A hunted man breaks into the castle at Oberwald to kill the Queen, but faints before doing so. He is Sebastian, the splitting image of the King who was assassinated on his wedding day. The ... See full summary »
An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los ... See full summary »
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
Cold, rain, and fog surround a plant in Ravenna. Factory waste pollutes local lakes; hulking anonymous ships pass or dock and raise quarantine flags. Guiliana, a housewife married to the ... See full summary »
'It's Monopoly out there'. Jason Staebler, The King of Marvin Gardens, has gone directly to jail, lives on the Boardwalk and fronts for the local mob in Atlantic City. He is also a dreamer ... See full summary »
Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, ... See full summary »
A journalist researching a documentary in the Sahara Desert meets a gunrunner who dies suddenly. When the journalist notices that they have a similar appearance, he assumes the recently deceased's identity and accepts the consequences that it brings. Written by
Michelangelo Antonioni's films are very static, with a few dialogues. They describe boredom of bourgeois class, they're cold. Sometimes they're unbearable: either you like them or you don't.
"Professione: reporter", to me, belongs to the most interesting period of Antonioni's career (between the second half of the Sixties and the first of the Seventies). Because in these years the Italian director made his most accessible works: "Blow Up" (1966), "Zabryskie point" (1969) and "Professione: reporter" ("The Passenger", 1974). These films contain more action and more situations. They are neither more commercial nor more mainstream, but they talk about an adventure or a dream.
A journalist in North Africa switches the identity with a dead man who looks like him. He does this to escape from his life and for living a more interesting one. But he'll pay for his choice...
It's difficult to say, but this Antonioni movie (with his recurrent themes and -in a smaller way- times) has a lot of suspense, if I can say so. Once you begin to watch it, you can't give up. The funny thing is that nothing really big or special happens: sometimes it seems a road movie, sometimes it is a typical Antonioni analysis of the society. Jack Nicholson -how young he was at that time!- fills the film, his performance and his expressions are brilliant. It's also interesting the chemistry with Maria Schneider, the lady of "The last tango in Paris" -an actress who never got the fame and the recognition she deserved.
Cinematography is fantastic. But, above all, the big surprise of the film is the final shot: a 7-8 minutes take without cuts, absolute amazing. It's not describable, it's a must!
40 of 46 people found this review helpful.
Was this review helpful to you?