half of the Sixties and the first of the Seventies). Because in these years the Italian director made his most accessible works: "Blow Up" (1966), "Zabryskie point" (1969) and "Professione: reporter" ("The Passenger", 1974). These films contain more action and more situations. They are neither more commercial nor more mainstream, but they talk about an adventure or a dream.

A journalist in North Africa switches the identity with a dead man who looks like him. He does this to escape from his life and for living a more interesting one. But he'll pay for his choice...

It's difficult to say, but this Antonioni movie (with his recurrent themes and -in a smaller way- times) has a lot of suspense, if I can say so. Once you begin to watch it, you can't give up. The funny thing is that nothing really big or special happens: sometimes it seems a road movie, sometimes it is a typical Antonioni analysis of the society. Jack Nicholson -how young he was at that time!- fills the film, his performance and his expressions are brilliant. It's also interesting the chemistry with Maria Schneider, the lady of "The last tango in Paris" -an actress who never got the fame and the recognition she deserved.

Cinematography is fantastic. But, above all, the big surprise of the film is the final shot: a 7-8 minutes take without cuts, absolute amazing. It's not describable, it's a must!


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