An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los ... See full summary »
Cold, rain, and fog surround a plant in Ravenna. Factory waste pollutes local lakes; hulking anonymous ships pass or dock and raise quarantine flags. Guiliana, a housewife married to the ... See full summary »
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
A hunted man breaks into the castle at Oberwald to kill the Queen, but faints before doing so. He is Sebastian, the splitting image of the King who was assassinated on his wedding day. The ... See full summary »
A journalist researching a documentary in the Sahara Desert meets a gunrunner who dies suddenly. When the journalist notices that they have a similar appearance, he assumes the recently deceased's identity and accepts the consequences that it brings. Written by
After initially refusing the role, Maria Schneider did not sign until the film was several weeks into production. See more »
My name is Robertson. I've been waiting for someone who hasn't arrived.
Man With Cane:
Ninos. I've seen so many of them grow up. Other people look at the children and they all imagine a new world. But me, when I watch them, I just see the same old tragedy begin all over again.
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I just saw this movie last night on the big screen as part of the re-release. Without a doubt, this is a great movie. I knew nothing about it going in, except that Jack was in a movie by the guy who did Blow-Up...needless to say, the film lacks the chic swinging London vibe of Blow- Up however is much more effective in terms of playing out an ambiguous mystery and Jack gives a remarkable, subdued performance. Keep in mind when seeing this film that it is sloooooooow, but the payoffs are well worth it (highly recommended to see on the big screen). Antonioni is incredibly assured behind the camera and lets the story play out in its own time. The way the story is revealed is like a trail of lost breadcrumbs that the audience is given only when it is absolutely starving for something. Once they are given, those crumbs turn into succulent, nourishing slices of (insert favorite food here). The last scene, for me, was worth ten times the price of admission. That which is inevitable is the most haunting.
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